We are in February – it may still be middle of Winter but we are posting the hottest bands on the circuit. Today`s entry is double special. In recent days a blog showing lack of women on major festivals bills written by music journalist Lucy McCourt went viral. Now the biggest heads of music industry prove left, right and centre the sheer hypocrisy of almost complete elimination of female artists from this year`s festivals. The average % of places for women is 4.75% for UK and 54% for European festivals.
Things need to change but they won’t unless the women themselves will have a voice. So we went and asked Jessie Scarlet Robinson – the vocalist and leader of Scarlet. to tell us how it is. And she had few words to say!
We are blown away by Scarlet. in general – the band have been rocking the circuit since 2014 and every year they get better, stronger and louder. Please have a read – Jessie is truly an incredible conversationalist – clear, well prepared and straight to the point. Exactly what one would expect from a strong female voice from the world of rock and roll.
Abbie McCarthy of BBC 1 called the band “a massive powerhouse”. Please introduce Scarlet. to the readers of Indieterria.
Jessie Scarlet Robinson: We are Scarlet. a 4 piece band from the North West of England: Jessie on vocals and guitar, Laura on bass, Cai on drums and Adam on guitar.
You have been a strong part of the indie circuit since 2015. You debuted with an EP “FISHES” which gained a lot of attention from music professionals and journalists alike. It was like a breath of fresh air and Scarlet. were quickly regarded as the first band to announce revival of Riot-Grrrl movement. Where do you see yourself as musicians and artists?
Jessie Scarlet Robinson: You’re very flattering for saying this, we have been around for a while yes and we were at the beginning of this whole female “riot grrl” revival. We were doing our thing as Wolf Alice’s old demos were being passed around… I think I personally see myself as having grown massively over these years and I see myself more now as an “artist” than I did in my late teens/early 20s. I feel like we’re developing a craft. I say all the time if we had the money and half a chance, we could headline Glastonbury tomorrow
Scarlet. has also received strong backing from national radio stations – you have been played on multiple BBC Introducing chapters, BBC 6, BBC Radio 1, Radio X among others. Your music has been described as “phenomenal”, “revolutionary” and “groundbreaking”. It’s hard to keep up with all compliments but is there any particular review (good or bad) that you remember the best? If so, who was it and what was said about you?
Jessie Scarlet Robinson: I got told I sound like an “ex Disney star that just discovered an electric guitar” once. I think it was meant to be offensive… but I mean, I love Disney… I can only ever dream of being as kick ass as an ex Disney star… Miley me up baby, I’m ready (laughs).
Ready to take on the world
In 2016 you have released your debut album “Effigy” to universal acclaim. At that time, in an interview with “Fresh On The Net”, you said that this is “probably the best music we will ever make”. Looking back on the record, how do you feel about it now? Is there something you’d like to change or do better? Are you still proud of it?
Jessie Scarlet Robinson: Yeah that was a completely naive comment to make. At the time that album was everything to us. We took it so seriously. And looking back, it’s still something to be proud of and it got our music over to Japan and South Korea, so it was a very important piece to create. But we have so much more to give now. Better tracks, more experience. We are in general a much better band than we have ever been before now.
To finance “Effigy” you collaborated with Pledge Music. Can we ask about your experiences working with the fallen giant? Did you receive all the collected funds? Were there any red flags?
Jessie Scarlet Robinson: I don’t want to go too much into this but I will say there were lots of let downs and hidden costs/charges. They kept a huge portion of the money we raised and paid us in random instalments making things very difficult to pay for and keep track of. There was lots of keeping professionals and fans waiting. In the end we didn’t have as much money as we thought (because of the charges) and had to sacrifice some of the ‘pledges’. We weren’t guided in what we were doing, we couldn’t afford funding the album and the pledges without the full raised amount. It was a learning curve and I hope we made it up to people that got stung by it. We always said we wouldn’t do anything like it again. To be honest I felt it was my fault. I felt like I hadn’t researched enough or tried hard enough or raised enough…Then all of this information came out about them and I was like “Ohhhhhhh OK, so this wasn’t just me. This is a thing and it’s happening to everyone involved”. That felt like a relief. I’ve never forgiven myself for not being able to do it all 100% properly. I had to borrow 2000 pounds from my parents just to get what we had promised done. I still owe some people some bits I’m sure. There wasn’t any clear record of pledges so it was all in a big jumbled spread sheet in the end. Madness!
Two years later, In 2018 you released a standalone single “Bones” that cemented your reputation as one of the indie circuit’s heavyweights. The song is four minutes of fury set to a surprisingly catchy melody. Tell us something about the track and the story behind it.
Jessie Scarlet Robinson: It took us 2 years to recover financially from the album (laughs), it was hard graft like. The story is centred around a “kamikaze bichon fries” dog. In reality the dog is a metaphor… for an ex “boss” of mine that was all cute on the outside and vicious as hell on the inside destroying people that wanted to be good to her. She totally tore me a new one and I was very angry about it. What better way to get over your anger towards someone’s attitude than turn them into a bad dog and tell them off in a song!
Let’s get a bit of political for a moment. It is a festival season and some festivals give women and mix gender band just 10 – 30 % of slots. Where do you place yourself on the issue? Should it be as some say – based on a talent or do we need the 50-50 split? What seems to be a rule in Europe is harder and harder to find on festivals in the UK.
Jessie Scarlet Robinson: Before I say anything, I’m gonna highlight, I love men. I have two men in my band. Boys are mint. And there are loads of really fab friends in all boy bands and I want them to be supported too. Here goes the rant. Of course we need 50/50 split. The only difference between say Scarlet. and the many boy bands that we’re at the exact same level as us but they surpassed us is two things.
Opportunity and money.
The boys work hard and were given opportunities. Like playing certain shows and festivals. It should be the same for women too.
Why does it seem so easy for men to stay at the forefront but women seem to get used up and cast off? For example, Kate Nash… have you seen her documentary? The way she was used up and spat out? Why does this ring so familiar within the female circle while men get to be part of the “lads lads lads club”? Certain radio stations play 90% male music and festivals booking 90% male acts…
There are so many female headliners I could list. It’s lazy promoting, lazy booking, lazy broadcasting, huge lack of effort and lack of push by everyone higher up than a grass root band.
If the girls don’t get the opportunities, they simply can’t make the money to grow their act and get bigger opportunities to get more money and the cycle continues.
What a total cop out it is to say “the female pool isn’t big enough” or “there aren’t enough females in the industry”…. COP OUT!!
Every band – male or female – starts off the exact same: a bunch of nobody’s in a room with their mates. The only things that determine a bands success is hard work, money and opportunity. “Talent” doesn’t really come into it does it? It does a bit like, but I feel it’s all how something is marketed.
Having the money is crucial to release plans. Do you know it would cost us £300 per day in a studio to record. So let`s say: we want to record 4 track EP. Maybe 4 days will be enough, we could do a song a day. That’s £1200. Then it’s £300-£600 for a decent video made by a grass route level videographer. £700 for a national radio plugger. £700 for a good regional radio plugger. £500 upwards for a press agent… that’s £3700 for a 4 track EP before we make physical copies! Now take into consideration the cost of touring and little extras like music websites charging you to put your own music up online… You need money to market something properly. You need opportunity to make money. GIVE THE GIRLS SOME OPPORTUNITIES! GIVE THEM SOME MONEY AND THEY WILL BE ABLE TO STICK AROUND!
It’s like with radio. Why is Annie Mac the only well known DJ on Radio 1 for playing actual grass root bands… STOP PLAYING GEORGE MICHEAL AND QUEEN AND OASIS and CALVIN HARRIS AND BEYONCÉ ON YOUR RADIO STATIONS AND START PLAYING PEOPLE ON REPEAT THAT ARE UPCOMING AND GRAFTING LIKE MAD! ESPECIALLY FEMALES because we have the shit end of the stick!!
Jade Bird, ZuZu, Black Honey, Dream Wife, HINDS, Hands Off Gretel, Natalie McCool, White Horses, Bugeye, Tiger Mimic, Berries, A Void – the list of female fronted kick arse acts is so long! Why is it that all the already huge and established acts are getting all the opportunities? Why do these females get to a certain level, and then disappear from the public eye? As though they are a novelty act, a phase for everyone to shout about females in the mainstream music media, and then poof… gone and moved onto the next one… Even worse, the guys that are constantly shoved in our ears eyes and up our… noses… all play each other’s line ups!
Because they have money to buy onto each other’s shows? I don’t get it! Noel Gallagher, did you really need to support Smashing Pumpkins? What did that achieve for you? I mean come on dudes… they can sell thousands of tickets to make promoters money… it’s all about money guys. I’ve gone off on one here and I know there’s “no simple answer”… but there is though! Book a fair gender split. Play a fair gender split. Fund a fair gender split. Work with a fair gender split. Men in big bands, get girls in smaller bands up on the big stages with you. Just do it.
Jessie Scarlet Robinson rocking on stage – another day in the office.
According to your recent social media posts, you have three brand new songs ready to go. Is it possible to bribe you with something to learn more details or are you going to keep the secret until the beginning of the tour?
Jessie Scarlet Robinson: The songs are brilliant. There’s an energy to them- a bounce. That’s all you’re getting out of me! Come to a show and you tell us some more details
Talking about the tour, you are ready to hit the road very soon. Where are we going to see you?
Jessie Scarlet Robinson: Everywhere. We have loads of shows to announce and are going to try to get everywhere we have seen any sort of craving for us. If your nan likes us and wants us to play in her front room for her, all you gotta do is ask!
At Indieterria, we will always support strong female voices and bands that we think will conquer the world. Big kudos to Jessie for talking to us and dedicating us time despite her busy schedule. Hopefully we will see you on tour this summer. At a major festival! Pyramid Stage? Why the hell not!
Here`s a short message to everyone for 2020 – The Birmingham scene is rocking. We are in full swing and every band is gearing to release their best music yet. Nothing will stop us. We begin January interviewing one of the best local bands that have been on our radars for the last three years. In such a short period of time, they went from playing tiny venues to being on big, renowned stages, from hanging out in tiny green rooms to travelling Europe and Russia.
Please meet The Assist – a band that you need to have in your lives. No need to thank us, we are just humble music scouts. It`s not our fault we know the best music around!
The Assist are:
Ben Faulkner Luke Jones
Official bio: Formed between Walsall and Birmingham in 2014, The Assist quickly made themselves a staple of the Birmingham music scene, selling out shows at some of the city’s biggest and most iconic venues such as the O2 Academy and the O2 Institute. Their infectious energetic pop has led them to share the stage with NME Award winning act Rat Boy, Manchester chart toppers Blossoms, Happy Monday’s front-man Shaun Ryder and they’ve even ventured into Europe with Black Honey. The band have performed at a range of well-known festivals including Leeds & Reading, Isle of Wight, TRNSMT, YNot, Kendal Calling and even a special in store performance for Dr Martens at Live at Leeds. They even had an appearance on Sky’s Soccer AM and have been backed by the likes of Steve Lamacq and Tom Robinson of BBC Radio 6.
The Assist are well known in the West Midlands, but Indieterria attracts readers from all over Europe. Please introduce yourselves to those who haven’t heard about you before.
Ryan Stanton: We’re The Assist, 5 lads from Walsall, who love playing music and having a laugh. We write indie/pop tunes about things going on around us and in our lives. We thrive on making friends and taking all our mates on the journey with us that’s so far taken us from our local pub to the biggest festivals in the country.
The name of the band is truly unique. Would you mind explaining the meaning behind it?
Ryan Stanton: The name sort of grew. We all love football so we started off thinking of football terms, nothing really fit (the free kicks or the penalties). The Assist is also about us helping everyone out with our music, we’ve always got open ears for people who need a chat and everyone can lose themselves and forget about their problems having a dance at our gigs.
The group formed in 2014 and within a year you were considered as one of the leading talents on the Birmingham music scene. Do you remember when you realised that there was something extraordinary in The Assist or were you just wanting to play music you wanted to hear?
Ryan Stanton: It all happened quite fast we never knew a thing about the industry and we came into this with no expectations. We loved the early gigs so much we could never say no to a gig and ended up playing everywhere. It was definitely us just focusing on enjoying ourselves that attracted the attention, it’s so obvious when bands are manufactured and trying to be something.
For many years you existed as a quartet but recently you expanded into a five piece. Please introduce your newest member.
Ryan Stanton: Luke Jones has been our best mate forever. Hes been documenting the band the last few years as our photographer and videographer. The band was just as much his as it is ours so it was a perfect fit. He’d been helping us out with band decisions and guitar parts in the studio for ages so it was a natural progression. We think hes added loads to our sound and live show and we cant wait to show everyone.
The Assist have impressive CV: appearances at biggest festivals, being invited to Soccer Am, touring with This Feeling, sharing stages with Blossoms, Jaws and Shaun Ryder – you must be being stopped in the streets by now and asked for autographs! Jokes aside, but are there any goals or challenges that you still haven’t achieved?
Ryan Stanton: Its been amazing to play shows with some of our heroes but we still feel our music needs to achieve more. A massive goal and challenge for us is the debut album! (laughing)
2019 was a very special year for the band. You managed to accomplish something that no other band on the indie scene have done so far – a trip to Russia. The band appeared at several concerts entertaining large crowds. How do you remember the trip and are you planning to come back?
Ryan Stanton: The trip was a complete blur we did 6 gigs in 5 days and it was literally the best time ever. We met so many amazing people and the gigs were out this world. No words can really do it justice I’m just glad we’ve got a great tour video of it to remember forever. We’d love to go back to Russia but this year might be out the question with recording commitments.
We have to ask about another international trip you have made – this time to Paris. You have played at the famous club “Supersonic” to a full house. Any good memories from that gig? We heard that you had a lot of the fancy French red wine on the rider!
This was our first away gig and will take some beating. A lot of our mates made the trip with us, think there was around 20 Walsall lads. Hugo the promoter there is a legend and he spent just as much effort organising the after party as he did the gig!
Your new single “I Don’t Care” is catching the attention of the big names in London: John Kennedy at Radio X, Steve Lamacq and Tom Robinson at the BBC6 Music among many others. Where was it recorded?
Ryan Stanton: It was recorded at RML in Wolverhampton by Ryan Pinson. Hes done all our releases to date. We cant speak highly enough of him. It’s so great when a band and producer connect and get the best out of each other.
There is a word on the street that you are working on new music to be released in the summer but you are being surprisingly quiet about it. Not a single mention on your social media or in the interviews. Can you shine a bit of a light on the matter?
Ryan Stanton: Is it a new EP or are you putting finishing touches to your debut album? We’ve always been lethargic with releasing new music and now we feel is the time to really knuckle down and get a solid debut album down. We wont rush out so there`s no timescale at the moment unfortunately.
Let’s talk about the upcoming “Discover Birmingham 2020” showcase. On January 11th you will perform alongside Karkosa, Roma Cove and The New Consistent at the Sunflower Lounge. What exactly is this project? How did you become a part of it?
Ryan Stanton: Discover has sort of been born out the Birmingham music scene doing so well. A lot of eyes in the press are on Birmingham so it feels right to start the year with all the best local acts playing the best local venue. We were asked by Birmingham Promoters who put us on the Spinn support a few months ago!
With packed performances at TRNSMT, Y Not, Kendall Calling and Isle of Wight Festivals, it can easily be said that The Assist is leaving the indie circuit for much bigger, more popular pastures. Where is 2020 going to take you?
Ryan Stanton: If you`d of asked us where we’d be st the start of 2019 we would of never said Russia so we literally have no idea. All we know for sure is there`s going to be loads more new music, loads more exciting gigs and loads more good times!
We having a lovers’ quarrel with Google. Why? Because for reasons unknown the interview with Sheffield`s mighty MOLLYANNA was directed into a spam folder where it stayed for few good weeks before we finally realised. This post should have been online in September! Sometimes, there is little we can do to avoid technology being annoying. So big apologies to the band.
Don’t you worry, Google will be punished accordingly (we now see our emails via Outlook) and you dear readers can finally enjoy the wonderful interview with Bernadette Dales – singer and front woman of the band.
We spoke about their upcoming album “Archaeology”, their inspirations, writing process and who they would like to record with. Read on.
Bernadette Dales (vox)
Mike Hukins (guitar)
Josh Roberts (bass)
Laura Moakes (drums)
Official bio: Beauty can emerge from the most chaotic places – this is something singer Bernadette Dales and guitarist Mike Hukins know very well. During their decade long friendship they have stitched together their disparate and contradictory influences to form rock music that is at once wild, vulnerable and volatile. Their opposition is a clear influence in their latest collection of songs, which deal with nostalgia, destruction, and the hardest kinds of relationship.
MOLLYANNA have spent most of 2019 in the studio. Their new album “Archaeology” is about the year singer Bernadette spent in therapy dealing with the after-effects of abuse. “In my first session, my therapist warned me that it would feel worse before it started to feel better, and sure enough, for a while it felt like Pandora’s box had opened in my brain and all these demons had spilled out onto my brain. The songs on Archaeology are my attempt at dealing with each one.” In May 2019 the band launched their first ever crowdfunding campaign to help them cover the costs of making the record. Fans jumped at the chance to pre-order the record, as well as many other unique and limited edition items – smashing the band’s initial target in just three days. The campaign’s success was down to the raw and honest way MOLLYANNA told their story. MOLLYANNA are proof that beauty can emerge from the most chaotic of places, which is something singer Bernadette and guitarist Mike know very well. During their friendship, they have stitched together their contradictory influences to create alternative music that is deep, dark and wild. The pair began MOLLYANNA as a duo in 2016, but since then, with the help of bassist Joshua Roberts and drummer Laura Moakes, they have grown into an alt-rock band unlike any other. Their music is for the outsiders – those on the fringes with a story to tell.
