The Kecks “Modern Girls” – single review

Dear Readers, 

When I was a young and inexperienced female music fan, the one that would cut out articles from NME to stick them to the walls, I thought that going to gigs was being part of history in the making. Discovering artists in small venues before they conquer the world, being with like minded people, falling in love with the music.

When I grew up a little bit more and actually went to gigs, I discovered that live shows could be rough or even dangerous (my first gig seen my nose being broken by a cassette tape  thrown from the stage) while some fans were rude, crude and grouping was normal.

The Kecks

I dreamed I would hang out with musicians like all A&Rs and PRs I admired.  I thought I’d have connections, be respected in the business and help artists achieve the greatness. Once again I had to revisit my plans. Women in music were scarce, bands would quit before they achieved anything, artists would not even acknowledge your input before moving on to “better things” and sexism was rampant.

In short – if you are a female in music business – you need skin thicker than that of Anna Franklyn (do see “The Reptile” if you can), determination of Rambo and patience of a saint to do your job. I will be honest, sometimes I get sick and tired of music, gigs and lads with guitars.

But then,  you encounter a band that tears your heart out, blows your mind and you fall in love with them unconditionally – from the first note. You start believing all those things about greatness, being part of something special and history in the making.  I keep telling that as a music obsessive, I fall in love with artists twice a week. Every couple of years, I lose my head. And I don’t know what’s in the water in Yorkshire, but for the third time, it’s a band from Doncaster. Well, ¼ of the band actually. The rest is from Australia, Austria, Germany and they are based in Hamburg.

Modern Girls artwork

The Kecks have been on my radar for nearly a year now. If before they were in “the best new band on the circuit” category, after their newest single “Modern Girls”, they are elevated to being inches away from my favourite band.

Man, do they tick all the boxes!  They don’t do happy sing-alongs  for the public. Leave that to Gerry Cinnamon. Theirs is rock and roll spiked with psychedelia, raw and emotional, provocative and dangerous. Sensual even.  Music  that goes straight to the soul. They know their craft. Singer Lennart Uschmann throws himself on stage like it`s his only mean of survival. He is capable of both –  serenading the audience, whispering and howling like a mad person in the attic. There is something theatrical, otherworldly about him. Think David Bowie or Richard Hell. It`s mesmerizing. The rest of the band (Samuel Telford on guitar, Joel Phillips on bass and Kai Weidle on drums) follow closely – in their coats, flamboyant shirts, make up or dresses – smashing out bangers and kicking clichés in the balls. On the indie circuit full of post punk acts that made school uniforms out of trench coats, white shirts and black trousers, The Kecks are shining with their retro attires.

Another thing that wins me over in an artist is their ethics. I`m always in the corner of the underdogs, those who come out of the underground, the self made and the struggling.  And The Kecks have enough bravery and attitude to fill an ocean. Their press release mentions that the band “religiously preserved their DIY ethos”, they film their own videos, they support independent venues such as Molotow (including playing a special gig for the venue during lock down), they release on AWAL – a platform that functions as an alternative to traditional record labels.

Then there is the video to “Modern Girls” where the band put themselves in the shoes of every woman to protest double standards and hypocrisy. You can see The Kecks being violently forced into skimpy outfits, strong make up and then paraded out to be judged  – only to find out they do not meet “the standards”. The video hits home and is a powerful reminder that unrealistic expectations destroy lives, and not only those of women. Think the whole culture of machismo, toxic masculinity with its narrow views on gender, sexuality and identity. Although musically situated far away from IDLES, The Kecks proudly place themselves on the same side of the barrier when it comes to fighting injustice and social stigmas. Like it or not – it is a political statement of sorts. And such statements takes guts in the era where alt -right runs amok and you are branded a “snowflake” for being kind and civil.

The Kecks (again)

In these trying times, it is the artist’s duty to speak up and take action. It’s a test and The Kecks have passed it with flying colours. They know their art and their songs well, as Bob Dylan once observed.

We listen to music for many reasons, but if you strip all the layers down to one thing, it will be to find others who are just like us. We follow artists and we hope that they will be our tribe, with similar outlook on life and values. Even reviews are done from that point of view. In our naivety, we entrust strangers with a part of ourselves. Maybe selfishly, we want them to be at our disposal so we can enjoy the music, the art and the illusion of not being alone.

