Indieterria meets The Psycho Relics

Dear Readers,

We wanted to have something special to celebrate a band that means a lot to us. Not only because we are following their career from the very beginning, but also because we call them friends. We will even go as far as to name them some of our favourite people on the planet.

Sometime in 2017 we walked into a gig not knowing who was on the bill and found ourselves mesmerised by a duo called As Mamas – consisting of a drummer and a guitarist. They produced some of the grooviest psychedelia we ever heard and that was a love at the first notes.  Since then we have seen them at least ten times across West Midlands and hosted them on our blog in 2018.

In 2019 the band moved to Brighton, expanded to a five piece and returned with a banger of a single – “Rocking Chair”.  They are The Psycho Relics.

Official bio: The Psycho Relics are a garage rock n roll five piece formed and based in Brighton. Taking influence from the classic rock and psych bands of the 60s and the new age of fuzzed out garage revival. The band  consists of  Harrison Baird-Whitman (vox/guitar), Joseph Devine  (guitar), Daniel Stirrat  (bass), Ed Prideaux  (keys) and  Sam Morley  (drums).

“Rocking Chair” may not re -invent the wheel  but it ticks all the boxes for a great rock and roll song. It brings together all elements that make guitar music so appealing  – the soul, the groove, the beat. It grabs you by the collar and shakes you out from the haze of indifference. You  thought rock was dead? Well check again!  The underground is bursting with talent, revitalized by the youth who picked up instruments and have something important to say.

The Psycho Relics brought psychedelic revival from Birmingham and made sure Brighton noticed. Their first gig sold out on the spot. The reviews for the single are only favourable. The word on the street is that the band has more material and gigs planned in the future and once the lock-downs are over they will hit the stages.

The buzz around Psycho Relics is undeniable. We wanted for a while to sit down with the band and ask them about the relocation, the new line up and the new material. After we sent the questions to Joe Devine and Harrison Baird-Whitman – they came back to us with a whole video instead.

So first time in the history of this blog we have a visual interview – and with people we truly adore to make things even more exciting! Please have a watch. It`s one hell of a ride. Joe and Harrison have wicked sense of humour, they love what they do and they have utmost respect for one another. Actually, they finish each other`s sentences. These are two childhood friends who went on to play the music and make history. And we will be tagging along on that journey, you can bet on it.

You can follow The Psycho Relics on socials:

https://www.facebook.com/thepsychorelics/
https://twitter.com/EdPrideaux
https://www.instagram.com/psychorelics/
https://soundcloud.com/thepsychorelics
https://thepsychorelics.bandcamp.com/
https://open.spotify.com/artist/1BLADGwneSC9u72vsnpHma?si=DZ0vyolkRgmtVqpEEZWxUg

“Rocking Chair” has received favourable reviews from blogs and music magazines:

https://www.badluck.co/music/2020/4/3/bl-premiere-the-psycho-relics-share-rocking-chair
http://www.indiemidlands.co.uk/reviews/the-psycho-relics-rocking-chair
https://moggblog.com/2020/04/11/the-psycho-relics-rocking-chair-review

We will be trying to catch The Psycho Relics live this year.  And boy, this is gonna be legendary.

Big thank you to Joe and Harrison for being awesome. And without sounding cliche – we miss you like crazy.

Mal+ Rita

Indieterria review Brain Food – Brain Food EP

Dear Readers,

We are absolutely gutted that we can only review this EP good three weeks after its release (came out on March 13th 2020) but the world has been in chaos lately. Maybe you noticed… However social isolation has good sides  – you can sit on your ass and listen to a lot of music. We will not complain too much about being four weeks into a self imposed exile then. After all this is what music scouts do anyway if not attending gigs: typing away mountains of text about artists they seen or are about to see.  Plus, the fridge is stocked and we have 24 pieces of toilet roll…So without any more ado, here is the record we will be ranting about on this blog today. Meet the band.

Brain Food:
Liam Mckeown (vox, guitar)
Jakob Cusp (guitar, keys)
William S Carrott (bass)
Connor Doyle (drums, percussion)

Official bio:

Brain Food are a four-piece cosmic psych outfit originally hailing from the suburbs of East Birmingham. Forming in the dying embers of 2017, the band have been making waves with their energetic, spaced-out and shimmering live set. In their brief history they have supported the likes of Insecure Men, Froth, Stonefield, Boy Azooga, Frankie & The Witch Fingers, Dead Coast, Man of Moon and Public Access TV. August 2018 saw the release of debut EP “Get One On”, a DIY project of five tracks recorded, mixed and produced by the band, on their own makeshift record label, Room 15 Records.