MOLLYANNA is one of the leading alternative bands in Sheffield area. Their first EP “Ghosts” came out in 2016 and quickly caught attention of gig goers and local radio DJs. Their singles “Louder” and “Thief” established band`s position as a must see indie act. They have been consistently championed by BBC Introducing Sheffield and recently were even invited to the studio to play an acoustic session for the Beeb. No wonder the excitement for their new record is building. The band`s front woman Bernadette Dales is eloquent and speaks in details. Not always we have such a pleasure to interview artists who will patiently answer all the tricky questions we throw at them. It was such a pleasure to hear all the facts and stories from the studio. This is what we found out ahead of the record release:
Please introduce yourself to the readers of Indieterria.
Bernadette Dales: Hey, I’m Bernadette and I’m the front-person of alt-rock band MOLLYANNA
Where are you based and who is in the band?
Bernadette Dales: We’re from Sheffield (UK), and we have Laura on drums, Josh on bass, Mike on guitar and I make mouth noise at the front.
Tell us something about the project – are there any goals that you managed to achieve to date?
Bernadette Dales: We’re about to release our 7-track record on November 1, which we’re pretty excited about. Earlier this year we launched a pre-order campaign to help us fund the recording, and we reached the target in just three days! That was surreal. We ended up reaching 208% overall over the month. 4 of the tracks have been produced by Mark Mynett of Kill II This, and then there are three live tracks too, produced by Nathan Bailey and Mike Hukins himself. It’s a really ambitious record, with orchestral strings, percussion, animated and live action music videos. This year has been so busy but so much fun. I can’t wait to show everyone what we’ve been up to behind the scenes.
What inspires you? What artists or genres had the biggest influence on you?
Bernadette Dales: The obvious influence would be Incubus, I guess! A lot of people ask where our name came from and it’s from their track “Anna Molly”. They were definitely the biggest influence on me growing up and deciding what musical direction we should go in. I think that’s really clear in songs like “Playing Dead”, which came out on October 4. I also love artists like Alanis Morrissette, and the lyrical genius of hip-hop artists like Lauryn Hill. Mike has some very different influences to me, he’s very much into his proggy, math rock stuff. During this album, he was listening to a lot of Porcupine Tree and Plini.
It’ all about the music – and we want to hear your tunes and how they have been written.
Bernadette Dales: We have a few tracks out already on streaming platforms, and there’s more coming out very soon! I think the best way to describe how Mike and I make music would be “fragmented”. It’s like we each come up with different jigsaw pieces and then meet up and try to fit them together to make a complete picture. Except there’s no box to work from. And some of the pieces are from a different puzzle. Does that make sense? I think this analogy might have fallen apart. Sometimes Mike starts with a riff or chord progression and I’ll fit something over it and send it back, other times I’ll have a tune or some lyrics stuck in my head and I’ll send it to him to see if he can make sense of it. Once all the parts are there we go over it with the whole band to polish it and make it cohesive.
Name your best song. Is there a story behind it?
Bernadette Dales: This is hard, because I know everyone in the band has a different idea of what the best song is! I think mine would be Archaeology, which is also the name of the album. It’s about the year I spent in therapy dealing with the after-effects of abuse. In my first session, my therapist warned me that it would feel worse before it started to feel better, and sure enough, for a while it felt like Pandora’s box had opened in my brain and all these demons had spilled out onto my brain. The track “Archaeology” is about that process of therapy and digging up the past.
How do you create your unique sound? What gear are you using?
Bernadette Dales: I think the uniqueness of our sound ultimately comes from the melting pot of ideas we have. Mike and I are the main songwriters and our influences are quite drastically different a lot of the time. When they merge together we manage to make some really cool stuff – it’s almost prog rock. As a vocalist, I like to bring out the different colours in my voice – I’m not afraid to sound ugly or creepy. There’s some weird whispered backing vocals in our next single to look out for.
In terms of gear, we’re not really a tech band to be honest. Mike has the usual guitar distortion/delay pedals, Josh has a 5-string bass to get the extra beefy riffs in and Laura is sponsored by Meinl for her kit. I just show up and sing.
Imagine you can record an album with any producer, dead or alive in a studio of your choice. Who would be on your record?
Bernadette Dales: (laughing) Tupac!
The sleeve to “Playing Dead” single.
“Archaeology” will come out on November 1st 2019 and is promoted by two singles: “Bleach” and “Playing Dead”. The band is often described as “alternative rock” but you will find MOLLYANNA to be so much more than your average “female – fronted” rock act. For starters Bernadette`s voice range is absolutely incredible – from a whisper and delicate, nearly ethereal vocals to proper screams. The band is not far behind her with powerful riffs ranging from psychedelia to grunge and match rock. There is something in MOLLYANNA that reminds us of Soeur, or to aim much higher – of Veruca Salt and ExHex. There are melodic lines that could make Sleater Kinney jealous and lyrics that would make Mary Timony or Kristin Hersh proud.
If not this record, then the next will take MOLLYANNA from your local venues to Maida Vale for a session. If we don’t hear them on BBC 1 Rock Show in the new year we will eat a bowl of hot chilli sauce. It’s a promise.
Actually, we will do what Daniel P. Carter once said on air: hey labels– sign this band. You can thank us later.
Was it Tony Wilson who said that Manchester kids have the best record collections? Well, it would explain the wide spectrum of influences heard in the music that`s being played across town – from metal, prog, psychedelia to indie, rap, hip-hop and dance. Citizens of Mancunia don`t like to limit themselves to just one genre and prefer to mix styles until they arrive at a mixture that will make everyone dance. On tables even, what do you think tables are for, heh?
INEGO is a perfect example of how versatile and creative musicians in Manchester are – they will serve you a wonderful sonic plate of strong beats, rock and dance inspired tunes and before you know it – you are at a merch stand buying a tee. Welcome to another entry in our ongoing series “Hello Manchester” – showcasing local talent. We sat with the band to talk about recording at famous Magic Garden studios, their double A side single and forming a super group with Noel Gallagher.
Please introduce yourself to the readers of Indieterria. Where are you based and who is in the band?
INEGO: We are an indie disco rock band from Manchester. We are made up of Toby Belshaw (vocals/ guitars), Pete Mackenzie Hodge (drums / vox), Steffan Guettel (bass / vox), Dan Myers (guitars / vox) and sometimes David Trott on the keys.
Tell us something about the project – are there any goals that you managed to achieve?
INEGO: In the last few years we’ve had the honour of working with audio wizards Gavin Monaghan and Joe Murray at Magic Garden Studios in Wolverhampton on a number of different releases including the EP “What You Waiting For?” (2015), double A single “Exiled Love” (2017) and most recently the “They Want You”/”Nobody” single which we brought out on a limited run of 7″ vinyl which was a first for the band.
In May 2019 we’ve just successfully closed a kick-starter campaign to help us record a full length album at the Magic Garden and we’ve been completely blown away by the support of our amazing fans !! So it’s now officially happening and the future is very exciting.
There is still loads we want to achieve as a band and we always want to play new places and festivals! We just want people to listen to our music.
One really cool side note is that the King of Manchester Ian Brown has a copy of our 7″.
What inspires you? What artist or genre had the biggest influence on you?
INEGO: Being based in Manchester it’s hard not to be influenced by bands such as New Order, James, Oasis or The Stone Roses (just to name a few)! But we’re just as much influenced by music from the other side of the pond as well bands like Fleetwood Mac, Foster The People and Chic. We also like dance bands like Daft Punk and more recently Parcels. We try to fuse all of these influences together to create something fresh. In full musician cliché – life is definitely the main inspiration behind our music. We’re had a lot of ups and downs as a band, but you pick yourself up, keep going and fight for what you believe in! We try to write music that hopefully makes people feel good, join in our live shows and just generally have a good time because that’s what life is all about.
It`s all about the music – and we want to hear about your current single. Is there a story behind the song, where and how was it written.
INEGO: “They Want You”/”Nobody” is our latest release and it’s a more focused indie-disco-funk-rock-sound and should act as a good pre-cursor for the upcoming album.
We want to create music that people can dance to, so that you come to a show and leave your problems and just have a good time.
“They Want You” has a nostalgic 80’s multiverse theme that runs throughout – it’s somewhere in between a training montage from Rocky 4, Stranger Things and The Untouchables! We were talking about Eleven a lot when we were recording it.
“Nobody” is more of a straight up funky disco rock dance track that is heavily influenced by both Chic and Daft Punk but also has a touch of the North West about it. It`s definitely got a Mancunian Parisian thing going on.
If any bookers or promoters want to get in touch – what is the best way to contact you?
Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?
INEGO: Going to go for the all out super group – Noel Gallagher upfront, Reni on the drums, Bernard Sumner on synths, Nile Rodgers on guitar and Bernard Edwards on bass produced by Daft Punk and we’re going to record at Real World Studios or Rock-field if that’s booked up.
More than happy to just make tea while everyone does their thing but will play tambourine if needed or maybe even a bit of guitar
We absolutely love the Manchester scene these days and cant wait to bring you more features on new bands and singles. Stay tuned. If you need us we will be at the merch table getting ourselves INEGO tee. What else?
We are in March already and it is high time to introduce another band to the never ending pages of Indieterria. We are back to the Kingdom of Mancunia to meet the wildest hard-rocking bunch in the North. And what fun gang they are! This five piece is truly international – with members coming from four different nations – all making a wonderful racket around Northern Quarter. Don`t expect the usual brit-pop-y sounds from them. This band is unlike anything you can hear in Manchester – they mix punk, hard rock, metal and even J-Rock to arrive at their own, very distinctive musical voice. A bonus is sense of humour, loyalty to their collaborators and friendship for each other. Show us another group like this in the region and we will buy you a lunch at Night & Day.
Grab your hair spray, your torn jeans and Motley Crue tees – its time to meet Shiva May Care!
Shiva May Care
Michael Morris – vox
Jet Lag (Federico Cossu) – guitar, vox
Jenny (Giorgia di Pancrazio) – bass
Raul Ochoa – guitar
Luke Thorpe – drums, vox
Official bio: Born in 2017 as an collaboration between Federico Cossu (J3T L4g) and Stefano Carbone (who left the band few months later) Shiva May Care is a five piece based in Manchester. They play hard rock with glam, punk and metal inspirations. The band is actively gigging on the local scene with sold out shows at Hula Bar, Rebellion, Night People and Pop Bar in Hyde under their belt.
You are one of the most outstanding bands that came out Manchester scene recently music wise. Please introduce yourselves to readers of Indiererria.
Federico Cossu: Thanks for calling us outstanding. We really appreciate it. Hello Indierreria, we are Shiva May Care: Federio Cossu on guitar, Michael Morris on vocals, Raul Ochoa on guitar, Luke Thorpe on drums and Giorgia “Jenny” Di Pancrazio on bass. How are you doing?
Is there any story behind the band`s name? Who is the mysterious Shiva?
Federico Cossu: Well, we liked the idea of a band with a “Devil May Care” attitude, but we needed something more exclusive than that, more personal. We are not hot-headed guys, we try to be good! For this reason Shiva takes place of the Devil.
Shiva May Care was born just two years ago as a collaboration between guitarist Federico Cossu (known on the Manc scene as J3T L4G) and another local musician Stefano Carbone. Now you expanded to a five piece. Can you tell us about the beginnings of the band and how this particular line up came together?
Federico Cossu: We all met in pubs and clubs, we were friends of friends. I met Stefano at an house party and we decided to start a band out of the blue. At that time, I used to work in the same company as our first singer, Massimo Zitti, so it was natural to ask him to join the band. We just wanted to have fun and play loud rock and roll. Stefano introduced me to Raul and I met Luke at Whiskey Jar in Manchester, amazing place, great vibes and inspiring music environment. Massimo had to leave for Canada so Michael joined the band and our sound went in the hard rock/ metal direction. Our bassist Giorgia joined us last year to complete the line up.
The band is their glamorous splendour
The band is a proper international affair – with members coming from UK, Italy and Mexico. Your work with a producer from New Caledonia. You are basically a heavier version of Superorganism! Do you think that coming from different cultures and speaking different languages is an advantage when it comes to song writing process? How do you overcome potential misunderstandings?
Federico Cossu: Oh yes, it’s definitely an advantage. But to answer your question – coming from different countries where you struggle to find good music allows you to get deeper into the genres as you are not being constantly bombed by the big hits. And we love Manchester, it’s a multicultural hive where people can express themselves as they wish.
I come from a small town where probably only me and my brother know “The Gift” by the Jam! In Manchester you hear these tunes being played every night at bars! It’s great, it`s like a dream!
Different backgrounds bring more points of view to the song writing process and, fortunately, the language misunderstandings are not present as we work really naturally on our songs. I often show a lyric or idea to the band and Michael and the guys will make their own interpretation of it, in order to make it sound personal and more to their liking.
They care a lot – about music, fans and each other
Even if we wanted to squeeze you into a musical box, we would not be able to. There is so much going on in your sound – traditional hard rock, glam, punk, metal and even visual kei (Japanese rock). If we were to summarize your style we would have to define it as Motley Crew meets L`Arc-En-Ciel at a party in Mother Love Bone`s basement. You have your own name for the genre you play: punk`n`roll. Where did your sound originate?
Federico Cossu: Wow, that sounds like a good party. No one has invited us though!
Well, the genre punk’n’roll is something I know since I was a kid, we didn’t invented it. I’m personally a big fun of Social Distortion, Backyard Babies, The Hives, Hardcore Superstar, Radio Birdman, Gluecifer, Turbonegro and Hellacopters. I’ve always known these bands as punk`n`roll bands, especially referring to all the Scandinavian rock scene.
To summarize, you pick The Stooges, Ramones, MC5, New York Dolls, Dictators and stick a distorted rocket under their asses: congrats, you`ve got punk and roll, action rock, death punk and so on.
All these influences have been probably mixed up with Luke, Michael, Raul and Georgia’s influences, such as ’80 classic rock and new romantic, metal and hair metal, blues and stoner rock. However, I wouldn’t get stuck with genres names and labels, it’s a never-ending battle, it’s only rock and roll after all.
Hopefully in the future, you will find us on the soundtrack to a new anime or a video game (laughs).
Shiva May Care – the wildest kids in Northern Town
You have just released your debut A side single “Til The Music Is Loud”/”Stubborn Lovers” produced by Mathieu Garcia at Red Sand Studio. We know Mathieu from his project Gold For Kids and incredible single he released last year “City of Your Name”. How did you find working with Red Sand Studio?
Federico Cossu: We felt at home! Mathieu is a friend and we love his solo projects. I remember he was working on his track “Plastic Guns” when we started talking about recording Shiva`s first songs. His music knowledge and skills are impressive and he has been able to catch the essence of Shiva May Care as a band. He also added effects, keyboards and backing vocals ideas to our songs.
Have you recorded any other songs with Mathieu Garcia?
Federico Cossu: We recorded together “Shiva Dance” – our live show opening track, which you will find on streaming platforms in the coming months. It is a small ethnic rock composition that became incredible thanks to Mathieu`s arrangement skills and taste. He added deep Asian and tribal percussions mixed up with modern sounds, giving it a “V for Vendetta” kind of vibe. For this song, we collaborated with two close friends: Nina Bakhshayesh on cello and Kitty “Albino” Tha Eastankittan on vocals.
Mathieu contributed to the maturing of the band and we wish him the very best in his own career.
You are also teasing release of another single in mid March entitled “Stay With Me”. Do you plan any promotional videos for this song? What can we expect?
Federico Cossu: We are working with Luca de Falco on music video for Stay With Me. We tried to think out of the box, avoiding the usual hard rock clichés when it comes up to video clips. It will be great, we had such a positive feedback towards the single so far. It’s a song that everyone can relate to and for the video we are bringing in this great Manchester dancer, Aisha Clasen. You will be able to enjoy her interpretation of the song through her performance next month.
The only way is UP!
Shiva May Care is regularly playing live shows around Manchester, recently at Lock 91. And your shows are always described as very upbeat and dynamic. What`s the best part of playing on stage?
Federico Cossu: The best part of playing on stage is playing on stage I guess. There’s nothing better than expressing yourself, high on adrenaline in front of people who are waiting to have some fun. That’s the best drug ever. However, everything happens too quickly, as my ex used to tell me, so you need another gig ASAP.
We are definitely seeing you live this year. Are you planning a tour perhaps?
Federico Cossu: We won’t plan any tours at the moment, we wish to see our fan base grow locally first. We will definitely be planning some gigs to promote Stay with Me. The next show will be at Jimmy’s on the 2nd of April and we will appear at Zombie Shack on the 5th of May for Below The Bridge event.
Radio Salford described your bassist Giorgia di Pancrazio as the best bass player to come out of Manchester since Peter Hook himself. Any comments on that?
Federico Cossu: We will take the compliment with pleasure, thanks for that. Georgia is great. And we will do our best to honour her talent at our future live shows. Hopefully, love won’t tear us apart.
The band has sense of humour and doesn’t take themselves too seriously.
We love your merch. The Shiva logo that appears on your t-shirts is one of the best designs we have seen in a long time. Can you reveal who is the artist behind it?