I can only hope The Kecks will continue for many years to come.

Please follow the band online:
https://www.thekecksofficial.com/
https://www.facebook.com/thekecksofficial/
https://www.youtube.com/channel/UCm0wdB5kpFtz5VjJlblmlIQ
https://www.instagram.com/thekecksofficial/
https://twitter.com/the_kecks

or listen to their music on Spotify:

 

The Kecks will be streaming their concerts online in the next weeks, so please visit their social media out to find more details.

Malicia Dabrowicz

crush – “All My Plants Are Dead” single review

Dear readers,

We keep on saying that Manchester has one of the strongest music scenes in the UK and they continuously prove that they do. Every single time a new band appear on our radar, they usually come from Greater Manchester area or from Yorkshire. Somebody better check what’s in the water over there and get it bottled, so we can enjoy the same amount of talent in other parts of the country.

Jokes aside but Mancunians seem to be really good at promoting and encouraging young bands to take risks. And it really pays off – musicians are experimenting, looking for new sounds, creating things that stand out from the rest. Innovatory music is also presented in an innovatory way – singles and albums have unusual packaging, covers are often self made, CD’s are printed or painted by hand, sleeves are turned into mini zines. Collectors of independent releases cannot complain – maybe only when they run out of space on their shelves or funds to buy everything that appears on the market.

One of those unusual and experimental releases ended up in our mailbox a couple of days ago and made a very big impression. We mean they had as at “female led” and “shoegaze” but we never expected to hear something that would channel the brilliance of Wolf Alice, Alvvays and The Sundays. Ladies and gents – we give you crush!

crush picture by Joe Hudson

Official bio:

crush are Manchester based shoegaze/alternative pop four piece consisting of Amber (guitar and vocals), Arthur (lead guitar), Will (bass) and Fotis (drums). Taking inspiration from artists such as The Cure, Radiohead, Pink Floyd and Alvvays, controlled ambience is paired effortlessly with cascading noise and chaos. Wowing audiences at numerous shows across the North of England including Stay Fresh Fest and a triumphant headline at Yes Manchester, their live input has cemented them as ones to watch. Presented is an experience that immerses you into an equally intimate and cathartic psychedelic state. Their BBC Introducing and Amazing Radio backed releases have seen them go from strength to strength, and you can be assured the new year will see them put forth their most daring material yet.

crush (written in lower cases to distinguish themselves from the American band Crush) formed at the end of 2017 at the Manchester University and quickly gained a strong following. They released three singles (“How Come”, “Rinse” and “Glue“), toured extensively and supported Peaness, Far Caspian and Low Hummer. Now they return with a brand new track called “All My Plants Are Dead” and it is a bitter sweet serenade, full of perfect harmonies, echoes and ethereal guitars.

Picture by Joe Hudson

“The song focuses on the idea of the cold human race and an increasingly insular society” – writes the band in their PR release. “It’s about struggling to look after yourself as much as it is struggling to look after your houseplants. Really just a message of looking after and understanding each other a bit better, and a critique of how modern living at times can make this an unattractive and hard to achieve concept.”

The band is working on a video to the song and it will be released as soon as it is possible.


Please follow the band on social media:

https://www.facebook.com/crushbanduk/
https://twitter.com/crushbanduk
https://www.instagram.com/crushbanduk/
https://open.spotify.com/artist/09SorScmrKs8yZMG9hdr6N

Listen to the new single online:
http://hyperurl.co/7bua47

crush are unable to tour at this moment but several shows are rebooked for September. Please grab your tickets now and come to see the band playing live. You will not be disappointed.

“All My Plants Are Dead” are 9 out of 10 in our books. 2020 may be a bad year for the music business but it’s pretty damn good for the music tself.

Rita + Mal Dabrowicz

Indieterria review – No More Moves by The Dirt

Dear Readers,

Don’t be cancelling 2020 yet. It may be a year of no festivals, virtual gigs and staying indoors but the art it produces is jaw dropping. Actually, it is a heavy weight year for creativity. Knock out after knock out from every corner – with no breather.  Just look at March alone. Two weeks passed from the release of False Heads` album (record of the year most likely) and we have a new single from Saytr Play, 20 dates autumn tour from Hands Off Gretel  and a much anticipated debut from The Red Stains on the cards.