Birmingham is known nationally (and internationally if you ever poked your nose outside the disunited kingdom) for having a vibrant psychedelic and garage scene. If you are local we don’t necessarily have to introduce you to the likes of DOXA, Table Scraps, Cherry Pickles, The Cosmics or The Lizards. Chances are you drink with members of those bands more often at The Sunny than we do. However if you don’t hang around Digbeth too often, Second City may be uncharted musical waters. Then you are cordially invited to have a look at this BLOG we did for the scene and check out the playlists. It`s worth it – we will tell you this much.

Brain Food – photography by Psychedelic Eye
https://www.facebook.com/psychedelic.eye.photography

Brain Food are part of the vibrant Brummie scene and their new, self -titled EP is exceptional, in many regards. It is first time in aeons that we had a pleasure to listen to a space psychedelia record. For those who are not into musical genres: space psychedelia (also known as “space rock”) originated in the late 1960`s and is recognised by lengthy compositions with distorted, other-worldly vocals. Hypnotic drums and keyboards often accommodate poetic, mystic and science-fiction themed lyrics. This sub-genre of psychedelic and progressive rock came to prove itself to be very influential, inspiring every musical movement from the 80s onward: grunge, stone rock, shoe gaze to post rock. Early enthusiasts of the space sound were Jimmy Hendrix, Marc Bolan, The Beatles and Pink Floyd. The ground breaking “wah wah” sound was born out of the genre. But we digress…

The band sticks to a very traditional definition of space psychedelia – this record is full of wonderful riffs, mellow if minimal drumming, ethereal vocals and lyrics that evoke emotional and  spiritual sides of humanity. It`s 27 minutes that should be spent lying in the grass on a summer day with your eyes closed and  enjoying the sun on one`s face.

The Brain Food EP cover

Opening the record  is “Poseidon” – although not a leading single – it is a perfect introduction to the EP. The song greets us with a powerful riff and the words “Wake Up – what do you see?”. The low bass and heavy drums giving this track such a groovy, trippy feeling.

Then comes “Canyon Crawler” with its oriental theme and deep, echo like effects. The song changes tempo several times over the course of seven minutes but does not feel too dragging or boring. It is very Beatles-que in nature (meant in the best way possible).

“That Feeling” could give Pink Floyd a good run for their money had Brain Food been born few decades into the past. For some reason we love how the vocals sound  – there is no indication that they have been reinforced but it feels like there is more than one voice singing.

“Cosmic Jones” starts with a wah wah motif to explode into a distorted, quietly beautiful love song. It may be a strange observation but this is the only song that brings outthe fact that Brain Food are a British band. You can hear the strong West Midland accent clearer than on other compositions. Though out  the record you can`t place where the band comes from – they could easily pose for American quartet or  anywhere else in the world. Which adds to the charm of the EP – anyone from any corner of the world could relate. But on “Cosmic Jones”  the band is undisputedly  British. Also its our favourite track from the record. Not related to the fact that we are Anglophiles.

The EP ends with “Forbidden Tongue”. What we really love about this track are those long  guitar solos that are the central part of  composition. Vocals are here relocated to the back seat and treated  alongside with other instruments. Very clever idea.

It`s hard to rate this record. Brain Food do not reinvent the wheel. But  it`s such a strong  space psychedelic release in all its classical glory. And we have a soft spot for all things psychedelic!

This is a kick ass* release and if you can get your hand on it – do so. Hopefully we will get a physical release sooner than later.

*Kick ass is equivalent of at least 4.5 out of 5.

You can follow Brain Food on social media:

https://www.facebook.com/brainfoodofficial/
https://www.instagram.com/brainfoodofficial/
https://brainfoood.bandcamp.com/
https://soundcloud.com/brain-food-650656456
https://www.youtube.com/channel/UCt6TgF0ITsxJjDf3MuNMJKg
https://open.spotify.com/artist/4HqwUXaBaTJafihMSgeRsQ?si=JJ7P8nqqTFqjR5j9Dp6QeA

There is so much happening on the Brum scene we need to possibly consider a larger piece. Brain Food is one of those bands that you need to know if you want to know what`s hot on the indie circuit.

Big thank you to Sophie Hack (Bread Birmingham) for helping us with this review. Apologies for the delay.

M/R

Indieterria meets Dream Phases

Dear Readers,

Winter, winter on the way and our little music project is now two years old. To celebrate this humble achievement of Indieterria, we have reached over the Big Pond to speak to Dream Phases – a band that brings back the most exciting and creative genre in guitar driven music – psychedelic rock. If you look around carefully, you can notice some sort of renaissance on the psychedelia front happening in the last 12 months – with bands such as The Naked Party and Hooveriii in the States and The Cosmics, The Surrenders or The Strawberries in the UK.