Federico Cossu: The artwork comes from the mind of Matt Shock, Sardinian art designer. With him, just like with Mathieu, we immediately got the essence of Shiva May Care. The design was born from a photo I’ve taken in Market Street in Manchester of a girl wearing a jacket with a snake emblem on it. Matt added some Hellacopters influences and our Shiva logo was born. You definitely have to check Matt`s works, he is currently working on all our next artworks too.
Last question – but we have to ask. What are the things that Shiva may care about? Any ideas?
Federico Cossu: Shiva may care about making good music. And we definitely care about people who will listen to our songs. We want the public to have fun while we are striving to encourage people not to waste their lives, all between a jump, a shout and a good riff. We really wish to see boys and girls of Manchester (and beyond) beating depression, drug and alcohol abuse if they are suffering of any of these problems. There’s a huge potential within each of us and it would be a shame not to use it. We also care about our pets… God, we love our pets and good coffee.
Shiva May Care merch stand is colourful and very artistic
It`s Valentines! What`s a better way to celebrate the day than interviewing a band we have fallen in love with? Let us tell you about this particular bunch of talented friends who are shaking up entire indie scene in West Midlands and turn heads wherever they go. Despite their young age – they are determined and focused, they relentlessly play up and down the country, including gigs in London, they gathered themselves invitation from This Feeling and a mention in NME by Alan McGee himself. They are more than ready to leave their mark on the scene and follow the likes of The Blinders, False Heads or Avalanche Party to bigger things and bigger stages. We won`t be surprised to see them going to SXSW next year.
Ladies and Gentlemen of the independent music circuit – please meet The Novus. We had pleasure and privilege to sit down with vocalist Connor Hill to speak about their upcoming tour, Birmingham music scene ad recording with Wizard of Wolverhampton.
Tom Rhodes (guitar)
Tyla Challenger (bass)
Euan Woodman (drums)
Connor Hill (vox)
The word “Novus” means “new” in Latin. What does it mean to you? A new beginning? A new chapter in your lives? New music? Or maybe the explanation is very simple and it just sounded like a good name for a band?
Connor Hill: The Novus does mean new in Latin. Not many people know that initially (laughs)! It also does mean a new beginning I guess – myself Tom and Tyla were in a band before and wanted something new and more us – but ‘The New’ sounded quite boring. We went through loads of names, but The Novus for us sounded like it fitted well; and no one else had the name.
You come from Stourbridge and Birmingham, the second biggest city in the UK. Brum has a powerful musical scene: from indie to metal, grime and rap. Tell us about your beginnings. How did you meet and when did you know you wanted to play music together?
Connor Hill: Myself, Tom and Tyla (guitarist and bassist) met at school when we were 11. We were all in bands throughout school together and we only initially connected with music so I guess we knew we were wanting to play together. Tom and Tyla asked me if I wanted to be part of this new band they were creating and that was that! We met Euan (drummer) at a gig he was playing at and managed to poach him and that’s how the band formed.
The new kids on the indie scene
No rest for the indie band
The Novus has been compared to The Clash meets Kings of Leon (half way) with a bit of Joy Division, Deep Purple and Black Sabbath thrown into the mix. Would you agree with being squeezed into the new garage/psychedelia genre alongside IDLES, The Blinders, Avalanche Party and Shame? We have to admit that your music is more melodic and blues-y at times. There’s definitely The Doors and Jimi Hendrix hidden somewhere under all those distorted guitars.
Connor Hill: To be compared to the names mentioned is mad for us, we love all the bands mentioned and the garage/psych scene is an amazing one to even be considered to be a part of. We do take a big inspiration from Jimi Hendrix as well but we listen to such a wide range of music, we have lots of little inspirations from different places. Every review of us someone hears something slightly different, which is good for us to see where people think we fit.
On 2nd of November 2018, Raw Sound TV filmed your concert at O2 Institute 2 in Birmingham. The show received very positive reviews. Connor you were described as “teenage Mike Hucknall joining Pearl Jam or Rage Against the Machine”. We don’t see any likeness to the Simply Red singer (maybe the hair do?) but the resemblance to Eddie Vedder and Zach De la Rocha is quite convincing. During performances you jump into the crowd, run from one end of the stage to the other, command the crowd to come closer. Would you agree with this description?
Connor Hill: (bursts into laughter) Hucknall is definitely to do with the hair- wish I did look like him!! I guess I would agree to an extent, but for me, my stage presence is more of an alter ego than me personally – which is what I love so much about performing. For me, I don’t really take that much of an inspiration from people to do with my stage presence but more just go with what my head thinks I should do and roll with it.
One of the bands of 2019? Why not!
This is not a drill – this is rock and roll
Despite forming in early 2017, you shared stages with Karkosa, Velvet Tides, Riscas, Ivory Wave and Pale White to name just a few. You have a strong following in your home town and now you are off to pastures anew to conquer other parts of the UK. Is the tour with This Feeling helping? How many shows have you played with them already?
Connor Hill: We aren’t doing a tour with This Feeling right now. Not yet anyway, but we have played a few shows in Birmingham with them. It’s always a good night and we get a good few cans of Red Stripe out of it so that’s enough to win me over!
At the end of last year, several zines and promoters put you on their list to watch for 2019. On 29th of January you played alongside Young Garbo, Chris Grant, Nadia Sheik and Christian Pattemore at Social in London. Was this your debut in L-Town or have you played there before?
Connor Hill: We’ve played London a couple of times before but we do have plenty planned for the capital in the future. It`s always a warm reception and we love playing there!
The Novus are known for their incredible performances.
You are working on new music and we heard that you have chosen The Wizard of Wolverhampton himself – Gavin Monaghan (The Pagans SOH, Editors, The Sherlocks, The Blinders) as producer. Are you able to tell us anything? Will you be recording at his Magic Garden studios or somewhere else? Is it going to be an EP or a full fledged debut album?
Connor Hill: We are going into recording with Gavin in the next couple of months and recording a few tracks, nothing confirmed as to yet but we have some good plans lined up for them. Gavin is a genius and we connect with him and Joe at Magic Garden so well. He isn’t just a producer, he is someone who helps you think about further development of your music to make it the best you can be and that man knows everyone! They are great people to be around and the vibe at Magic Garden Studios is great, we love making music there. All I can say I guess is stay tuned for what’s to come because we are really excited about it.
It’s only February but your calendar is getting busier and busier. Where can we see you later this year? Any booked festivals or gigs we need to attend?
Connor Hill: So far we have the following dates:
15th February – Actress and Bishop (TF), Birmingham (supporting Gertz) Event PageTickets
28th February – The Sunflower Lounge, Birmingham (supporting Willie J Healey) Event PageTickets
23rd March – The Snug Coffee House, Atherton (supporting Honeyspider) Event PageTickets
13th April – Camden Assembly, London (Youth Music charity gig) Event Page donations welcomed
These are just the ones that are confirmed, we do have quite a few in the pipeline!
To truly appreciate this band – you need to see them live
The Novus live
Live and kicking
Last question are always fun at Indieterria. Let’s pretend that you were invited to any party in the world and you can take two rock and roll legends with you. Where are you going and who’s coming with you?
Connor Hill: Jimi Hendrix and Flea from RHCP would probably be my choice. Flea I imagine would be a laugh, Jimi would just be the guy that gets us into everywhere because everyone knows him. I would probably go to somewhere like Vegas with them – would be jokes. If you want to find out about the other boys, catch them at a gig and they’ll be happy to have a conversation. Big love.
You can follow the band on social media at the following links:
We don`t usually link to entire gigs, but you need to see The Novus live and RawSoundTV recorded their performance at the end of last year – and it is a jaw dropper. If you have 30 minutes to spare – see the footage and then book yourself a ticket for the real experience. You will not regret. Believe your friendly A&Rs on this – we know talent when we hear it. And The Novus are pure talent.
We will be reporting back on The Novus on this blog. Not only because we are very curious what they have created with Gavin & Joe at the Magic Garden Studios (by the way – Happy 30th Anniversary guys! What would the local and national music scene do without you?), but because we simply want to follow their journey to bigger, better things. There is so much promise and so much passion in this band – and more importantly – so much love for music and art. How can we resist? How can anyone resist?
After years of preparation, and months of excitement and awaiting, the DAY OF TRUTH has arrived.
The debut album by The Blinders is finally here and now the entire world will hear the story of Johnny Dream and His Codeine Scene.
You are being watched! Johnny Dream is looking at you from the cover of “Columbia”
This musical hurricane will take you on a ride that will not be easily forgotten. To celebrate, Vanadian Avenue has opened the doors to the Columbia National Library Archives and digged out some impressive data to boast about the fruitful last couple of weeks.
The Blinders team has been working extremely hard and we would like to mention several people who made everything possible.
First of all, of course the musicians themselves: Thomas Haywood, Charlie McGough and Matty Neale. Plus Gavin Monaghan (the producer) and Joseph Wildy Murray (the engineer), who get the honorary mention as it was their experience and knowledge that created this masterpiece. They are truly the Wizards of Wolverhampton.
Second, their record label – Modern Sky UK and managers: Tim Abbott and Paul Fassam.
Third – their PR team with Caffy St Luce at the helm, their booking agent Jamie Wade and Sam Crowston – visualizer, artist, filmmaker, photographer and the man behind all graphic representation of Columbia.
Very, very special thanks to Mr Chris Hawkins and Mr Steve Lamacq – a legendary man who is the same to the new generation of musicians as John Peel was to us.
And then their families who supported them from the start, their friends and fellow bands that came to the shows, newspapers and magazines that wrote about them, journalists and DJ’s who played them, BBC 6 Music, BBC Introducing teams and BBC 1 teams, Amazing Radio, Radio X, XS Radio Manchester and other radio stations who played their music, photographers who tirelessly took millions of pictures and edited them right after the gig so people could enjoy them in the morning, promoters who booked shows and shouted on Twitter and other socials trying to sell tickets and bring crowds in, bars and clubs that hosted the band, fans for sticking with the band through thick and thin and countless of others who were there and we will never know their names.
THANK YOU to all and each one of you – you are wonderful human beings and your kindness means a world to three young lads from Doncaster.
Things would not be possible without your help.
The last three months before the album release have been very busy. You may not realize how much planning, work and extra hours go into social media, making of promotional materials or just simple PR. It is never ending job that keeps everything together.
We called this blog Columbia Library Archives as we tried to collect links, videos, interviews, and all sort of strange data that could show you what has been done and achieved.
Please feel free to scroll through this small collection and enjoy it. If you have missed something before, this is now your chance to discover it all over again.
To make it easier for you, we have divided our findings into groups:
Chart position: Columbia has debuted on the official UK Top 40 on the date of its release, 21st of September 2018. The Party has released an official statement and every woman, man and a child living within the glorious borders of our nation-state is expected to read it and celebrate the success!
The statements reads: “Having caught wind that our debut album ‘Columbia’ has entered the realms of the top 40 midweek album charts, we would just like to thank every single person who has purchased the record in the past few days. You all mean the world to us, and we really couldn’t be doing this without you. To ensure it stays there, buy it, play it, and tell all yer friends about it.”
The statement is accompanied by the special celebratory video:
And the band would like to thank everyone who ever supported them so please continue doing!
Official statistics are as follows:
Mid Week Top 40 – 28th place
Official Top 40 – 54th place
Official Record Store Top 20- 6th place
Indie Album Top 30 – 8th place
Indie Album Breakers – 1st place
Vinyl Sales of the Week – 10th place
Re-entry (Indie Album Breakers Top 20) – 15th place on 14.01.2017
Mid Week Top 40 – 28th place
Indie Album Top 30 – 8th place Indie Album Breakers – 1st place
Official Top 40 – 54th place
Official Record Store Top 20- 6th place
Vinyl Sales of the Week – 10th place
The Album returned to the charts on 14th of January 2019 at number 15th
Columbia spent three weeks on the charts with the peak position at number 1
It reads: “The self-titled debut album from Brighton rockers Black Honey opens at 22, one rung higher than Iridescence, the major label debut from hip-hop group Brockhampton (23). Doncaster group The Blinders are also vying for a Top 40 finish with their debut album Columbia (28)”.
Please check out this section often as it will be updated as new info is available!
BBC6 Music Album of the Day: On 1st of October 2018, Columbia has been named the Album of the Day by BBC6 Music. This is one of the highest recognition that can come for a debuting album and millions of people heard 6 songs from the album being played throughout the day.
Album of the Day according to the Gospel aka BBC6 Radio! Thank you so much guys!!!
Amazing Radio Album of the Week 01.10.2018-07.10.2018:
Columbia as the Album of the Week
Columbia has been chosen as an Album of the Week at Amazing Radio during the period of 1st and 7th of October. That means the album is played each day during the core hours and on Friday, the 5th of October, you will have a chance to listen to the entire album on air without interruption from 2:00 PM sharp. https://amazingradio.com/home/album-of-the-week-the-blinders-columbia
Festivals: The Blinders are in such a great demand that each day, a new gig or concert is being added. Those lucky ones who have the tickets, were able to see them performing on two festivals before they embark on a national tour.
The first festival called Neighbourhood ManchesterFestival took place on the 6th of October and The Blinders were added as a secret guest just 12 hours before the show. The band played at the YES the Pink Room and it was of course a sold out performance.
The second festival named Twisterella Festival in Middlesbrough took place on the 13th of September. The Blinders were one of the headliners along with Estrons, Avalanche Party and Bryde. As with previous performances, tickets were selling fast and it is a good indicator that many shows will sell out on the commencing tour. The Blinders played their 50 minute slot at The Townhouse, starting at 21:00 pm.
Mailing list and newsletters are very useful tools helping to keep in touch with fans and informing them about new things from the band’s HQ. Like any other marketing materials, Columbia Daily (aka the newsletter) is issued in in monochrome and contains pictures, latest news and the most important links.