If that wasn’t enough to make us at Vanadian Avenue sleep deprived  – an unexpected EP from Manchester duo The Dirt appeared in our inbox this morning. And we just had to squeeze it into the schedule because otherwise it would be a serious breach of Directive #1

Sachiko Wakizaka and Jack Horner aka The Dirt

What`s Directive #1 you ask? In short terms – what Manchester does today, the rest of the country does tomorrow. And if you ignore it, then you prove yourself to be a pompous wannabe with no real knowledge of pop culture.

If you don’t know The Dirt, don’t worry. Until about 11 AM today we had no clue either. But once they appeared on our radar, we quickly did the catching up.

The band consist of Japanese guitarist (and multi instrumentalist) Sachiko Wakizaka and Mancunian poet Jack Horner (known under his moniker “Leon The Pig Farmer”). On March 19th the duo quietly dropped their first EP “No More Moves” on BandCamp – a seven track (22 minutes) full of psychedelic, experimental, shoe-gazing landscapes accompanied by dark, tense lyrical verses.

The band succeeded in creating a record that can stand next to releases of Mr Bungle or The Legendary Pink Dots without feeling ashamed. If you take each track separately, they almost feel like punk songs – all below three minutes. The longest – most angry track on the album  – “Wiccan Transition” stands at 5 minutes and could easily find itself among Sonic Youth`s deep cuts.

You can take “No More Moves” as one long composition – a sonic meditation on human nature and its dark sides.


Everything on the EP is dirty, grungy and heavy. Even the logo – the band uses a kanji sign 泥 (pronounced “doro”) as its calling card. It roughly translates into “the dirt” but may mean “mud”, “mire” and “ooze” and we have to applaud them for putting a lot of thought into the vision and then trying to obscure it. You have to dig though the layers of sounds, language and symbols to truly appreciate the work Sachiko Wakizaka and Jack Horner did. You have to unearth it so to speak.

The Dirt created a very experimental,  noise, avant-garde record that nobody saw coming. They appeared out of nowhere with artistic vision, DIY ethos, rebellious spirit to mix beat poetry with psychedelic sounds and reminded everyone that the underground scene in Manchester is healthy and potent.

It would be an excellent idea to incorporate them into future Louder Than Words festivals. This duo has a lot to offer to the public.

We have spoken briefly to Jack Horner about the EP to go along this review. This is what he had to say:

The Dirt looking out into the psychedelic future

How long did it take to record the EP and where did you do it?

Jack Horner:  We did it over  a few weeks, trying not to spend much time on each track. We wanted it raw and quick takes. We recorded at my house. Proper DIY feel. Did the guitars first, then laid my words on.

So it was just you and Sachiko Wakizaka working together?

Jack Horner:  Yeah, Sachiko uses loop and effects pedals for the guitars.

So full musical partnership.

Jack Horner:   Yes. Full on partnership. It works well. We seem to have a good collaboration and creative system. Probably we will go live in autumn. I’ll keep Leon ticking along too.

You wanted to explore something outside poetry?

Jack Horner:  I used words and verses that don’t feel right on my solo spoken word set.  They may be too heavy, too dark or just not suited. But I think the guitars work compliments them.

We really like Wiccan Transition. It`s the longest track on the EP. You could nearly call it a leading single.

Jack Horner: (laughs) Oh ta!

Any story behind that track?

Jack Horner:  I went to see a spiritual healer. Crystal Therapy. I went into a crazy trance. It’s that and coming out the other side of depression!

I`m not sure which song  to put out as a single if we do.

So really The Dirt is a project to help you deal with mental health as well as creative process.

Jack Horner:  That’s how Leon The Pig Farmer started as well. Writing thoughts after a breakdown and stuff last year.  Then taking words to the stage. This is an experiment to take it elsewhere…who knows where.

That’s the beauty of my life now. I don’t set goals, plans or directions to get anxious about. It seems to work!