It was a pleasure to interview Brandon Graham – vocalist and mastermind behind Dream Phases. Great story teller, meticulous in his answers and his enthusiasm for music is contagious. We hope you will like this chapter of Indieterria. Read on and dig it.

Band logo and European tour poster by Lucy Faery
https://www.facebook.com/lucyfaery

Dream Phases

Brandon Graham (vox, guitar)
Shane Graham (drums)
Keveen Baudouin (guitar)
Dylan Nelson (bass)
Anthony Marks (keys)

Brandon Graham – the voice of Dream Phases
Photo by Michael Haight

Dream Phases are recognized as one of the hottest new psychedelia acts in America. Obscure Sound  described you as “hypnotic melodies of vintage psych-folk and rock with a contemporary pop charm”. Please introduce yourself to readers of Indieterria.

Brandon Graham (Dream Phases) : Thank you. I’m Brandon Graham and I write, record and produce the Dream Phases music as well as sing and play guitar live. We are a group of close friends playing rock n roll based out of Los Angeles. The band is comprised of myself, my brother Shane Graham on drums, Keveen Baudouin on guitar, Dylan Nelson on bass and Anthony Marks on keys.

You have toured Europe in September this year; playing 12 dates across seven countries, with three shows in the UK accompanied by The Blank Tapes. How do you remember the tour? Any stories to tell?

Brandon Graham: Yeah the tour was fantastic, I know we all would like to come back as soon as possible. Everyone in the band was really happy to be travelling around Europe, it was some of my band mates first time in Europe and was quite the experience. There was definitely a lot of highlights and fond memories but one of the funniest was playing a show in northern France. I’m not going to be specific about names but we played a small city in France, that was really beautiful. They don’t get a lot of rock bands, let alone bands from Los Angeles, so everyone was extra excited. The owner of the place we played and stayed at was especially excited, and he treated us fantastic. We probably had the best meal of tour that night. Anyway as soon as we arrived the owner started pouring us drink after drink after drink, and also having them himself as well. As the night wore on he told us, ‘just wait until we close the bar, then the real party will start’. So we are waiting and wondering what is going to happen, but about 5 minutes later we found him totally passed out, and well before he was supposed to close the bar. It was awesome and hilarious, that was a great night. Another memory is that my brother and I literally walked around Paris all night long after our show, it was beautiful to see the city that way. One of the most special parts of the tour was going to visit Keveen’s parents home. Keveen is French and grew up in the northern part of south France. We’ve been playing music together, in different bands, for over 8 years and it was awesome to see where he grew up and to meet his family. We stayed at his parents` house for 2 and a half days and his mom made us two four-five course meals a day. It was unbelievable.

Ready to take over the world? We hope so!
Photo by Michael Haight

We are impressed by how quickly the band works on new material. You started in 2017 and that year seen release of your debut EP “Maybe Tomorrow” on March 28th. In 2018 you have released a standalone single “Easy Love” on April 20th and quickly followed up by another EP “Clear Skies” on September 4th.  Each release comes also in different formats: CD, vinyl, cassette, digital download.  You must be the hardest working band in US!

Brandon Graham: I don’t know about that, but yes we do try to work as hard as we can, mostly so we can continue recording and making more music. The goal is to constantly evolve what we are doing and to try different things. By the time we put something out we are probably onto something else entirely. It can take a while before the music actually hits the public, especially with vinyl releases. We have two albums of material right now that will be coming out over the next several months, one at the end of this year and our proper debut album in spring. We’ll be getting the vinyl version of “Clear Skies” anytime now, and it is combined now with, “Maybe Tomorrow”. The vinyl should be out within a few weeks on Nomad Eel Records.

Brandon, you are known for your work with other bands – Avid Dancer, Blank Tapes, Nacosta. Do you think being involved in so many different project had a positive influence on Dream Phases?

Brandon Graham: It definitely has. It’s opened my eyes to so many different styles and songs, and ways to go about working. It’s also helped keep me focused and budget my time accordingly, to juggle playing in a lot of bands. I’ve learned something valuable from every band that I’ve played with. It has also helped me as a musician enormously, by learning so many different writers songs and parts.

This Californian five piece is regarded by blogs and music journalists as one of the most important bands of the genre at the moment.
Photo by Michael Haight

We want to ask you about our favorite track  – “To Walk Away”.  It has this Beatles-sque quality to it and such moving lyrics. Tell us where was this song recorded  and what is it about?