Playlist: Spotify is one of the most popular streaming services on the Internet allowing billions of users to access the music. The Blinders are added to hundreds of small lists made by fans and industry professionals, but recently they came with a list of their own. And it is a pretty special list as it shows the band’s entire officially released catalog! It also looks wonderfully as you ca see at the attached screens below:
“It is guitar orientated album that is true to the live performance. Songs are fast and yet catchy, with haunting back ground vocals and hypnotizing drums. It is the fresh perspective on what music should be in 2018 – direct, poetic, enigmatic, political, tearing out your soul and different from what is happening around. And that is what Thomas Haywood, Matty Neale and Charlie McGough bring to the table” – Malicia Dabrowicz for Vanadian Avenue https://cocamidemea.wordpress.com/2018/08/30/indieterria-review-columbia-by-the-blinders/
“How important is this release going to be? Personally, I’ve waited for a band to make an album like this for twenty, maybe thirty years. Political albums can often deter because they are hard work, but they do endure… I’m thinking about albums by Gil Scott Heron, The Clash, Billy Bragg, Public Enemy, Manic Street Preachers, The The or Dead Kennedys. When the political scene is as warped and cruel as it is now, music should comment on it and be influenced by it. The Blinders are making music to mark their protest; there should be more like them” – Alan Neilson for BrumLive Magazine http://www.brumlive.com/blinders-columbia-debut-album-released-21-september-2018/
Signed LP on vinyl – back
“Politically charged trio The Blinders have taken the UK music scene by storm. Not only did their track ‘L’Etat C’est Moi’ get playlisted on BBC 6 Music, but they also landed a headline slot on the BBC Introducing stage at this summer’s Reading & Leeds festivals. Needless to say, these boys are destined for success” – Harriet Willis for The Skinny Music Blog https://www.theskinny.co.uk/music/reviews/albums/the-blinders-columbia
“That shamanic, compelling mood is captured perfectly in ‘Columbia’. Ably produced by Gavin Monaghan (Editors, The Sherlocks, Goldblade), the album sees childhood friends Thomas Haywood, bassist/co-writer Charlie McGough and drummer Matt Neale follow Johnny Dream on his spiritual awakening, from the coruscating swagger of the opening ‘Gotta Get Through’ to the raw, beautiful and ultimately redemptive finale ‘Orbit (Salmon Of Alaska)” – (legendary) R*E*P*E*A*T Fanzine https://repeatfanzine.wordpress.com/2018/09/18/the-blinders-debut-album-columbia-out-this-friday-uk-tour/
“It’s a really impressive debut, and we actually found ourselves feeling suitably shocked after our first listen at how accomplished it sounds. The band make indie rock music that is supercharged and political, with groovy yet raw riffs filling each song on the album. It’s raw but the production never sounds too fuzzy, with it all sounding pretty damn perfect to us” – Jane Howkins for York Calling https://yorkcalling.co.uk/2018/09/01/the-blinders-columbia/
“‘Hate Song’ is all urban noir menace, ‘Free The Slave’ a 28-second leviathanesque anthem, ‘Et Tu’ a heads down bass battering Adam and the Ants from Dante’s Inferno and, joining the quote dots, ‘Brutus’ a full seven minutes of charged rock darkness that variously encompasses Floyd, Enter Shikari, Metallica and Nick Cave. Impressive stuff” – Mike Davies for Roots and Branches Zine http://roots-and-branches.com/brum-beat–the-beat/record-reviews-september.html
“Manchester’s Blinders bring the classic rock vibes with their debut outing, Columbia. Brimming with Arctic Monkeys swagger but imbued with a subtle psychedelic edge and semi-spoken lyrical fire, these young upstarts have set a great precedent for things to come. In the meantime, this should definitely sit well in your collection” – Piccadilly Records (Manchester Independent Record Store) https://www.piccadillyrecords.com/counter/product.php?pid=123568
“Whirring riffs dominating, the war drums integral, drone sounds making you check over your shoulder as you listen. It‘s infectious, with bombastic drum beats, western twangs and jangly yet searing guitar riffs getting you ready to dance, mosh or start a revolution” – Johnny Rogerson for Clash Magazine https://www.clashmusic.com/reviews/the-blinders-columbia
“This increasingly rare concept album, coupled with their constant references to history and literature display an artistic intelligence perhaps uncommonly associated with such a heavy-hitting sound. Alongside the likes of Cabbage and IDLES, they are leading the way in creating a new brand of socially aware Punk. With the release of ‘Columbia’, The Blinders are dragging us into a dystopian future where Punk-Rock rules again” – James Booton for Boot Music Blog http://jamesbooton15.wixsite.com/boot-music/single-post/2018/09/19/The-Blinders—Columbia
“Perhaps once in a generation comes a movement that speaks for its outcasts, those who are undernourished but well read, those who see injustice, but have been fed only on a diet of apathy, and corruption. The blue generation before us were emotionally rescued by bands like the Manic Street Preachers, now, rising from the ashes of Brexitopia, (and the burned out ruins of the indie landfill) we have The Blinders” – Dizzy Spell for The Zine UK https://www.thezineuk.co.uk/single-post/2018/09/19/Stepping-into-Columbia-with-The-Blinders
“So where does ‘Columbia’ place The Blinders? It’s an impressive debut, one that captures the essence of what they’re about and as much of the live performance as is possible within the constraints of a studio recording. It doesn’t compromise their personalities and the real core of what they’re about in search of a hit radio-friendly album, but it’s that which has caught the ear of those that champion them. They have influences but not too overt, their songs observe rather than preach, talk of politics in its social context attacking ideologies and beliefs rather than directly attacking individuals which give it more gravitas. But most important of all they remain true to themselves” – Even the Stars Blog http://www.eventhestars.co.uk/2018/09/the-blinders-columbia.html?m=0
“In the age of distraction, it’s hard to craft an album that grips you for a full 40 minutes and doesn’t have you reaching for the skip button, but ‘Columbia’ is a rare breed, as are The Blinders themselves. This is one to not only cherish, but to lose your voice and mind to in equal measures” – Richard Cobb for Little Indie Blogs https://littleindieblogs.blogspot.com/2018/09/album-review-blinders-columbia.html
“Of the lineage of politically charged and anti-establishment albums, The Sex Pistols’ Never Mind The Bollocks and Pink Floyd’s The Wall, stand out as the two that most inform Columbia, which is without doubt an astounding achievement and a seismic debut for the band that labelled their sound in 2016 as ‘a spellbinding punkadelic-esque Roman orgy’. Columbia, the ‘alternate world informed by reality’ reverberates with the sound of the temple’s foundations being rocked to their very core” – Andrew Gutteridge for Words For Music Blog https://wordsformusic.blog/2018/09/21/album-review-the-blinders-columbia/
“An outstanding debut, The Blinders have caused an itch with Columbia, an itch I hope they can scratch with a follow up. We sacked off the ratings system a long time ago, but Colombia feels like an Eight from a band who have the potential to deliver a Ten. Far from a classic, but ever so close. Thoroughly enjoyable and a real kick up the ass for the alternative rock scene who should take notes from this excellent piece of work” – Josh Bell for RGM: Reyt Good Magazine https://www.rgm.press/review-the-blinders-columbia/
Vinyl copy of “Columbia”
“It’s impossible to fully appreciate this album in word form and I cannot stress enough how much you have to listen to it for yourself. The Blinders have truly changed the game with ‘Columbia’. They’re going to take over the world” – Lottie Catrin forLet It Happen Music Blog https://letithappenmusicblog.com/2018/09/21/the-blinders-columbia/
“If The Blinders were trying to get a message across, they couldn’t have achieved it in any more clarity if they’d tried. It’s poetical perfection. This, 12-track, just-under-40-minute album is, at it’s core, just a piece of music. But at it’s best, it’s a statement; a concept; it’s meant to provoke a reaction. And it does. Even during the live shows, the band, clad in face paint and dark clothing, embrace the ideology and the theme of the album entirely, immersing themselves in this make-believe world that they truly believe could become real sometime soon. The hype around this album has been second-to-none amongst independently released albums in the past ten years. But we’re here for it” – The Indie Room Blog https://theindieroomblog.wordpress.com/
“But it is impossible not to be sucked into this scary world of slithering bass, straight-for-the-throat guitars and Thomas Haywood’s cool without being an annoying snob popular cultural references. The deliciously snarling guitars that pave the way of ‘Et Tu’ and then again on the outro to ‘Brutus’ while Haywood screams ‘Et tu, Brute?’ over the top are the stuff of genius. This isn’t songwriting, this is atmospheric musical theatre” – Leigh Sanders, Senior sub editor for the MNA portfolio and entertainments at Express and Star and Shropshire Star. https://www.shropshirestar.com/entertainment/music/2018/09/22/the-blinders-columbia—album-review/
“Doncaster trio The Blinders’ Columbia is a dystopian-infused, literary-inspired social critique on modern day society, comparing our own world to those created by Orwell and Huxley. Before listening I was apprehensive, afraid the ferocious punk sound that has dominated their early works and live shows would become too repetitive, but Columbia’s highlights are the tender moments. Acoustic number ‘The Ballad Of Winston Smith’, and Nick Cave-inspired ‘Orbit (Salmon Of Alaska) are the album highlights as Tom Haywood, under his persona of Johnny Dream” https://therodeoblog.blogspot.com/2018/09/on-trend-future-is-bright.html
“If ever there were a time for heroes, it be now. A band to speak to and for the disaffected, disenfranchised youth about to be trampled on by the aftermath of us adults screwing up their future by withdrawing from the EU and leaving them with a “no deal” Britain that ensures they’ll be working until they drop and the word ‘pension’ will become as obsolete as pronouncing the letter “H” as it is spelt” – James Auton for God is in the TV blog http://www.godisinthetvzine.co.uk/2018/09/24/the-blinders-columbia-modern-sky/
“Emerging from Doncaster as new bastions of explosive live music, The Blinders have become a must-see band on the UK live circuit in the past two years. Fusing punk politics, gnarly hooks and psych-lyricism, the band have found the perfect algorithm to live success. Picking up support from 14 influential playlists, including Indispensables and Walk Like A Badass, The Blinders have enjoyed a 132% increase in their playlist following in the past 7 days, taking their total to over 3.5 million. With a 5.45% increase in their artist following, the trio also seem to be building a solid fanbase” – FRTYFVE Blog, powered by Instrumental https://www.frtyfve.com/new-music/hottest-artist-in-the-world-the-blinders
“On the back of the game-changing album ‘Columbia’, The Blinders have now cemented themselves as one of the hottest bands in the UK. The album itself is racing into the UK top 40 after rave reviews from fellow bands, fans and press – we’ve had it playing constantly since last Friday, and trust us – believe the hype!” – Mock It (the Best in New Music) Blog https://mockitmusic.wixsite.com/mockitmusic/features/tenement-trail-the-blinders
“In tracks such as ‘Hate Song’, ‘Where No Man Comes’, the scintillating power of expression in ‘Ballad of Winston Smith’, ‘Brave New World’ and ‘Orbit (Salmon of Alaska)’, The Blinders have found the right series of buttons which makes, which demands of the debut a sense of the calm, collected, and ready to light the beacons in the anticipation of fighting a bigger battle ahead. It is a battle in which the generations above had better be wary of standing in their way ” – Ian D. Hall for Liverpool Sound and Vision http://www.liverpoolsoundandvision.co.uk/2018/09/25/the-blinders-columbia-album-review/
“Influenced by Arctic Monkeys and Nick Cave & the Bad Seeds, there’s also a hint of Kasabian in their groove-laden alt-rock sound. This brooding collection of 12 songs is loosely based around the concept of Columbia as ‘an alternate world informed by reality’. It demands your attention from the off with a wonderful brace of singles, the insistent ‘Gotta Get Through’ and ‘L’Etat C’Est Moi’ (it means I Am The State). Like most of the album’s best moments, they’re propelled along by delicious post-industrial bass lines reminiscent of Peter Hook in his Joy Division pomp” – Gary Welford for Hartlepool Mail https://www.hartlepoolmail.co.uk/whats-on/music/album-review-the-blinders-columbia-1-9365505
“The album provides a unique and enjoyable listen, leaving you feeling fully involved with the dystopia that is Columbia, all helped by the vivid imagery of the lyrics. This band is essential to 2018, and with this album they have literally pulled a blinder” – Katie Macbeth for Rock Chic Blog https://rockchicme.blogspot.com/2018/10/the-blinders-columbia.html
“For a young generation on the cusp of a new political awakening, their debut will no doubt act as an accompanying soundtrack to their cause. After a few years of honing their craft and some impressive slots on the UK festival scene this year, ‘Columbia’ will be taking The Blinders places – so catch them while you can” – Ceri Saunders for ON: Yorkshire Magazine https://www.on-magazine.co.uk/arts/music/album-reviews/columbia-the-blinders/
“The Blinders are a band worth experiencing live. Enrapturing, politically injected lyrics enable the gig-goer to encounter an alternative to what is seen in mainstream media. Catch them on their headline tour alongside White Room and Calva Louise this October and November, you won’t be disappointed” – Sahar Ghadirian for Forge Media http://forgetoday.com/2018/10/02/review-the-blinders/
“Despite clocking in 12 songs in just over 42 minutes, ‘Columbia’ never rushes its narrative. Constantly proving that rock and roll is most definitely still alive and well, The Blinders have returned the hope that rock and politics can go hand in hand. With hints of the ‘Stones, The Smiths and Nick Cave & The Bad Seeds, it’s quite hard to not deem ‘Columbia’ as one of the most influential albums of 2018. It’s a definitive, well-polished record from a young, promising band who stand for something much more” – Paige Smiths for Not Enough Notes Blog http://www.neverenoughnotes.co.uk/2018/10/review-the-blinders-columbia-rock-debut/
“The stunning debut album from Manchester underground band, The Blinders” – Amazon UK/Amazon.com
Official advert for Columbia on Amazon UK
A new review from K Production
“Energetic, goth-tinged Yorkshire three-piece The Blinders take their influences from great lyricists, poets and writers such as Leonard Cohen, Bob Dylan, Nick Cave, John Lennon, Rimbaud, Allen Ginsberg, George Orwell and William Burroughs, but also count Charles Manson and the devil among their influences. Their debut album, Columbia, therefore, is a bit different to the run-of-the-mill indie bands around today. LP and CD on Modern Sky Entertainment.” – KProduction https://www.keyproduction.co.uk/blog/2017/latest-releases-manufactured-by-key-production-group_september-round-up/
Columbia review by Jack Saunders of BBC Radio1. Picture by Sam Crowston
“Delivering an LP of fierce dystopian rock n roll loosely based around the concept of ‘an alternate world informed by reality’, The Blinders are an example of a new breed of guitar band who are noticeably far less complacent than many from earlier on in the decade. They bash out an exciting blend of punk, indie and psychedelica, listing their influences as Dylan, Cohen, Mark E Smith, Lennon, Cave, Kerouac, Rimbaud, Orwell, Ginsberg, and S.Borroughs” – Rewind/Forward Blog https://rwffmusic.blogspot.com/2018/09/album-review-blinders-columbia-2018.html
“Throughout the album, the influence of the works of George Orwell is ever clear, especially on acoustic ‘Ballad of Winston Smith’ named after the protagonist in the novel 1984. The tracks speaks of the mainstream media reporting and building stories out of nothing, whilst letting those in charge get away with whatever they wish” – Katie MacBeth for RawMusicTV https://www.rawmusictv.com/review/2018/The-Blinders-release-debut-album-Columbia
“One of the most anticipated British debuts of 2018, The Blinders deliver a fully rounded rock statement with ‘Columbia’ but leave their future open. The Blinders have created something cohesively packed not only with raw energy and rage also with knowledge, chemistry and the profound. To say Columbia an impressive debut would be an understatement, but it’s also apparent there’s more to come. 8/10″ – Sandie Garland for The Student Playlist https://www.thestudentplaylist.com/review-the-blinders-columbia/
“This increasingly rare concept album, coupled with their constant references to history and literature display an artistic intelligence perhaps uncommonly associated with such a heavy-hitting sound. Alongside the likes of Cabbage and IDLES, they are leading the way in creating a new brand of socially aware Punk. With the release of ‘Columbia’, The Blinders are dragging us into a dystopian future where Punk-Rock rules again” – James Booton for Boot Music Blog http://jamesbooton15.wixsite.com/boot-music/single-post/2018/09/19/The-Blinders—Columbia
“The Blinders debut album ‘Columbia’ is a raw, loud and punky piece of dystopian-themed indie rock that makes you fall in love with rock music, all over again. 🎸👨🎤 🤘” – Roxi for RoxiPicks Twitter Channel https://twitter.com/roximusicsystem
“The album has lots of energy but settles into your standard swampy/punk sound, with odd high spots: I Can’t Breathe is similarly retro to the opener and stands out, as does the slower, and Levellers-ish, Ballad Of Winston Smith. Even the more ‘routine’ tracks are far from predictable: Hate Song speeds, to give the moshpit a reason for frenzy, Where No Man Comes opens with an arty disco beat and jagged guitars” – Review Corner https://reviewcorner.org/2018/12/21/the-blinders-columbia/
Indie For Bunnies Italian Blog – The Blinders review
“The debut album for The Blinders is finally here. Three youngsters from Doncaster who now live and study in Manchester, have been mentioned for a long while now in various English magazines and it seems that everybody has been eagerly awaiting the release of ‘Columbia’. What can be said – it was worth the wait. This is an interesting, magnetic, 100% rock and roll album. Almost two years passed between the releases of their debut album and their first EP ‘Hidden Horror Show’ that saw the light of day back in 2016. The EP showed much potential and maturity and working with legendary producer, Gavin Monaghan on their debut album allowed the band to produced a real magic that will satisfy hundreds and thousands of new fans. Gavin Monagham is called the Wizard of Wolverhampton for a reason. It is worth adding that Columbia was recorded fully at Monaghan’s recording studio, The Magic Garden in Wolverhampton, West Midlands. From the opening chords of ‘Gotta Get Through’ to the magnificent closing track ‘Orbit (Salmon of Alaska)’, The Blinders prove that they have a maximum control over the listeners. They take them on a journey filled with distorted guitars, haunting vocals and protest songs against controlling political systems. Several songs are highlights of the album. ‘Ballad of Winston Smith’ will make your hair stand on its end. It is hauntingly beautiful, mature, with a nostalgic bow and background chants that remind us of a movie soundtrack. It could be a great theme song for the next James Bond movie. ‘Et Tu’ brings us back to reality with aggressive rhythm and ‘Brutus’ flirts with multiple layers of percussion and pulsing bass line that sounds like Arctic Monkeys, Drenge and Slaves mixed together. So, here are The Blinders. Three different people, three amalgamated elements, that made one truly interesting album filled with innovative ideas, mature lyrical themes and classic rock and roll. Columbia is so good, it will withstand the passing of time” – Ben Moro for IBF (Indie for Bunnies) Italian Blog Translation from Italian by Vanadian Avenue http://www.indieforbunnies.com/2018/11/05/the-blinders-columbia/
End of Year Reactions: 2018 is now a history! To celebrate the last 12 months, Vanadian Avenue has prepared Columbia Advent Calendar! We have our own # (hashtag) on Twitter and each day we will be posting really cool things relating to the album, tour, merch or the band! To access all tweets please use the following link: https://twitter.com/hashtag/ColumbiaAdventCalendar
We also have a proper Advent Calendar as well! Please click on each day to reveal something extraordinary about the band!
Columbia was released on 21st of September and is being counted among the albums released in 2018. Its name is appearing in many “End of year” summaries and we thought it would be good to show how well received the album is. Please see the screenshot from Twitter where users are posting their Best albums of 2018!
End of Year summaries – fans
Louder Than War magazine has always been very supportive of The Blinders and we have to thank them for their continuous faith in the band. Columbia has just been called the second best album of the year by their readers and journalists and the editor, John Robb has only the best words for them! Please see the screenshots attached and read the short interview with Thomas Haywood! You can buy the Issue 19 online at: https://vivelerock.net/product/ltw19nickcave/
Editor’s note – Louder Than War, issue 19, December 2018, page 5
Louder Than War, issue 19, December 2018, page 73 – second place (The Blinders lost only to IDLES!) and an interview on the right
The online version of this article can be seen below:
Album of the year 2018 online article from Louder Than War
We are pleased to let you know that Columbia has been placed on yet another “Album of The Year” list! According to Rewind/Fast Forward Blog, the Blinders’ debut album is so good that it went straight to number 24, overtaking The IDLES and Slaves! You can visit the page at: https://rwffmusic.blogspot.com/2018/12/2018-albums-of-year.html
The Best Albums of the Year
Long Live Vinyl Magazine has been incredibly kind to put The Blinders on their list of The Top 100 Albums of 2018! Columbia was not only included on the cover of the magazine (bottom left) but also landed at number 48, almost in the middle of the countdown! This is phenomenal achievement for the band taking into account that the album was released merely 2 months ago and faced heavy competition form established acts such as IDLES and Shame.