You can follow Jack Horner/ The Dirt on the socials:

https://www.facebook.com/LeonThePigFarmer/
https://twitter.com/leon_pig
https://www.instagram.com/leontpf71/
https://thedirt71.bandcamp.com/

It will be a very interesting experience to see the duo live in concert and we are hoping that we will have a chance to do so. If we do, please expect a full set video and a ton of pictures. And a word of advice. Do not underestimate the underground. You have no idea what lurks in one of those narrow streets behind AATMA…

Mal/Rita

**** 05.04.2020****

Just a small update to let everyone know that The Dirt published their third visual trailer announcing new material coming in the next months. It showcases the band`s interest in Manchester`s creative Northern Quarter and signals a more refined musical landscape – with the use of drum machines and beats. We knew The Dirt was unique project on Mancunian music scene but the rate it grows and changes is just stunning! Our hats are off to Sachiko Wakizaka and Jack Horner for being absolute proper legends.

M/R

Indieterria presents “Poet Boy” by Battery Farm

Dear Readers, 

It is a privilege to support new music. Times may be hard, unpredictable and sometimes downright crazy, but the rock music is undergoing a real renaissance. Everywhere you turn, there is a great music flowing: from drum & bass, to garage punk, to house, dancehall and rave. We can complain about politics and social media becoming toxic, but we certainly cannot complain about the lack of good and ambitious music to listen to.

And today, we would like to introduce you to one of the unsigned, emerging bands that got our attention in the  last couple of months – The Battery Farm.

Poet Boy single cover

Mancunia’s premier gutter punk four piece, The Battery Farm have recently rose to prominence on the indie scene, loudly screaming at the world and its ills. After releasing a string of well received singles (“97/91“, “I Am A Man” and “Crude Oil Water“), they are back with their brand new track entitled “Poet Boy” and it’s a proper sonic kick in the teeth.

The song starts with a thunderous beat and broken, fuzzed guitar riffs that are becoming their easily recognizable trademarks. I dont think there is anybody else on the circuit at this moment who can create such a depressive and somehow deranged atmosphere so quickly in their music, but the lads have a proper talent for this. And yes, their music is depressive and sad and angry and dirty but so is the reality surrounding us. This is what inspires them and this is what the band want to speak about. If you are looking for something pretty or shiny, go and listen to the BBC1. Here you will only find a justified anger, desolate tones and 10 tonnes of unhappiness.

Poet Boy advert with release date of 20/03/2020

Yet, there is a method in this madness. Despite the ugliness, broken melodic lines, scratching vocals full of fury and disappointment, “Poet Boy” has a therapeutic effect on the listeners. Once you dig through the upper layers of noise and disturbances, you  will find a neatly composed song, with tempo changes, passages and nearly math rock precision. Pay attention to the lyrics as well – they are a very important part of the track.

“Poet Boy” is out on the 20th of March and once it is released, you will be listening to it on repeat.

Batter Farm live:

28th March 2020 – Off the Square, Manchester w/ False Heads
17th April 2020 – The Star and Garter, Manchester w/ tAngerinecAt
18th April 2020 – Ulltra Festival, Hull
15th May 2020 – The Globe, Glossop
17th May 2020 – After All Festival, Manchester
18th July 2020 – Ulltra Festival, York
28th August 2020 – Bank Top Tavern, Oldham
30th October 2020 – Deaf Institute, Manchester w/ DeafRobot

You can follow the band on their socials at:

https://www.facebook.com/thebatteryfarm/
https://twitter.com/thebatteryfarm
https://www.instagram.com/thebatteryfarm/
https://thebatteryfarm.bandcamp.com/
https://www.youtube.com/channel/UChp93XaDBuXnmYQY-o2bhFg
https://open.spotify.com/artist/6qWGopTzUjeSYmsXyQ8RIr

See you soon,
R+M

Indieterria review – Saytr Play – Future

Dear Readers,

Please don’t show this review to Tom Ogden – for he will not be happy. Something is brewing on the winding streets of Manchester. Something wilder than a drunken escapade at 3 AM for a pizza slice and pinball at Crazy Pedro`s. Something sexier than the whole new season`s collection from Pop Boutique. Something more beautiful than a sunrise over the canals when you finally leave The Night People and head home to sleep. It`s unique, mysterious, ambitious and rowdy – just like Manchester itself. If you are even partly familiar with music scene up North – you will know by now what we have in mind.

Sleeve for Saytr Play new single “Future”

This band. They can`t be tamed, stopped or controlled. From the very first moment we met at iconic Jimmy`s on the Newton Street for few Polaroid shots, it was obvious that Saytr Play were going to burn their mark not only on Manchester scene – but on the music nationally (and maybe internationally).