Brandon Graham: To Walk Away was recorded a couple of different times. Although this is not what it is about, I wrote the song actually as a reaction to when Tom Petty died. I had been listening to his music a lot right before he died, and learning more and more about the simplicity of his lyrics and music. He was an idol of mine growing up, and I was lucky enough to work with him a couple years ago with a band I was filling in with. For a very short time he was a mentor. Right after he died last year I wrote that song and one more, that I have yet to record. The lyric is dealing with the end of a long relationship I was in, and facing the fact that I had to move on, that it was time to let go and to walk away from it. Most of the “Clear Skies” EP is dealing with that time, both shortly before and after the break up. Heartbreak definitely does inspire, I wrote a ton of songs about that.

Dream Phases are sometimes compared to the Naked Party. Are you familiar with their repertoire? Would you agree that there are similarities between both bands?

Brandon Graham: I actually am not familiar with them, but now I’m definitely curious and will look them up. I’m kind of excited to hear them!

We know you have debut album to be released in Spring 2019. Are there any secrets that you can reveal for this interview? What can we expect from the record?

Brandon Graham: We’ve actually been working on it on and off since last December when we recorded most of the basic tracks, and some of the songs date back to my original demo album from two years ago now. We are about to record all the final overdubs and then start mixing it at the beginning of January. Most of the songs, but not all, have been in our live set for a while now, so anyone that has seen us will know some of them. It’s about time to get those songs on tape. The music will encompass similar territory as what we’ve put out so far, but there will be a few dips into some noise pop and shoegaze. Lyrically it is dealing with similar themes as the “Clear Skies” EP, as well as an influence of living in Los Angeles and playing in the local music scene. I can’t wait to finish it!

There is certainly a psychedelic revival on the indie circuit in the UK with  acts like The Surrenders, Raptor, As Mamas or The Cosmics leading the way. Would you like to recommend some new bands from across the Big Pond for our readers? Who is on your psychedelic rock play list at the moment?

Brandon Graham: Yeah I’m stoked that there are so many rad bands making music right now, seemingly everywhere. Some of my favorite local Los Angeles, or California bands are Sugar Candy Mountain, Levitation Room, Cosmonauts, Vinyl Williams, Send Medicine, Cool Ghouls, Hooveriii, and Maston just to name a few. There is seriously no shortage of rad bands operating at this moment. A couple British bands I love are TOY and Ulrika Spacek.

The band in monochrome
Photo by Michael Haight

This will be the most unoriginal question you will hear all week – but we got to ask. If you could record a song with anyone alive or dead – who would you choose for the task?

Brandon Graham:  That’s actually a really tough one because there are some many people I’d love to record with. I guess it would be a toss – up between Elliott Smith and Jimi Hendrix, I love both of them and their studio work and they were both going further and further out in the studio when they died. Also Joe Meek, we could of made some tripped dark voodoo-isa rock `n` roll. For someone today I’d really like to work with Nicolas Vernhes for his work with Deerhunter and Animal Collective. Also would of been amazing to have Geoff Emerick engineer a song, and also be produced by Gary Usher and Curt Boettcher would of been incredible. This is the toughest of these questions for sure!

We are hoping that once your album comes out you will return to the UK for more live shows. But in the mean time – where can people see you play? Any upcoming tours?

Brandon Graham:  If we have a future, we will return to Europe (laughs). At the moment we are done with shows for the year, but we will be announcing three shows for January, with one on Martin Luther King Day, January 21st at the Los Angeles Contemporary Museum of Art (LACMA), which will be rad one! Then we will do some US touring in Spring once our record comes out.

new psychedelia rising – Dream Phases
Photo Michael Haight

The band can be followed on social media:

https://www.facebook.com/DreamPhases/
https://twitter.com/DreamPhases
https://soundcloud.com/dreamphases
https://dreamphases.bandcamp.com/
https://www.instagram.com/dreamphases/
https://www.songkick.com/artists/8696233-dream-phases
https://itunes.apple.com/us/artist/dream-phases/1215078259
https://open.spotify.com/artist/6TN3btKQrSRW2KG6D7LpID?si=JygSTm0RT4SWseqUMHoEmw

If you fancy additional bit of reading about the band, please check out these excellent articles:

https://www.grimygoods.com/2018/06/20/dream-phases/
http://lastdaydeaf.com/exclusive-track-premiere-dream-phases-clear-skies/
http://larecord.com/news/2018/09/18/video-premiere-dream-phases-to-walk-away

That`s all for now. Vanadian Avenue gives Dream Phases a stamp of approval and we hope that you too enjoyed the music and discovering new acts with us. We can only hope that 2019 will prove to be a lucky year and Dream Phases will once again visit our side of the Pond.

Just imagine them tearing the roof off Sunflower Lounge in Birmingham or Night & Day in Manchester.  Yep, we knew you will all agree with us.

Happy party season,

Mal/Rita