Industry praise is hard to achieve but The Blinders managed to convinced almost everybody in the music business that they are the next best thing. Josh Cooper, owner of the popular independent label RoadKill Records gave the Doncaster trio a gloving recommendation and a place number 4. He wrote: “These guys came out of nowhere for me and seem to have had a big a year as any band could, book-ending 2018 with an amazing 300 cap gig at Borderline and then in front of a sold out Garage following the release of ‘Columbia’. A dystopian concept album full of garage-rock anthems, Cramps style beats and hook after hook”.
In August, the Blinders paid a visit to XS Manchester Radio to speak to Jim Salveson and play two acoustic songs live on air. They were “Brave New Wolrd” and “Orbit (Salmon of Alaska)”. The 17 minute interview was a fan favourite from the start and now it has been officially named the best live session at XS Manchester of the year! You can see the results on a screen below, The Blinders scored 39% of all votes!
XS Manchester online voting results for the “Session of The Year” of 2018
Getintothis list of 100 Best Albums of the Year – The Blinders ended up at number 58
Another day and another recognition for the band! Manchester Music Forever (MMF) have chosen their favourite songs from last year and created a nice Spotify list for you to listen to. The Blinders have been placed at number 2 with “Brave New World” and the top spot went to The Slow Readers Club with “Lunatic”. Congratulations to all
GigsandTours.com is the official website of one of the UK’s leading promoters, SJM Concerts. They are also one of the most popular websites in the UK that reports on upcoming shows, music news and everything else music related. With nearly 100k followers on social media, their voice is something of a blessing in the industry. And now the blessing has been given to the Blinders! On 12th of December, Gigs and Tours released their official selection for Gigs and Tours: Best Albums of 2018 and of course, Columbia is mentioned. The reviewer, Jordan Garner wrote: “A concept album about a dystopian future and Johnny Dream (singer Tom Haywood’s on-stage persona), The Blinders give dark commentary to society on Columbia, incorporating influences of protest songs to give a cry for change on negative aspects of today’s world. A snarling whirlwind of indie-punk, The Blinders second album cements them as one of the most exciting new bands to come out of the UK. Standout tracks: ‘Gotta Get Through’, ‘Brave New World’, ‘Et Tu’” – What else can we add?
Gigs and Tours chose Columbia as one of the best albums of 2018
Manchester online service, Flick of The Finger created their own end of the year list, simply entitled “Album choices 2018”. No surprise there – The Blinders ended at number 4 and they received a glowing reviews that says: “Columbia is pure, unadulterated rock and roll. Make no mistakes about that. It is the type of album that does gets you wondering about what the band are all about on the live stage. But whether it’s at your local venue, or at home on your stereo system, they will blow your fucking heads off. And that is fine with me”. This review was written by senior journalist, Mark Sharpley and we cannot agree more!
On 14th of December, Forkster Music Promotions, published their annual FAB Singles chart from new, unsigned and emerging artists. The Blinders were mentioned at number 3 with Brave New World. The review was absolutely fantastic: “We absolutely loved this tunes music definition. It suitcases a mesmerizing rock n’ roll from ‘walloping & swinging’ bluesy riff soaring sockets, ‘thumping and pumping’ rhythm jubilations alongside a magnetic vocal promise that radiates forth with a snarling affection and rebelling attitude brilliance, loved the harmonious chorus fronts too, which brought a wicked industrial rock presence to their music table too, sensational song!”.Thank you so much!
Except the ginger-men with warpaint, the day also brought us a new new list of The Best Albums of 2018. This time it is from Captain Sound Blog who placed Columbia on the top spot! The highest place on the chart was awarded after the contributors and the readers voted. Thank you!
On 17th of December Live4ever website published their own list of the best albums of the passing year. The Blinders’ debut album landed at number 18 overtaking such well known artists as Low, Car Seat Headrest and Johnny Marr. Being included on this list is again a true honour, Live4ever Media LLC was founded by 3-time Emmy Award winning cinematographer and concert photographer Paul Bachmann, who previously spent a big part of his career working in music video production for some of the world’s top acts. Paul is partnered by The Mic, who brings a tenured background in finance and a keen knowledge of the Irish and UK music scene. Their senior editor is Dave Smith, a professional journalist who worked for The BBC, The Guardian and many other mainstream media. The review read: “Columbia doesn’t beat you over the head with its allegories. Brave New World might not be about Trump’s America, it could be about an ‘idiot king building a wall’ (although the Kardashians reference makes it hard to avoid), and Rat In A Cage doesn’t have to be about the migrant crisis, it could be a straight-forward call to arms, as Dream tells us to ‘come together, we need each other’. The politics is there if you want it to be, but it’s oblique enough to ignore should you choose to. The Blinders join Cabbage, Shame and Idles as pioneers of a movement we’ve needed for some time, giving us faith in rock music again”. Amen to this!
On 19th of December Eudaemonia Blog published their own Album of the Year compilation. The Blinders landed the top spot after the readers voted for their favourites. This only shows that each voice truly counts! Thank you to those who voted and please continue doing so as the more people know, the better.
20th of December turned out to be a great day for The Blinders. The band’s debut album was placed on two Album of the Year lists! The first mention came from Manchester Music Forever of (Mancunia) and Columbia climbed all the way to number 2. The popular website wrote: “An outstanding debut album from these adopted Mancunians. Live band of the year? The Blinders are incredibly hard working and deserving of their success to date and more in 2019”
Second mention of the day came from Luton community radio station Diverse FM and their indie rock show called “Transmission”. Columbia wno the top spot with a rave reviews from the presenters and the audience – so it is a double win for the Doncaster trio!
Indie show Transmission on Diverse FM picks the best albums of 2018
On 21st of December, VMPE blog published their own list of Best Albums of the Year and The Blinders made it to number 12! The moderator of the blog, Andy Von Pip, is a radio plugger at Amazing Radio, moderator for BBC 6 Music, DJ Tom Robinson’s Fresh on the Net and a former member of “BBC’s Sound Of” panel so his praise is not just an empty declaration. This man knows the music business inside and out! Thank you Andy!
On 22nd of December, the loveliest of people at Jimmy’s (our spiritual home in the Northern Quarter!) will play the entire Columbia album to celebrate The Blinder’s success in 2018. After all, it is one of their favourites albums of the year. The party starts at 4:00 pm sharp so if you can be there, please come. (and don’t forget to take some pictures). Oh, and have fun of course!
Jimmy’s will be playing Columbia in full on 22nd of December
On 23rd of December Jon Sidwell a staff writer for Music Liberation Blog published an official list of the best albums of 2018 according to readers and contributors. The Blinders’ debut album finished at number 10 and we are truly grateful for each vote that helped the album go so far! Thank you to all who voted and contributed!
24th of December is a Polish Christmas Day and we couldn’t wish for a better present! Yorkshire Evening Post newspaper published their list of The best of 2018 in Music and yes, you have guessed – The Blinders are mentioned as The Best Album of The Year! Journalist David Hodgeson wrote: “Listeners to the Yorkshire band’s debut album need peak physical fitness, such is the relentless and unceasingly intense energy emitted throughout the breathless opening half, drawing breath at Ballad of Winston Smith, before taking the reins back up again until Orbit (Salmon of Alaska) brings one of the freshest, most invigorating albums of the year to a close. The Blinders demonstrate a level of self-confidence and swagger that belies their young age, the bass line of stand-out track L’Etat C’est Moi forever cerebrally lodged in all affected by it, Brave New World the entry level song. The perfect foil to the similarly unrestrained live set”.
On Boxing Day (26th of December), the kind people at Forkster Music Promotions, published another FAB Singles chart, this time the final rankings for 2018. And what do we have at number 8? The Brave New World by The Blinders. The review: “A magnificent diversity of alternative rock muscle, blues rock beauty, indie rock thrust and industrial rock atmosphere charm”. Great achievement for the band and it only shows how good the Doncaster trio truly is.
On the same day, surprisingly The Blinders received a very positive review for Columbia from a popular Italian music blog called IFB (Indie For Bunnies). Columbia was listed at number 8 on the list of their best albums of the year and this is the first Italian mention for the band. Thank you guys! We have translated the review into the universal speak (aka English) so here you have it: “What a debut album for The Blinders. Three, very young English lads, doing what they do best – playing and creating their music. The record is entitled ‘Columbia’ and belongs to the garage rock genre but has everything you look for in an alternative music – great style, good taste and each member of the band brings his unique personality into the mix. It is not an exaggeration on our part. It is truly a rock and roll album that takes the listener to various musical landscapes, nearly pushing us to the edge. The vocals are raw and hoarse and they fit the pressing, duelling rhythm section. For us – almost a perfect album”. Nothing else to add!
Indie For Bunnies Blog – Columbia was placed at number 8
So we had a small break for Christmas and now it is business as usual! 27th of December and we have four mentions for the Blinders in one single day. The first End of Year summary comes from Traveller’s Tunes blog where the trio ended earning the number one for The Album of The Year. Thank you kindly for fantastic review in September and now for the top spot on your list!
Traveller’s Tunes – Columbia is on the top of the list
The second mention is by the loveliest of people at the Flick of the Finger (again). They gave The Blinders’ single “L’Etat C’est Moi” an honourable mention on the list of Best Singles of 2018, right next to Sly Antics (“Sunday Fear”), Black Honey (“I Only Hurt The Ones I love”), Johnny Marr (“Hi Hello”) and Our Fold (“Don’t You Want A Lover?”). Thank you guys! An honorable mention from you means the world to the band!
Flick of The Finger’s Honourable Mention List of 2018
The third mention belongs to Paste Magazine who just published their list of the new bands to look out for in 2019! The Blinders are their band number 3 and this is what the magazine had to say about the boys: “The Blinders released their highly-anticipated debut album, Columbia, earlier this year via Modern Sky. Originally from Doncaster, this Manchester-based trio takes lyrical inspiration from dystopian science fiction, beat poets, modern-day political turmoil and societal outcasts while echoing the doomy musical mannerisms of Nick Cave and the sinister desert rock of Humbug-era Arctic Monkeys. One of their earliest tracks “ICB Blues” commemorates the brutal killing of Eric Garner by police while “Brave New World” pays homage to the Huxley novel of the same name and pokes fun at Trump’s ludicrous border-wall proposal. Frontman Tom Haywood’s clever, offbeat growls position him as prophetic town crier while vigorous guitars circle around him like a pack of hungry wolves. Columbia is what you get when a young rock band grows up on Bob Dylan, but decides to make something saltier and with an added pinch of danger”. Can we add AMEN to this praise?
Paste Magazine places The Blinders at number 3 for the bands to look out for in 2019
The last and fourth mention for the day is given by another super supportive blog – Even The Star. They printed a lovely review of Columbia on 20th of September and supported the band from the very beginning. On their End of Year List, The Blinders were listed at number 20, but it is always a great achievement for a debuting band. Cheers guys, it means a lot!
Even the Stars blog – The Blinders are on the place number 20!
As a bonus entry, we have information from our friends at Indie Rocks Radio, that their internet pool for the Best album of The Year has just finished! And The Blinders vote by overwhelming majority! They were competing against their label mates, The Slow Readers Club and won 65% to 35%. congratulations to both bands!
Columbia won the Internet audience vote for the best album of 2018
On 28th of December (we are nearly at the end of the year!), Words For Music blog published their own Top 10 of the Best Albums of The Year. This is a real banger of a list with “Joy as an Act Of Resistance” by Idles at number one. The list also contains many acclaimed albums such as “High As A Hope” by Florence and the Machine (number 5), Arctic Monkeys “Tranquility Base Hotel & Casino” (number 3) and Shame “Songs of Praise” (number 7). And you may already guessed that number 2 belongs to Columbia. Congratulations to the band (yet again) and thank you to all contributors!
Words for Music blog – Columbia earned a second place
It is always nice when you are appreciated by your own label 🙂 On the same day, Modern Sky UK sent their last newsletter of the year to their subscribers and The Blinders received a heartfelt thank you’s from them and a rave review.
On 29th of December, Columbia was voted the second best album of 2018 by the staff and readers of The Fat Angel Sings blog. The writers explained their decision with a great review: “Columbia is what you get when a young rock band grows up on Bob Dylan, but decides to make something saltier and with an added pinch of danger. It is bracingly thrilling debut which firmly places The Blinders at the vanguard of a new generation of politically engaged British guitar bands. Loosely based around the concept of Columbia as “an alternate world informed by reality”, on the album The Blinders display a ferocious intelligence, as influenced by history, literature and art as they are by Britain’s current political and economic woes”. We cannot add anything else!
The Fat Angel Sings review of Columbia is simply amazing!
For the last few weeks, BBC Introducing in Sheffield were revealing their Top 50 Tracks of 2018 and finally on 29th of December we learnt who ended up in the 3rd place. Since this blog is entirely dedicated to The Blinders, there is no surprise here! BBC Sheffield DJ, Christian Carlisle wrote: “No. 3 is The Blinders and ‘L’Etat C’est Moi’. After an incredible year that saw the release of their outstanding debut album, The Blinders have becoming one of the most exciting and promising new bands to ever emerge from the UK”. So true and thank you BBC Sheffield. You have been championing the best emerging artists for a long time and we are so grateful for your help!
A day later, on 30th of December, BBC Radio 1 honoured The Blinders by featuring the band in Huw Stephen’s last show of the year. It summarized the best albums and the best tracks of 2018. Brave New World has been Huw’s beloved track for months now but it was still a very big surprise! Thank you Huw, you are a star!
BBC Radio ! with Hew Stephens chooses The Blinders among the best songs of the year
And on the same day, The Blinders were also featured on Amazing Radio’s Chart of The Year, taking the amazing 2nd place! Amazing Radio has been one of the biggest supporters of the band and it is lovely to see that they continue to do so. Roll on 2019!
Amazing Radio Chart on their website – mentioning The Blinders
Amazing Radio The Blinders are mentioned in a Tweet
And we reached the 31st of December! What a year it has been! We are looking forward to the next 12 months that will take The Blinders to Europe and beyond. We will finish off the End of Year summary section with a beautiful blog from Sahera Walker, a fellow PR lady, blogger, zine editor and music promoter. Sahera prepared a list of bands we have to listen to in 2019 (pay attention to her selection!) but she also prepared a short list of her absolute favourites from 2018. Of course, The Blinders are listed at number 7 in Sahara’s Top 10 Albums of 2018. Thank you!!
Indie Underground Top 10 of the Best Albums of 2018.
So far we have received a lot of nods and approvals for the album but a long written praise just for a single is not that common. Luckily Steve, the owner of SteveForTheDeaf blog came to the rescue with his last review published on 31st of December. The review for “Brave New World” is the second single he has written about (the first being “L’Etat C’est Moi” in June) and he had some fantastic words for the band: “The Blinders? Played up to their name in 2018. I’m expecting big things in the next 12 months, I just hope they can stay this lean and mean and keep the clutter their inevitable success will bring out of their sound”. Thank you Steve!
The last recognition for the band in 2018 (and probably the most important one) came from the legendary BBC DJ, Steve Lamacq himself. Steve has been championing The Blinders for many years and he was the one who brought them to Maida Vale Studios in London in April to record their session for BBC Introducing. Only few emerging artists can dream of such honour, but when you are called the most important new band in last three decades of rock music… well it is a different story! The Blinders recorded the session, spoke to Steve on air and of course their performance was chosen as one of the best in the last 12 months. The boys cannot do anything wrong, can they?
Steve Lamacq`s Best of Guests on his drive time show on 31.12.2018
You can listen to the show on the voice clip below:
2018 may be over but the “End of Year” and “Best of 2018” lists will continue for at least another month or so. Here is a very nice mention of The Blinders from the JoyZine Magazine published on 2nd of January 2019. The reviewer, Paul Maps wrote: “One band who are beginning to look as though they might do just that are The Blinders whose rabble-rousing psych-flecked anthems on debut LP Columbia has propelled the Doncaster trio onto plenty of ‘ones to watch’ lists”. Thank you so much guys!
JoyZine puts the Blinders on their Best of 2018 lists.
On 7th of January, CG Music Blog published their “Review of Music in 2018” and we have to say, it is a truly interesting read! The Blinders scored number one in the “Best Album” category and they beat Shame, Black Honey and Bodega on their way to the top. Columbia review read: “I’m a big fan of their live sets, and even more so of their first full long player. It can be difficult to translate the sort of performance the Blinders excel at onto a recording but kudos to Producer Gavin Monaghan. You get the same sense of the upcoming apocalypse listening on your earphones as you do when aurally assaulted at one of their incendiary gigs. The bass sound is truly terrifying. This is an album of it’s time and if we do have to go through this nonsense at least we get glorious work like this as a by product. It’s a stunner”. No complaints from us here – the album is a blinder!
On 10th of January, A Spanish blog “Peace, Love and Bananas” (a very unique name!) published their own lists of The Best Albums of 2018. Columbia has received a rave review: “Álbum debut de esta banda. Potente sonido, punk en las guitarras, político en los temas, indie en los estribillos, gótico en el estilo… con algún tema más relajado… una montaña rusa de emociones que promete un buen futuro para ellos.”
It translates to: “Columbia is a debut album for The Blinders. It is a powerful record, with strong punk guitars, indie melodies and political lyrics. We can describe it as dark, almost Gothic in places. Roller-coaster of emotions promises a great future for the trio”. Muchas gracias!
Peace, Love and Bananas. Columbia is one of their best albums of 2018
On 2 of November, the band was played by the legendary American radio station, KEXP 90.3 FM and they chose a rather unexpected song from “Columbia” – “The Hate Song”. Next stop for the lads? Top 20 on Billboard charts 🙂
And yet another play for the band on 13th of December! Thank you!!
KEXP played The Blinders again!