In recent months, Saytr Play have released a string of incredible singes – “Second Hand Emotion”, “Honest Man” and now “Future”. They have signed to Lovers Music label and announced their debut EP “IN TRUTH I FEAR FOR THE HEART”. Their reputation grows  by the day and it won`t be long before they are revered by crowds of fans.

And it will be deserved. Peel away the obligatory imagery of rock misfits and you will find young people who care a lot. About future generations, the homeless, environment. People`s band if you ever encountered one.

Saytr Play ready to see what the future holds

“Future”  is a song that stems from personal experience. It’s a letter to a friend. We live our lives in fiction, pretending everything is okay; “It’s not our problem?” – says Fred Farrell, front man of the band – “I think it’s time to put the next generation first. It’s time to face reality. This song is an out-cry for the increasingly worrying number of familiar faces living on the streets. It’s an anthem for the youth, for the planet and for our future.”

“Future” is a melancholic and heart grabbing appeal to see something else than one`s own benefit – to notice another human being.  “If this is what it feels like to be the future I feel so sorry for the youth” – observes Farrell in the lyrics. Musically the single could be described as electronic indie with a Radio 1 potential. But that would be off the mark. We won`t lie – this is a very radio friendly, nearly perfectly crafted  pop record but with a heart and sincerity. Something that Top 40 is seriously lacking these days. It doesn’t feel fake or forced – like Blossom`s  recent single “Your Girlfriend” for example.

We keep mentioning  Blossoms. In 2016 we have seen Stockport finest supporting The Stone Roses – it took about 3 songs to win us over. To compare – it took ONE song for Saytr Play to make fans of us.

To give credit where its due – Blossoms recorded three incredibly good records and established themselves as leading figures on guitar scene in the UK. But you just wait till Saytr Play get to release an LP.

There you go – “Future” is out now. And we found you a new favourite rock band.  You are very welcomed.

You can follow Saytr Play on socials:

https://www.saytrplay.com
https://saytrplay.bigcartel.com/
https://www.facebook.com/Saytrplay/
https://www.instagram.com/saytrplay/
https://twitter.com/SaytrPlay
https://www.youtube.com/user/SaytrPlay
https://soundcloud.com/saytr-play
https://open.spotify.com/artist/169EIOeeLOUF8KPn0hAvzG

https://open.spotify.com/artist/169EIOeeLOUF8KPn0hAvzG?si=9JOHRV9oTyeFGZrZH6akOA

The band`s label Lovers Music can be found online at:
https://www.facebook.com/weareloversmusic/
https://www.instagram.com/weareloversmusic/

Our previous review:
https://cocamidemea.wordpress.com/2019/09/06/indieterria-review-second-hand-emotion-by-saytr-play/

We are very, very, very (and did we mentioned VERY) excited to hear Saytr Play`s upcoming EP. Judging from the main single – it will be a strong contender to the albums/releases of the year for us at Vanadian Avenue. Times are hard but at least the music is brilliant.

M/R

***** Update 21/02/2020****

Small update as the single started on a high note with rave reviews coming in from every direction. “Future” has been premiered on X Radio by the leading champion of new music and broadcaster John Kennedy who described it as the finest offering from the band so far.

And if you want to know what other music blogs think (we encourage you to read and follow them – they are good friends of ours!), here is the list and we will be updating it as new reviews roll in:

https://wordsformusic.blog/2020/02/21/saytr-play-future-new-music/
https://debslcannon73.wixsite.com/dreaminisfree/post/single-review-future-by-saytr-play
https://poppedmusic.co.uk/2020/02/21/just-listen-saytr-play-future/

Good stuff, always proud to support quality music.
M/R

Indieterria meets Scarlet.

Dear Readers,

We are in February – it may still be middle of Winter but we are posting the hottest bands on the circuit. Today`s entry is double special. In recent days a blog showing lack of women on major festivals bills written by music journalist Lucy McCourt went viral. Now the biggest heads of music industry prove left, right and centre the sheer hypocrisy of almost complete elimination of female artists from this year`s festivals. The average % of places for women is 4.75% for UK and 54% for European festivals.