We may not have all the plays but we will keep on adding them as they come:
I Can’t Breath Blues – The Blinders – playing on KEXP Radio at 11:05 on 13-Dec-2018
Hate Song – The Blinders – playing on KEXP Radio at 06:12 on 02-Nov-2018
Did you know that The Blinders are getting big in Japan? A famous club, Organ Bar located in Shibuya in Tokyo, organizes a monthly rock parties where the best new British artists are being introduced to Japanese audience. The Blinders were featured on each party since the beginning of the year, but on the 16th of December, the last party of the year will be dedicated entirely to their music! If you’d like to do your own research online – the Japanese spelling for the band’s name is ザ・ブリンダーズ. Individual names for each members are as follows: トーマス・ヘイウッド（Thomas Haywood)、チャーリー・マックゴー(Charlie McGough)、マシュー・ニール（Matty Neale).
This is the last Astile Party for the Year! Let’s have a great rock bounenkai*!
Make sure you are free to attend. We will be playing music from our new favourite band, The Blinders.
Do not mistake them with the Breeders!
*a special kind end of year party in Japan that lets you forget about troubles and problems and concentrate on starting anew
Thank you Emmy Ishida for your help with translation!
Domestic (as per Airplay Ninja):
Please note that this list does not include local radio-stations plays, only the national ones.
This means that all BBC Introducing plays for example are not monitored and we cannot add them here.
Rat In A Cage – The Blinders – playing on Amazing Radio at 05:09 on 18-Oct-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 01:44 on 17-Oct-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 02:43 on 15-Oct-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 03:10 on 13-Oct-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 22:45 on 12-Oct-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 05:25 on 10-Oct-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 23:00 on 08-Oct-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 05:40 on 07-Oct-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 02:08 on 06-Oct-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 00:06 on 04-Oct-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 23:00 on 02-Oct-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 04:22 on 29-Sep-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 04:43 on 28-Sep-2019
Ballad Of Winston Smith (Amazing Sessions 2018) – The Blinders – playing on Amazing Radio at 03:26 on 26-Sep-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 23:00 on 25-Sep-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 05:00 on 24-Sep-2019
Brave New World – The Blinders – playing on Amazing Radio at 07:44 on 23-Sep-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 01:00 on 23-Sep-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 05:40 on 21-Sep-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 02:08 on 20-Sep-2019
Ballad Of Winston Smith (Amazing Sessions 2018) – The Blinders – playing on Amazing Radio at 09:48 on 18-Sep-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 03:42 on 18-Sep-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 21:13 on 15-Sep-2019
Ballad Of Winston Smith (Amazing Sessions 2018) – The Blinders – playing on Amazing Radio at 16:47 on 15-Sep-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 03:25 on 15-Sep-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 04:35 on 13-Sep-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 02:46 on 11-Sep-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 05:36 on 09-Sep-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 22:46 on 07-Sep-2019
Brave New World – The Blinders – playing on Amazing Radio at 10:26 on 04-Sep-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 22:44 on 03-Sep-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 23:00 on 02-Sep-2019
Brave New World – The Blinders – playing on Amazing Radio at 17:27 on 01-Sep-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 05:24 on 30-Aug-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 02:32 on 30-Aug-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 03:00 on 26-Aug-2019
Brave New World – The Blinders – playing on Amazing Radio at 14:23 on 22-Aug-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 04:05 on 22-Aug-2019
Ballad Of Winston Smith (Amazing Sessions 2018) – The Blinders – playing on Amazing Radio at 18:26 on 20-Aug-2019
Brave New World – The Blinders – playing on Amazing Radio at 06:53 on 20-Aug-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 03:31 on 17-Aug-2019
Ballad Of Winston Smith (Amazing Sessions 2018) – The Blinders – playing on Amazing Radio at 11:16 on 14-Aug-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 03:00 on 14-Aug-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 04:44 on 13-Aug-20
Rat In A Cage – The Blinders – playing on Amazing Radio at 00:37 on 12-Aug-2019
Ballad Of Winston Smith (Amazing Sessions 2018) – The Blinders – playing on Amazing Radio at 18:18 on 11-Aug-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 02:27 on 10-Aug-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 02:00 on 09-Aug-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 02:43 on 07-Aug-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 22:41 on 05-Aug-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 21:40 on 04-Aug-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 05:00 on 03-Aug-2019
Brave New World – The Blinders – playing on BBC Radio 1 at 00:34 on 02-Aug-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 03:00 on 01-Aug-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 05:38 on 26-Jul-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 05:00 on 24-Jul-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 23:06 on 21-Jul-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 05:26 on 20-Jul-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 05:07 on 17-Jul-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 23:25 on 15-Jul-2019
Ballad Of Winston Smith (Amazing Sessions 2018) – The Blinders – playing on Amazing Radio at 01:28 on 14-Jul-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 05:16 on 13-Jul-2019
Brave New World – The Blinders – playing on Amazing Radio at 10:57 on 12-Jul-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 03:22 on 10-Jul-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 05:39 on 08-Jul-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 03:06 on 07-Jul-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 03:24 on 05-Jul-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 03:30 on 03-Jul-2019
Ballad Of Winston Smith (Amazing Sessions 2018) – The Blinders – playing on Amazing Radio at 04:29 on 01-Jul-201
Gotta Get Through – The Blinders – playing on Amazing Radio at 22:12 on 29-Jun-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 23:44 on 26-Jun-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 03:41 on 24-Jun-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 03:00 on 21-Jun-2019
Ballad Of Winston Smith (Amazing Sessions 2018) – The Blinders – playing on Amazing Radio at 03:28 on 18-Jun-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 05:39 on 17-Jun-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 03:26 on 16-Jun-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 02:35 on 13-Jun-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 23:05 on 12-Jun-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 01:20 on 11-Jun-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 02:22 on 09-Jun-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 03:24 on 06-Jun-2019
Ballad Of Winston Smith (Amazing Sessions 2018) – The Blinders – playing on Amazing Radio at 01:36 on 05-Jun-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 04:21 on 04-Jun-2019
Brave New World – The Blinders – playing on Amazing Radio at 07:55 on 03-Jun-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 02:43 on 03-Jun-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 04:00 on 02-Jun-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 01:06 on 31-May-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 02:14 on 29-May-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 02:14 on 29-May-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 23:45 on 25-May-2019
Ballad Of Winston Smith (Amazing Sessions 2018) – The Blinders – playing on Amazing Radio at 04:27 on 23-May-2019
Brave New World – The Blinders – playing on Amazing Radio at 14:16 on 21-May-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 23:37 on 20-May-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 03:00 on 19-May-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 00:42 on 16-May-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 02:07 on 14-May-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 22:46 on 11-May-2019
Ballad Of Winston Smith (Amazing Sessions 2018) – The Blinders – playing on Amazing Radio at 15:21 on 10-May-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 00:00 on 07-May-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 04:24 on 05-May-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 05:23 on 02-May-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 22:48 on 30-Apr-2019
Ballad Of Winston Smith (Amazing Sessions 2018) – The Blinders – playing on Amazing Radio at 04:30 on 29-Apr-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 04:22 on 26-Apr-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 18:32 on 21-Apr-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 04:45 on 21-Apr-2019
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 05:27 on 20-Apr-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 16:27 on 19-Apr-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 02:00 on 18-Apr-2019
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 05:34 on 15-Apr-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 03:45 on 14-Apr-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 12:59 on 10-Apr-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 22:40 on 08-Apr-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 12:00 on 05-Apr-2019
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 07:27 on 04-Apr-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 03:40 on 04-Apr-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 22:37 on 01-Apr-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 02:00 on 28-Mar-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 11:35 on 27-Mar-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 10:57 on 26-Mar-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 05:13 on 26-Mar-2019
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 08:23 on 24-Mar-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 00:26 on 24-Mar-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 00:36 on 22-Mar-2019
Rat In A Cage – The Blinders – playing on Amazing Radio at 20:32 on 21-Mar-2019
Rat In A Cage – SXSW Festival – RX 14/03/2019 – The Blinders – playing on BBC Radio 6 Music at 16:26 on 19-Mar-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 03:06 on 19-Mar-2019
Brave New World – The Blinders – playing on BBC Radio 1 at 00:11 on 18-Mar-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 05:13 on 17-Mar-2019
Rat In A Cage – SXSW Festival – RX 14/03/2019 – The Blinders – playing on BBC Radio 6 Music at 17:24 on 15-Mar-2019
Brave New World – The Blinders – playing on BBC Radio 6 Music at 15:57 on 14-Mar-2019
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 03:28 on 13-Mar-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 22:13 on 12-Mar-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 05:24 on 10-Mar-2019
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 06:37 on 07-Mar-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 05:00 on 06-Mar-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 00:28 on 03-Mar-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 02:38 on 02-Mar-2019
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 15:18 on 01-Mar-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 00:30 on 25-Feb-2019
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 04:25 on 22-Feb-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 00:19 on 19-Feb-2019
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 07:35 on 17-Feb-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 22:11 on 16-Feb-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 22:42 on 14-Feb-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 01:45 on 12-Feb-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 00:22 on 11-Feb-2019
Brave New World – The Blinders – playing on Amazing Radio at 01:57 on 10-Feb-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 04:25 on 08-Feb-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 01:49 on 07-Feb-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 23:48 on 04-Feb-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 05:53 on 03-Feb-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 03:15 on 01-Feb-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 23:00 on 30-Jan-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 04:22 on 28-Jan-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 01:44 on 27-Jan-2019
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 14:31 on 24-Jan-2019
L’E tat C’est Moi – The Blinders – playing on Amazing Radio at 05:42 on 24-Jan-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 02:17 on 23-Jan-2019
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 01:40 on 21-Jan-2019
Brave New World (Live From Eurosonic 2019) – The Blinders – playing on BBC Radio 1 at 23:04 on 20-Jan-2019
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 11:16 on 09-Jan-2019
Brave New World – The Blinders – playing on BBC Radio 1 at 23:13 on 08-Jan-2019
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 04:23 on 07-Jan-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 22:46 on 06-Jan-2019
Gotta Get Through – The Blinders – playing on Amazing Radio at 11:50 on 04-Jan-2019
Brave New World – The Blinders – playing on BBC Radio 1 at 00:21 on 04-Jan-2019
Brave New World – The Blinders – playing on Amazing Radio at 12:03 on 03-Jan-2019
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 17:24 on 01-Jan-2019
Brave New World (Introducing Session, 20th Apr 2018) – The Blinders – playing on BBC Radio 6 Music at 18:10 on 31-Dec-2018
Gotta Get Through (Introducing Session, 20th Apr 2018) – The Blinders – playing on BBC Radio 6 Music at 18:05 on 31-Dec-2018
Brave New World (Introducing Session, 20th Apr 2018) – The Blinders – playing on BBC Radio 1 at 00:37 on 31-Dec-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 18:50 on 30-Dec-2018
Brave New World – The Blinders – playing on Amazing Radio at 19:56 on 29-Dec-2018
Gotta Get Through (LP Version) – The Blinders – playing on Amazing Radio at 13:18 on 30-Dec-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 23:00 on 29-Dec-2018
Gotta Get Through (LP Version) – The Blinders – playing on Amazing Radio at 20:20 on 27-Dec-2018
Brave New World (Introducing Session, 20th Apr 2018) – The Blinders – playing on BBC Radio 1 at 00:51 on 27-Dec-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 22:07 on 25-Dec-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 21:39 on 23-Dec-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 23:53 on 20-Dec-2018
L’Etat C’est Moi – The Blinders – playing on BBC Radio 6 Music at 17:04 on 20-Dec-2018
Brave New World – The Blinders – playing on Amazing Radio at 12:03 on 18-Dec-2018
Gotta Get Through (LP Version) – The Blinders – playing on Amazing Radio at 13:18 on 16-Dec-2018
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 06:22 on 16-Dec-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 00:23 on 16-Dec-2018
Gotta Get Through (LP Version) – The Blinders – playing on Amazing Radio at 20:18 on 13-Dec-2018
I Can’t Breathe Blues – The Blinders – playing on BBC Radio 6 Music at 16:19 on 13-Dec-2018
Rat In A Cage – The Blinders – playing on BBC Radio 6 Music at 06:41 on 13-Dec-2018
Brave New World (LP Version) – The Blinders – playing on Amazing Radio at 14:33 on 10-Dec-2018
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 06:31 on 08-Dec-2018
Brave New World (LP Version) – The Blinders – playing on Amazing Radio at 11:33 on 07-Dec-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 22:39 on 06-Dec-2018
Brave New World (Introducing Session, 20th Apr 2018) – The Blinders – playing on BBC Radio 6 Music at 18:19 on 05-Dec-2018
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 03:25 on 02-Dec-2018
Brave New World – The Blinders – playing on Amazing Radio at 17:58 on 29-Nov-2018
Ballad Of Winston Smith (Amazing Sessions 2018) – The Blinders – playing on Amazing Radio at 11:13 on 28-Nov-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 23:29 on 27-Nov-2018
Ballad Of Winston Smith (Amazing Sessions 2018) – The Blinders – playing on Amazing Radio at 18:13 on 25-Nov-2018
Brave New World – The Blinders – playing on Amazing Radio at 17:52 on 24-Nov-2018
Brave New World (LP Version) – The Blinders – playing on Amazing Radio at 11:33 on 16-Nov-2018
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 05:21 on 12-Nov-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 17:31 on 11-Nov-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 00:51 on 11-Nov-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 16:59 on 10-Nov-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 10:24 on 07-Nov-2018
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 01:41 on 07-Nov-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:26 on 06-Nov-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 01:50 on 06-Nov-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 17:25 on 04-Nov-2018
Brave New World – The Blinders – playing on Amazing Radio at 04:24 on 04-Nov-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 23:51 on 03-Nov-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 00:32 on 01-Nov-2018
Brave New World – The Blinders – playing on Amazing Radio at 09:07 on 31-Oct-2018
Brave New World – The Blinders – playing on Radio X at 22:54 on 29-Oct-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 22:05 on 28-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 16:07 on 28-Oct-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 03:26 on 27-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 10:30 on 24-Oct-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 00:39 on 22-Oct-2018
L’Etat C’est Moi – The Blinders – playing on Amazing Radio at 22:26 on 21-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 17:30 on 21-Oct-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 03:22 on 20-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 13:57 on 18-Oct-2018
L’Etat C’est Moi – The Blinders – playing on Amazing Radio at 12:22 on 17-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 11:11 on 17-Oct-2018
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 12:52 on 16-Oct-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:14 on 15-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 14:56 on 15-Oct-2018
I Can’t Breathe Blues – The Blinders – playing on BBC Radio 1 at 23:46 on 14-Oct-2018
Gotta Get Through – The Blinders – playing on BBC Radio 1 at 23:34 on 14-Oct-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:10 on 14-Oct-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 02:19 on 13-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 09:54 on 12-Oct-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:13 on 10-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 11:42 on 10-Oct-2018
L’Etat C’est Moi – The Blinders – playing on BBC Radio 1 at 00:32 on 08-Oct-2018 Brave New World – The Blinders – playing on Amazing Radio at 18:43 on 07-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 19:07 on 06-Oct-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 12:00 on 06-Oct-2018
Orbit (Salmon of Alaska) (LP Version) – The Blinders – playing on Amazing Radio at 14:36 on 05-Oct-2018
Rat In A Cage (LP Version) – The Blinders – playing on Amazing Radio at 14:33 on 05-Oct-2018
Brave New World (LP Version) – The Blinders – playing on Amazing Radio at 14:30 on 05-Oct-2018
Brutus (LP Version) – The Blinders – playing on Amazing Radio at 14:23 on 05-Oct-2018
Et Tu (LP Version) – The Blinders – playing on Amazing Radio at 14:21 on 05-Oct-2018
Ballad of Winston Smith (LP Version) – The Blinders – playing on Amazing Radio at 14:19 on 05-Oct-2018
I Can’t Breath Blues (LP Version) – The Blinders – playing on Amazing Radio at 14:16 on 05-Oct-2018
Free the Slaves (LP Version) – The Blinders – playing on Amazing Radio at 14:14 on 05-Oct-2018
Where No Man Comes (LP Version) – The Blinders – playing on Amazing Radio at 14:10 on 05-Oct-2018
Hate Song (LP Version) – The Blinders – playing on Amazing Radio at 14:07 on 05-Oct-2018
L’Etat C’est Moi (LP Version) – The Blinders – playing on Amazing Radio at 14:03 on 05-Oct-2018
Gotta Get Through (LP Version) – The Blinders – playing on Amazing Radio at 14:00 on 05-Oct-2018 Gotta Get Through – The Blinders – playing on Amazing Radio at 14:57 on 04-Oct-2018 Brave New World – The Blinders – playing on BBC Radio 1 at 00:26 on 04-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 11:46 on 03-Oct-2018 Brave New World – The Blinders – playing on BBC Radio 1 at 23:34 on 02-Oct-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 12:34 on 02-Oct-2018
I Can’t Breathe Blues – The Blinders – playing on BBC Radio 6 Music at 17:27 on 01-Oct-2018
Gotta Get Through – The Blinders – playing on BBC Radio 6 Music at 15:09 on 01-Oct-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 13:16 on 01-Oct-2018
Orbit (Salmon Of Alaska) – The Blinders – playing on BBC Radio 6 Music at 12:26 on 01-Oct-2018
Rat In A Cage – The Blinders – playing on BBC Radio 6 Music at 08:54 on 01-Oct-2018
L’Etat C’est Moi – The Blinders – playing on BBC Radio 1 at 23:27 on 30-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 18:46 on 30-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 06:51 on 30-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 14:54 on 28-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 04:12 on 28-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 00:22 on 28-Sep-2018
Brave New World – The Blinders – playing on Radio X at 23:02 on 26-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 18:57 on 26-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 11:09 on 26-Sep-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 23:28 on 25-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:16 on 25-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 17:16 on 24-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 18:10 on 23-Sep-2018
Rat In A Cage – The Blinders – playing on BBC Introducing Manchester at 21:52 on 22-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 17:52 on 22-Sep-2018
Et Tu – The Blinders – playing on BBC Radio 6 Music at 16:23 on 21-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 12:26 on 21-Sep-2018
Brave New World – The Blinders – playing on Radio X at 00:31 on 21-Sep-2018
I Can’t Breathe Blues – The Blinders – playing on BBC Radio 6 Music at 00:18 on 21-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 19:19 on 20-Sep-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 22:32 on 18-Sep-2018
Hate Song (Introducing Session, 20th Apr 2018) – The Blinders – playing on BBC Radio 6 Music at 16:26 on 19-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 13:46 on 18-Sep-2018
Brave New World – The Blinders – playing on Radio X at 22:52 on 17-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 06:44 on 15-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 12:47 on 13-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 00:42 on 11-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 17:21 on 10-Sep-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 23:42 on 08-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 06:45 on 07-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 17:03 on 06-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:20 on 04-Sep-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 20:56 on 04-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 14:12 on 04-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 16:55 on 03-Sep-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 17:00 on 01-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 17:06 on 31-Aug-2018
Brave New World – The Blinders – playing on Amazing Radio at 15:51 on 31-Aug-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 17:42 on 30-Aug-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 04:53 on 29-Aug-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 20:59 on 28-Aug-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 18:28 on 28-Aug-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 14:59 on 26-Aug-2018
Photo-session and Exhibition
The Blinders by Paul Husband (copyrighted)
Professionally taken pictures are the heart and soul of each marketing campaign. For the new album and new tour, The Blinders worked with renowned photographers to ensure that their live images (such as taken by Manchester based photography wizard Trust A Fox) or the ones taken in the studio, are of the best quality.