Things need to change but they won’t unless the women themselves will have a voice. So we went and asked Jessie Scarlet Robinson – the vocalist and leader of Scarlet. to tell us how it is. And she had few words to say!

We are blown away by Scarlet. in general – the band have been rocking the circuit since 2014 and every year they get better, stronger and louder.  Please have a read – Jessie is truly an incredible conversationalist – clear, well prepared and straight to the point. Exactly what one would expect from a strong female voice from the world of rock and roll.

Scarlet. photographed by Glam Gig Pics
https://www.facebook.com/glamgigpics/

Abbie McCarthy of BBC 1 called the band “a massive powerhouse”. Please introduce Scarlet. to the readers of Indieterria.

Jessie Scarlet Robinson: We are Scarlet. a 4 piece band from the North West of England: Jessie on vocals and guitar, Laura on bass, Cai on drums and Adam on guitar.

You have been a strong part of the indie circuit since 2015. You debuted with an EP “FISHES” which gained a lot of attention from music professionals and journalists alike. It was like a breath of fresh air and Scarlet. were quickly regarded as the first band to announce revival of Riot-Grrrl movement. Where do you see yourself as musicians and artists?

Jessie Scarlet Robinson:  You’re very flattering for saying this, we have been around for a while yes and we were at the beginning of this whole female “riot grrl” revival. We were doing our thing as Wolf Alice’s old demos were being passed around… I think I personally see myself as having grown massively over these years and I see myself more now as an “artist” than I did in my late teens/early 20s. I feel like we’re developing a craft. I say all the time if we had the money and half a chance, we could headline Glastonbury tomorrow

Scarlet. has also received strong backing from national radio stations – you have been played on multiple BBC Introducing chapters, BBC 6, BBC Radio 1, Radio X among others. Your music has been described as “phenomenal”, “revolutionary” and “groundbreaking”. It’s hard to keep up with all compliments but is there any particular review (good or bad) that you remember the best? If so, who was  it and what was said about you?

Jessie Scarlet Robinson:  I got told I sound like an “ex Disney star that just discovered an electric guitar” once. I think it was meant to be offensive… but I mean, I love Disney… I can only ever dream of being as kick ass as an ex Disney star… Miley me up baby, I’m ready (laughs).

Ready to take on the world

 In 2016 you have released your debut album “Effigy” to universal acclaim. At that time, in an interview with “Fresh On The Net”, you said that this is “probably the best music we will ever make”. Looking back on the record, how do you feel about it now? Is there something you’d like to change or do better? Are you still proud of it?

Jessie Scarlet Robinson: Yeah that was a completely naive comment to make. At the time that album was everything to us. We took it so seriously. And looking back, it’s still something to be proud of and it got our music over to Japan and South Korea, so it was a very important piece to create. But we have so much more to give now. Better tracks, more experience. We are in general a much better band than we have ever been before now.

To finance “Effigy” you collaborated with Pledge Music. Can we ask about your experiences working with the fallen giant? Did you receive all the collected funds? Were there any red flags?

Jessie Scarlet Robinson:  I don’t want to go too much into this but I will say there were lots of let downs and hidden costs/charges. They kept a huge portion of the money we raised and paid us in random instalments making things very difficult to pay for and keep track of. There was lots of keeping professionals and fans waiting. In the end we didn’t have as much money as we thought (because of the charges) and had to sacrifice some of the ‘pledges’. We weren’t guided in what we were doing, we couldn’t afford funding the album and the pledges without the full raised amount. It was a learning curve and I hope we made it up to people that got stung by it. We always said we wouldn’t do anything like it again. To be honest I felt it was my fault.  I felt like I hadn’t researched enough or tried hard enough or raised enough…Then all of this information came out about them and I was like “Ohhhhhhh OK, so this wasn’t just me. This is a thing and it’s happening to everyone involved”.  That felt like a relief. I’ve never forgiven myself for not being able to do it all 100% properly. I had to borrow 2000 pounds from my parents just to get what we had promised done. I still owe some people some bits I’m sure. There wasn’t any clear record of pledges so it was all in a big jumbled spread sheet in the end. Madness!

Two years later, In 2018 you released a standalone single “Bones” that cemented your reputation as one of the indie circuit’s heavyweights. The song is four minutes of fury set to a surprisingly catchy melody. Tell us something about the track and the story behind it.