Their studio session has been shot by Paul Husband, another very talented photographer. And the session went so well that The Blinders’ pictures were used in Paul’s international exhibition that opened on 20th of October 2018 at the Manchester Bar in Montpelier in France! How cool is that!!
Although it is not a part of the meet & greet tour, HMV Worcester receives a honorary mention for displaying this by the main doors. You guys are amazing!
Also, we have heard that Glasgow branch had to be re-stoked twice on the premiere day! Oh me, oh my oh Roy… (but it is the wrong band!)
HMV in Worcester knows the best music when they hear it!
Columbia banner is ready to be taken to the barricades
Close up number 2
And close up number 3
Works of Arts; We all know that “Columbia” is a true work of (musical) art and it is nothing shocking that other artists are being inspired by it. If you have seen the band performing on Kendall Calling Festival, you may have noticed two beautiful artworks displayed near the tent. They were made from broken vinyl records and the pieces were assembled into the Columbia’s cover artwork, or the face of Johnny Dream. The artist behind this very unique work is Kirk Whitehouse and his art is known as the “Smashed Hits” artworks. Kirk has been working with pieces of old vinyl records for years and his artworks have been exhibited many times in the UK and abroad. They were also featured in magazines, press and in hundreds of other publications (digital and print). Kirk is not only a very successful artist but also a volunteer and regional manager for Musicians Against Homelessness charity. His work took him recently to London where he spoke to the Parliament about the growing homelessness crisis. He managed to convinced several MP’s to their very worth cause! Kirk lives in Birmingham with his wife and two daughters. He is open for commissions so please contact him if you’d like your own smashed hits piece of art.
You can see the picture of the Blinders posing with the Columbia artwork at the festival and with the artist in tow):
Another artist inspired by The Blinders is the excellent Nick Dillon! Manchester native, Nick is a pop (culture) artist that specializes in portraits using embossing and debossing techniques. Each artwork he makes takes about 100 hours and everything you see is done by hand. Nick’s works have been exhibited numerous times and the biggest rock stars and football clubs are among his clients. The Columbia artwork is very unique as Nick decided to emboss all lyrics on one canvas – that’s staggering 7500 letters! We don’t know how long this piece took him but it must have been twice the usual amount of time. The artwork will be displayed on The Blinder’s London gig on 7th of November in London.
And here you can see the artwork being prepared. It looks simply breathtaking!
Fanarts: The Blinders’ artistic vision is encouraging fans to create as well. The first fan-arts inspired by the dystopian tale are starting to appear and we are sure, there will be more and more coming up soon. Just last month, we only had two artworks created by Polish graphic designer, Marek Zbrozlo and they feature the lead singer (Thomas Haywood) in a traditional style and his alter ego (Johnny Dream) as a comic book character. In the next few weeks, more and more artists joined in and we now have a small art gallery on the blog!
In July 2018, two friends, Mark and Nick had a genius idea – why not merge bands and musicians’ logos with the logos of their favourite football clubs? After all, it is a common knowledge that there is nothing better under the sun than football and the music. This is how Bands F.C. was born and it quickly took over the world! At this moment, Bands F.C. have nearly 400 logos, badges, prints, t-shirts and one of their design is that for The Blinders! The design merges Doncaster Rovers Football Club logo with the character of Johnny Dream (the make up obviously) and the three Ouroboros joined together (logo of Nasty Men Creations, the visualization company behind all The Blinders videos, pictures and merch).
The Blinders Bands F.C. design
You can also see the design Bands F.C. did for the upcoming Blossoms, The Coral, Fuzzy Sun and Cabbage concert at Edgeley Park (the home stadium of the Stockport Country F.C.) on 22nd of June 2019! We hope to see the bands were their respective t shirts while performing!
The success of Bands F.C. made it possible for other artists to start something similar. Another artistic initiative called Bands as Beer is trying to merge bands logos with their favorite beverages! Simple but genius! The artists behind the Bands As Beer are working as a collective under the 67 Inc brand. The Blinders have been merged with their favourite beer, The John Smith’s and the results look like this:
“Not scared of no darkness” – The Americas “Guitar Music is Dead” review
When I look back, there is a cinematic quality to it. I can see it in my mind unfolding like a film. A girl is walking into a local venue, wrapped in her over-sized winter jacket. She`s very nervous to the point of feeling lightheaded. Yet, she is very determined. She came to this place to find bands to promote. She is about to rebuild her life from actual scratch and it’s the music business with no plan B. She will find herself some local acts to promote and it will snowball from here. It`s a Phillip Hall or Tony Wilson type of thing. You would not understand.
The bar is half full with some people talking and listening to songs played via PA system. There could have been an open mic night but it ended. The girl was late. She loiters with a glass of cola for a while and then strikes rather awkward conversation with two guys at the bar. They seem like a perfect target. And the conversation goes like this:
– Sooo, are you in a band? – she asks
– Yes – one of the boys is irritated because he has just been mistaken for his twin brother
– We are … ummm a five piece…
– And have a female singer – interrupts the brother and they do look identical
– Would you describe yourself as a good band?
The boys stare at each other:
– Suppose so? – says the first one measuring words – But if you want to find a good band in this town there`s The Americas…
The boy is Fergus Brazier – lead guitarist of incredibly potent indie pop/shoegaze act named nth cave. His hair is still not dyed blue, he is months away from departing to London to work at the Beeb. His brother is Hector Brazier, drummer in the same band. They recorded a session for BBC Hereford and Worcester but have no idea that it will become one of the most popular sessions for local chapter of BBC Introducing. They are unaware that in the future they will co headline Musicians Against Homelessness in Worcester collecting more funds than a similar event in Birmingham. It is also too early for their demos to end up on Steve Lamacq`s desk. It`s only winter 2016 and we have just met.
Similarly, the entire local music scene is yet nameless. It will take several more months before Andrew Marston of BBC coins the term “WorcesterWave” to describe our collective push to be recognized. But the stars are aligning. The nth cave boys just introduced me to The Americas. I don’t know many people in town so it is hard for me to name others in the room. But it is full of people with whom I will work and whom I will call friends. Jesse River Dylan Murray is packing up his guitar – dressed in his fashionable coat, Troy Tittley of Nuns of the Tundra is out in the little garden in the back of the venue. Hanna Webb is saying good bye to her mates from Population 7 by the doors, there is a song by Soeur on the speakers…
The EP banner
The girl goes home quite ignorant that she accidentally stepped in to an environment that resembles Seattle in the late 80s – where local music scene is full of incredible talent and it is ready to make itself known to the country. So far the girl has just learned names of two local bands. One of them will change her considerably. She gets home and puts The Americas into Google…
It took 547 more days (I have been counting, not sure what it says about me) to finally see the band live – on 16th September 2017 during Worcester Music Festival. By then, The Americas had three singles out and they toured the country playing all the important festivals. They rounded up the year being featured by Tom Robinson on BBC 6 Music during his Christmas program.
Second time I`ve seen them was on 30th March 2018 (tendency to remember life events by the gigs), they played to a sold out crowd in the same venue when I first heard their name. They were dressed in matching red suits and white shirts. They debuted some new songs and taunted an upcoming EP.
If I can conjure some more of this nonexistent film about the Worcester scene. In March 2018, I am now at the side of the stage screaming out America`s lyrics and having a very emotional time. Over the two years period The Americas found a way into my soul and into my playlists. I interviewed them for my blog, I discovered their previous project (Holy!), I have their song on my ringtone and I march into work at a local authority to their beat. If allowed – I am harping about them (and The Blinders) to anyone who was unlucky to show interest in anything music related. The band kind of become friends since we all live in the same town.
The WorcesterWave is in full swing – local artists have been on BBC Hereford and Worcester, BBC West Midlands, Black Country Radio, Radio Brum, XS Manchester, BBC Radio 1 (including a Maida Vale session for Soeur), 6 Music, Radio X, Amazing Radio and festivals around the country. Local press (Worcester News, Malvern Gazette, Hereford Times), big rock magazines (Louder Than War, Kerrang, NME), independent zines (Leather + Denim, Some Might Say) have featured artists from the scene. It becomes the norm to see local bands regularly gigging in London, Cardiff, Bristol, Birmingham, Manchester, opening festival stages and even being considered for labels. If a movie about us is ever going to be made – there surely will be a scene of Fergus (with his now trademark blue hair) pitching local acts to some indie labels at a music fair in London for an hour and forty –five minutes. Or The Americas singing their hearts out at The Lexington while opening for The Blinders…
Our combined efforts, support from Beeb and DJs such as Andrew Marston, Steve Lamacq, John Kennedy, Daniel P Carter, Huw Stephens, Mary Ann Hobbs, Lauren Laverne or Tom Robinson and simple luck pushed WorcesterWave further than anyone of us would dream. But one thing remains certain: The Americas seem to be ahead of everyone. They set trends and go places like they have found a crystal ball and can see the future. Whatever they do today, the scene will try out tomorrow.
And here we get to the meritum of this longish essay – the debut EP from The Americas aptly entitled “Guitar Music Is Dead”.
Signed copy of Guitar Music Is Dead
On September 7th 2018 The Americas debuted a six track EP – their first offering to the world. Recorded at a secret studio located in Oxfordshire countryside, “Guitar Music Is Dead” has been mixed and produced by Mike Hill and the band, using tape instead of digital technology. It gives the record unique, old fashioned feeling – something that you don’t hear on other indie releases. However this is not nostalgia for the golden era of rock and roll. The EP feels very modern, both in sound and output. It just has that “thin mercury sound” that Bob Dylan spoke about – for a lack of better definition.
Analogue approach brings forward the beauty of The Americas that could have been overlooked before – that of honesty, that comes from hearts and experiences of the members. The band does not shy away from hard topics on the record: loneliness in “Come on Out”, political and economical mess of the world in “American Morning” or drug use in “I Don’t Wanna Go Home”. But everything is delivered with a dose of sadness and poetry, rather than a blunt force. The Americas look at the world and see what surrounds us and react to it in their own ways. They do get angry in “Bad News” that seems to be directed at people in music industry (or any industry where you work and struggle) but also deliver a beautifully crafted song about getting away in “Backyard Love Song” and a love song in form of “Rosanna”. This is my personal favourite. If I may dedicate few lines of text to it.
“Rosanna” closes the record with a bang and a wonderful jam at the end of the track. But it is the lyrics that won me over. Perhaps I am wrong, but this is not an ordinary love song. This is a “love beyond the grave” type of a story – where two people have each other for ever, no matter what. “Rosanna” is a possessive, us vs. the world, Bonnie and Clyde, True Romance kind of a feeling. The one that each of us dreamed of but very few will ever experience. And then there is this passage “I am not scared of no darkness, as long as I’ve got you here in my heart”. For a whole list of personal reasons that should not go into the review – this line got to me and became some sort of a mantra in times of trouble. It is nearly a protective spell, and I don’t believe in magic. I do however believe in power of music and “Rosanna” is one hell of a powerful statement.
The EP also brings in a new element to band`s repertoire. For the first time, both Harry Payne and Aaron Whittaker share vocal duties. Aaron takes leads on “American Morning” and “Backyard Love Song” – both compositions he authored. While Harry Payne`s vocals are expressive and at times cutting like knives (last minute of “I Don’t Wanna Go Home will leave you with deep emotional scars), Aaron vocals are soothing and gentle. Harry and Aaron complement each other, when one sings leads, the other does backing parts and it works like magic. I have yet to find an indie record that has this sort of chemistry and fellowship between band members.
That partnership is very much visible on stage when The Americas play live. They instinctively know what the other person will do, where the music goes, what songs follows. Off stage, they sit together like a family unit rather than a bunch of mates. I have seen other acts being fiercely jealous of the unity in The Americas. Come to think of it, “Guitar Music Is Dead” would not be such an exemplary record if it wasn’t for the brotherhood shared between Harry, Alex and Aaron.
And I have to mention something about Alex Bradshaw`s drumming. The legend has it that he was “stolen” by Aaron and Harry from his mother group and was convinced to join The Americas instead. I`m not particularly sure this is what really happened but Alex`s input in the band is crucial for the sound. He hits the tubes like there is no tomorrow in “Bad News”, only to bring delicate textures of “American Morning” next and contributes groove to the phenomenal jam at the end of “Rosanna”. How many times you get to listen to a record and say – yep, the drummer is the right one for the band. The chemistry between Aaron and Harry is kept in perfect balance by Alex and there is no doubt about it.
“Guitar Music is Dead” is a great EP, lasting about 30 minutes and it’s one of two records of the year for me, alongside with “Columbia” from The Blinders. What is a small disappointment to me, unlike “Columbia”, “Guitar Music Is Dead” doesn’t fully capture how the band sound when playing live. You still need to see The Americas on stage to fully understand their powerful mix of Americana, soul, gospel and classic rock. The EP is an excellent record but The Americas are capable of so much more than the format could handle.
If you can get yourself a copy of the EP, do so. It will be exciting for me to see where the band will go from here. And perhaps for the entire WorcesterWave scene as well.
Cover of Come On Out – first single to promote the EP.
It was very hard to write this review. Took me about a week. I wrote at home, in a hotel at 3AM when on a trip to Manchester, on buses and in bed. I reviewed “Columbia” in about 5 hours from start to finish and required four revisions. The Americas took about thirty. This record hits so close to home that I had to take chunks of text out not to make it too personal. Morrissey once said that we should never forget the records that saved our lives. “Guitar Music Is Dead” did just that. On at least three occasions this year.
Alex, Harry and Aaron – thank you.
Cover of “American Morning” – second single off the EP
“Guitar Music Is Dead” was released on 7th September 2018.
1. Come On Out
2. American Morning
3. Bad News
4. Backyard Love Song
5. I Don`t Wanna Go Home
Please do not take just my word for granted how good The Americas` EP is. Here is a whole bunch of other reviews (and this is just a small fragment of what`s out there) if you cannot make up your mind if you shall get your own copy of “Guitar Music Is Dead”:
Gigslutz: „Every track varies from the last, showing the incredible talent and individual sound the band is bringing to the table, and this just the start of what The Americas are capable of”
Words For Music: “EP packs a whole load of guitar in one place. The ring of the classic bluesy vocals are complemented by rock and country guitars while hats are surely tipped towards indie music, making you really question the Midland origin of the band”.
Northern Exposure: “The Americas are a British guitar band trying to make it pay in the 21st century. Taking influences from 70’s Rolling Stones, Bob Dylan and American pop-culture.They put on their suits, strap up their boots and take their rock and roll gospel to anyone who’ll listen”.
One Great Song: “Nobody else is producing a sound quite like theirs right now, and the Guitar Music Is Dead EP is all the evidence you need of that. Traditional but quirky, nostalgic and powerful; The Americas are proving that guitar music is in fact thriving”.
Indie Central Music: „The Americas have just released six-track EP ‘Guitar Music Is Dead’, and prove in 29 minutes of 60’s-flavoured rock’n’roll that they are one of the new wave of UK bands making sure guitar music is very much alive”. (also user rating for the band is stated at 8.2 out of 10)
Popped Music: “Have been a big fan of The Americas since seeing them gracing the stages at some small venues and then smashing their set at Isle of Wight Festival (…) Judging from this release, the EP, “Guitar Music is Dead”, is something to look forward to”. (about “Come On Out”)
Today`s blog is very important as we wanted to conduct this interview for a very long time. It has been a privilege to watch this very special London-based band grow for nearly two years. Things are looking really bright for the trio these days: they got signed to These Bloody Thieves Records, on September 6th they will embark on a 23- dates tour across Ireland, UK, France, Netherlands and Germany. September 21st will see digital release of their new EP “Less is Better”, while physical debut will take place on October 5th at their home coming gig at Dingwalls in London. Without further delay – please welcome False Heads to our humble blog. On the eve of the release of their new single “Yellow”, we sat down with their lead singer Luke Griffiths to talk about the music, Iggy Pop and their upcoming tour.
Official bio: Hailing from the outskirts of East London, False Heads formed in 2016. Behind the energy of their live shows, the trio quickly thrust themselves into punk-rock limelight, catching the attention of Punk’n’Roll legend Iggy Pop, ex-Ramones manager Danny Fields and music taste maker Rodney Bingenheimer. Having quickly graduated from playing empty rooms in London to supporting The Libertines on a sold-out tour, the buzz around the young band is undeniable. False Heads are Barney Nash (vocals & drums), Luke Griffiths (vocals & guitar) and Jake Elliott (bass).
You have been making a name for yourselves on the indie circuit since 2015 yet we still wonder, who are False Heads? Would you be so kind and introduce band members to the good citizens of West Midlands.
Luke Griffiths: I’m Luke and I sing and play guitar. Jake plays bass and Barney plays drums and sings as well. Thank you good citizens of West Midlands.
You chose an interesting name for the band. The term “False Head” has several meanings rooted in the theory of communication, journalism and psychology. Our favourite definitions include an informal name for the news caster or a political TV commentator coined in the 1950’s; a social mask worn by an individual hiding their true feelings and an incorrect belief in one’s superiority based on an economic or class advantages (so called “False Head” start). So where does your name really come from?
Luke Griffiths: That’s pretty fucking awesome, that you’ve got that from the name and I always thought it was evocative. Originally, I just misread “False Hood” on a list of names scribbled down and I thought I’d written “False Heads”. I just got an image of all the people I despised from where I grew up – the fake, benign, mediocre, sleep walk through life type then die whilst mocking and turning their nose up at anyone different or creative type moron. I also got the image of irritating “talking heads” on TV of politicians spouting the same drivel they’d had written for them by the same script writer. So, it just conjured up a lot of different things for me. The name seems to be more relevant now, people are carbon copies of each other and base their belief system on what they think won’t get them in trouble. It’s nonsense.
You have been championed heavily by punk rock icon, Iggy Pop himself. He has played your songs on his show on BBC 6 Music. How does it feel to have his backing? It surely seems to be a dream come true.
Luke Griffiths: Yeah, “Raw Power” was and is one of my favourite punk albums. Iggy was a huge inspiration for me and emailing him is slightly bizarre. Him naming us as one of his favourite bands in the UK was crazy. It’s an amazing honour. He’s an incredible person and he still gives a shit about new bands.
Iggy Pop is not the only radio personality who gave you an outstanding review on air. We could mention several others such as John Kennedy of Radio X, Steve Lamacq of BBC 6 Music or Hew Stephens from BBC 1. Do you feel you are on the right track to the rock and roll greatness?
Luke Griffiths: (laughing) I guess so, but I try not to think about it too much. We just try and write the best songs we possibly can and put on a great show. But all of those people, those huge names, we are extremely grateful for the support from them.
You also won a die hard fan on the other side of the Pond in form of senior KRCQ and Sirius FM DJ, Rodney Bingenheimer (and an owner of his own star at the Hollywood Walk of Fame!) Rodney expressed sentiment that you are Nirvana-reborn and the best British act that came out of London scene in the last decade. Are you off to conquer the olde US of A anytime soon?
Luke Griffiths: Yes! Another mad surreal one! He’s a living legend, he helped break bands in America and says things like that about us. It’s crazy. He’s another one we need to thank. There’s been some initial conversations about it, yes but we will see.
Tell us more about your beginnings. You met at the secondary school in Upminster and you played in several bands before separating to attend university. Do you still remember the names of the early projects you were involved in? Did they have any influence on your current sound?
Luke Griffiths: We were all born in East London and then moved out to Upminster which is like half East London, half Essex. Just an odd place, really. Barney and Jake were in a band called FiftyFours and I always operated under the name False Heads. I just could never get a proper band going (laughing)! It was extremely frustrating for me, but gave me a lot of time to write until the band finally did happen. I wouldn’t say there’s much influence from those early days, although I did write the “Twentynothing” riff when I was 15. Although, the chemistry between us comes from school. I think Jake and Barney being in the same band helped the chemistry between them and Barney recorded some demos for me to go to uni with to try and make a band, so it was probably inevitable!
New Single entitled “Yellow” is debuting this Friday, 24th of August
False Heads has been going on for three years now and from the start, you have received a strong support from audience and other bands from the capitol circuit. in November 2015, you played a memorable gig at The Black Heart in Camden and you attracted the attention of Danny Fields, the former manager of The Ramones. He became your mentor and a friend. We are sure you have learnt a great deal from him.
Luke Griffiths: Yes, we’ve learnt so much from him, so much. He’s done so much for us, we’re so grateful for what he has done for us. The advice he gave and honestly it is so true. He said to get a lawyer or someone to help you deal with contracts and dealings at the very least (who knows about law). The stories that guy tells us over a few drinks are unbelievable and his company is brilliant. He can outwit anyone, trust me – do not try and mug him off (laughing). A truly wonderful human being.
Your new EP “Less is Better” will be released very shortly. Tell us more about it. How many songs can we expect on the EP? Where did you record it and who’s producing?
Luke Griffiths: It was recorded and produced by the wizard named Jonathan Hucks and mastered by Tonalex (who are also incredible). Jonny is like our Nigel Godrich at the moment. There’s four tracks on the EP. It was recorded very DIY, sort of all over the joint – some in his room, some in a little studio near Stanstead and some in the epic Grand Cru Studios. It’s a follow on from our first release, “Gutter Press”. The themes and things I wrote about on that have only got worse. The echo chamber, social media culture is extremely damaging. We’re completely fine with censorship, we can’t tell the difference between a joke and a bigot. We have created an environment where people are scared to say what they think, then we wondered how such fucking awful things like Brexit and Trump happened? But at times, it’s also more personal than “Gutter Press”. “Retina” sort of came about from an acid trip, but every song has a few different themes going on. It’s difficult to just pin point one and I also don’t want to sound like a broken record (laughing). It’s a scary world we live in man and the hope shrinks every day, without sounding too bleak. The cover art for me was like there’s this beautiful open blue sky/colour/whatever you want to think it is and there’s so much space there for discourse. Life and building relationships and changing peoples minds yet we’re just sucked into this horrible black hole or echo chamber and people are scared to step out of it, even though it’s much more beautiful.
You also have a brand new label, These Bloody Thieves Records so congratulations are in order! We are interested to hear how your co-operation started.
Luke Griffiths: Thank you! Rob Hirst, the owner, is an incredible guy. He has been a big supporter of us for a long time. He spoke to our manager, Cargo Records, got involved and we built an amazing team around us. It’s all gravy. Rob deserves some serious credit. He is an amazing bloke with an amazing work ethic.
Tour poster – please check the dates and buy your tickets before the gigs sell out
This Autumn we will have a chance to see you on your first European tour. You will be playing UK, Ireland, Germany and France. Are you excited?
Luke Griffiths: Well, our first European tour was early on this year. Sorry to be pedantic (laughing)! We haven’t played in Ireland or Germany before yet and we cannot wait. We played France and Belgium on our last tour and played Rock Olmen Festival and InMusic Festival in Croatia. Europe is amazing for bands so we can’t wait to get back. And we fucking love Guinness so can’t wait for Ireland either. Whelans in Dublin is so iconic as well. All amazing stuff, really!
The famous last question and this is going to be hard! Name a song you wish you have written that was released in the last 12 months.
Luke Griffiths : “Blind Faith No Future” by Strange Bones
These Bloody Thieves Records logo
After speaking to Luke and hearing the praise for their new record label, we decided to approach Rob Hirst himself and ask him few questions as well. We didn’t think he would agree to do it, but he was more than happy to speak to us. This way, instead of just one interview, we got two! And that’s why we absolutely adore the DIY scene. Musicians, record label people, PR teams, fans – they are out there for each other. It is more than just everyday kindness. This is a genuine friendship, a true interest, that can only come from those who really care. People are taking care of one another, they look out for others, they participate and support. It is amazing to see it happen! As our good friend keeps saying: “What a time to be alive!”. We at Vanadian Avenue, are extremely privileged to be a part of that movement.
But coming back to Rob and his record label. This is what he said:
Rob, your dream is coming true. You are now an owner of an independent record label! Can you tell us more about These Bloody Thieves Record. Is there any rock and roll history behind its name?
Rob Hirst: The name of the label was actually the name of the very last band I was in. A very short-lived band that I believe was the best I was in and certainly the best band name I had come up with. I just thought it would be a good way for me to continue my past into the future and I couldn’t be bothered with spending hours of thinking of a label name and branding.
How did you set it up?
Rob Hirst: As you know I already work with bands & my Spotify playlist gets hundreds of submissions a month. I was scouting for other management companies and labels. I just woke up one morning and just thought ‘I’m going to start my our label’ and I did (laughing)! I must admit I have been very fortunate with the support I have had around me, especially coming from Rich (False Heads manager) & Ditto Music.
False Heads are your first release. How did you convince them to join you?
Rob Hirst: They approached me. I’ve known the band for a while and I’m a huge supporter. As soon as they asked I knew I had a label & a solid foundation to show that this label is serious. What a band for a first release.
Besides “Less is Better” EP, do you plan any other future releases linked to False Heads?
Rob Hirst: Er! Really, everything has gone into this release. The band has a great team around them and at the moment it’s all about this release. I’m sure there will be as the band have been in the studio with legendary producer Jonathan Hucks and have a bank of unreleased material in their locker. It’s very exciting times! False Heads have nowhere near reached their potential as a band. Pretty exciting really when you consider how great this EP is.
Are you accepting submissions from an unsigned acts? If so, what are you looking for?
Rob Hirst: I am always searching and always accepting submissions. It’s one of the most exciting aspects of running a label. Nothing better that discovering a band that you instantly gravitate towards and fall in love with everything about them. I don’t have specifics for what I’m looking for. I don’t really know until it comes along and slaps me in the face and says to me ‘Here I am, love me’. The label has a couple of other acts on the radar, one close to signing who I have been following for the last four months and a single deal out next month that is due for announcement anytime now.
You can follow False Heads and These Bloody Thieves Record on social media:
Thank you Luke and thank you Rob for speaking to us! This week is fantastic for so many great new bands and we are happy to be able to witness the revolution in popular music. False Heads will release their new single entitled “Yellow” this Friday, so please come back as we will have a full review for you to enjoy.
Until then, we bid you farewell.
Keep on rocking in the free world and make sure you listen to your vinyls/cds/digital albums loud. Very, very loud.
So much is going on dear readers, that we don’t know where to start! Interviews, pictures, secret gigs being organized (maybe in Birmingham, or maybe not 😊), plans and collaborations – we are 24hrs party people, only our party is a long-time marketing campaign! It is an exciting time to be alive as our friend says, but we wish our day had 48 hours instead of 24. Or well, you only live once.
Saturday, the 9th of June is coming closer and closer and we cannot wait! We will have a mini Worcester invasion with HVMM playing at The Flapper, Lost Tigers appearing at the Bishop and Actress and Dead Dads Club coming back to The Sunflower Lounge to rock you like a hurricane. Please use the links below to purchase the tickets and support The Racket, Jack Fletcher Band and our Malvern boys in DDC, if you are looking for a quality entertainment. Always support your local DIY scene. Those bands are the future of the British guitar music!
Poster for gig at the legendary Sunflower Lounge on 9th June 2018
Today, we would like to present you with the last interview we did to promote the show. The Jack Fletcher Band is one of Wolverhampton’s finest new bands and you just have to see them live. We talked to lead singer and guitarist, Jack Fletcher about the band’s name (quite obvious!), playing with Johnny Brown of Twisted Wheel and their new upcoming music. No beating about bush, only simple and straightforward answers. This is what we like!
Jack Fletcher (vocals, guitar)
Tom Robinson (drummer)
Henry Bradley (bass)
George Hadley (lead guitar)
Official bio: The Jack Fletcher Bans is an indie-rock four piece from Wolverhampton that can only be described as real rock with their stripped back guitar music, Midlands twang and their live-for-the moment attitude.
After the split of his former band “The Town”, lead vocalist Jack Fletcher began his solo career before meeting fellow band members: Tom Robinson (drummer) and Henry Bradley (bass) on a music technology course at university. From this friendship and the introduction of George Hadley (lead guitar), The Jack Fletcher Band was formed. Combining influences from mod bands such as The Jam & The Who with the rock and roll sounds of Led Zeppelin and Jimi Hendrix.
To date these Black Country lads have played numerous festivals and venues including Lakefest (supporting the likes of Primal Scream, The Coral, Cast and Star Sailor), Party in the Pines Festival, Wolverhampton’s Slade Rooms, Notting Hill Arts Club, Sunflower Lounge in Birmingham and the legendary Band on the Wall in Manchester.
With their unique and timeless compositions, youthful spirit and optimistic outlook, The Jack Fletcher Band are a group that will stand the test of time. They are a band that not only defines the present, but a band that embodies the culture and guts of those that came before them and will continue to do so for years to come.
Before we start, let`s have a proper introduction to all the members of the band. Please tell us who is who?
Jack Fletcher: Hi. My name is Jack Fletcher and I’m the lead singer and I play guitar. The rest of the band is George Hadley on lead guitar, Henry Bradley on bass and Tom Robinson on drums.
You have been performing under The Jack Fletcher Band moniker for quite some time now. It is simple yet memorable name. Did you choose it on purpose or was it last minute decision that just stayed with you? Are you tempted to change it to something else?
Jack Fletcher: We decided on The Jack Fletcher Band as the band’s name wasn’t really something we cared about. I wasn’t really good at picking names so we picked the worst name that we could find (laughing). Joking aside, it’s just stuck with us.
Your biography mentions that the band started out after a group of incredibly talented musicians took the same music course at the university. It is a perfect script material. Was it really a random encounter or did you know each other before?
Jack Fletcher: We all knew each other. Myself, Henry and Tom – we all really met at college and George was a friend of Jack’s early on… and the rest is a history (laughing).
Jack, before forming this group, you fronted The Town, an accomplished act in its own right. Can you tell us more about your project?
Jack Fletcher: The Town was my first real band. We played all around the country when we were around 16 -17 years old. Looking back on it, that’s a big achievement in itself really. We did well and we were so very young. But we enjoyed it.
Jack Fletcher Band in black and white
You have wonderful working relationship with Twisted Wheel. You supported them several times and in return Johnny Brown performed with you on stage. How did your collaboration start?
Jack Fletcher: We were always big fans of Johnny’s music and we met him at an acoustic gig in Derby some time ago and our friendship has been good ever since. We see him as a hero, but please don’t tell him that (laughing). He is a good friend.
The video to song “Has it all gone wrong” beautifully directed by Benjamin Harrp amassed over 100k views on social media. We have to admit, we absolutely love this song. It is very emotional. Any back story behind this track?
Jack Fletcher: Thank you! The story behind this track is very simple. I personally believe everyone can relate to it. Anything can go wrong in life but I suppose, it is always for the right reasons. The song is very emotional but I think it has a positive ending. You know, “keep on keeping on”, that sort of thing. And we are glad to hear that people can relate to the song’s tune and its lyrics.
Another of our favourites “What are you waiting for” was produced by Ryan Pinson at RML Studios in Wolverhampton. Pinson is known for working with several upcoming independent artists such as Jump The Shark, Wax Futures and Cosmic Rays. His style is crisp, a bit raw and energetic. Was that what you wanted to highlight in your song?
Jack Fletcher: Writing a good song is one thing but getting it produced well and making it sound like you do live is very difficult. Ryan’s a legend. He is an excellent producer and he can do his stuff very well. Always brings the best out of our music and that’s very important for us.
As Vanadian Avenue is based in Worcester, we have to mention that you have played on our home turf at Worcester Music Festival in 2017. How do you remember it? We hope The Faithful City provided you with a solid crowd and good memories.
JFB live on stage
Jack Fletcher: Yeah we have played in Worcester a few times. To be honest sometimes a bit too early for us to have half-decent crowd. You seem to put up shows very early guys, but the experience hasn’t been bad all bad (laughing).
On 9th of June you will join The Racket and Dead Dads Club at The Sunflower Lounge for a true rock and roll celebration. Are you preparing something special for the gig?
Jack Fletcher: We will try and impress people at gig on Saturday. That’s what we always intend to do anyway. We are not planning anything special, we will give it our all and maybe play a new tune.
Your schedule this year is fully packed. Where can your fans see you next? Any summer festivals or important concerts we should be on the look out for?
Jack Fletcher: We’ve got a quite a few things coming up and we are getting quite busy again. But everything still needs to be confirmed. Always come to our social media sites including Facebook, Twitter and Instagram to check things out. You will not be disappointed.
As mentioned already, the band is available on all important social media platforms, so take your pick!
Talking to the bands is one thing, but seeing them live is a completely different set of vinyls. Hopefully we will see you in Sunflower Lounge this Saturday. Bring your friends, a pair of comfortable shoes and let’s dance the night away!
Au revoir la haut à mes amis (just because speaking in French is hot these days)
Rita and Malicia