Jessie Scarlet Robinson:  It took us 2 years to recover financially from the album (laughs), it was hard graft like. The story is centred around a “kamikaze bichon fries” dog. In reality the dog is a metaphor… for an ex “boss” of mine that was all cute on the outside and vicious as hell on the inside destroying people that wanted to be good to her.  She totally tore me a new one and I was very angry about it. What better way to get over your anger towards someone’s attitude than turn them into a bad dog and tell them off in a song!

Scarlet. live – photo by JonMo Photography
http://jonmophotography.co.uk/

Let’s get a bit of political for a moment. It is a festival season and some festivals give women and mix gender band just 10 – 30 % of slots. Where do you place yourself on the issue? Should it be as some say – based on a talent or do we need the 50-50 split? What seems to be a rule in Europe is  harder and harder to find on festivals in the UK.

Jessie Scarlet Robinson:   Before I say anything, I’m gonna highlight, I love men. I have two men in my band. Boys are mint. And there are loads of really fab friends in all boy bands and I want them to be supported too. Here goes the rant. Of course we need 50/50 split. The only difference between say Scarlet. and the many boy bands that we’re at the exact same level as us but they surpassed us is two things.

Opportunity and money.

The boys work hard and were given opportunities. Like playing certain shows and festivals. It should be the same for women too.

Why does it seem so easy for men to stay at the forefront but women seem to get used up and cast off? For example, Kate Nash… have you seen her documentary? The way she was used up and spat out? Why does this ring so familiar within the female circle while men get to be part of the “lads lads lads club”? Certain radio stations play 90% male music and festivals booking 90% male acts…

There are so many female headliners I could list. It’s lazy promoting, lazy booking, lazy broadcasting, huge lack of effort and lack of push by everyone higher up than a grass root band.

If the girls don’t get the opportunities, they simply can’t make the money to grow their act and get bigger opportunities to get more money and the cycle continues.

What a total cop out it is to say “the female pool isn’t big enough” or “there aren’t enough females in the industry”…. COP OUT!!

Every band – male or female – starts off the exact same:  a bunch of nobody’s in a room with their mates. The only things that determine a bands success is hard work, money and opportunity. “Talent” doesn’t really come into it does it? It does a bit like, but I feel it’s all how something is marketed.

Having the money is crucial to release plans. Do you know it would cost us £300 per day in a studio to record. So let`s say: we want to record 4 track EP. Maybe 4 days will be enough, we could do a song a day. That’s £1200. Then it’s £300-£600 for a decent video made by a grass route level videographer. £700 for a national radio plugger. £700 for a good regional radio plugger. £500 upwards for a press agent… that’s £3700 for a 4 track EP before we make physical copies! Now take into consideration the cost of touring and little extras like music websites charging you to put your own music up online… You need money to market something properly. You need opportunity to make money. GIVE THE GIRLS SOME OPPORTUNITIES! GIVE THEM SOME MONEY AND THEY WILL BE ABLE TO STICK AROUND!

It’s like with radio. Why is Annie Mac the only well known DJ on Radio 1 for playing actual grass root bands… STOP PLAYING GEORGE MICHEAL AND QUEEN AND OASIS and CALVIN HARRIS AND BEYONCÉ ON YOUR RADIO STATIONS AND START PLAYING PEOPLE ON REPEAT THAT ARE UPCOMING AND GRAFTING LIKE MAD! ESPECIALLY FEMALES because we have the shit end of the stick!!

Jade Bird, ZuZu, Black Honey, Dream Wife, HINDS, Hands Off Gretel, Natalie McCool, White Horses, Bugeye, Tiger Mimic, Berries, A Void – the list of female fronted kick arse acts is so long! Why is it that all the already huge and established acts are getting all the opportunities? Why do these females get to a certain level, and then disappear from the public eye? As though they are a novelty act, a phase for everyone to shout about females in the mainstream music media, and then poof… gone and moved onto the next one… Even worse, the guys that are constantly shoved in our ears eyes and up our… noses… all play each other’s line ups!

Because they have money to buy onto each other’s shows? I don’t get it! Noel Gallagher, did you really need to support Smashing Pumpkins? What did that achieve for you? I mean come on dudes… they can sell thousands of tickets to make promoters money… it’s all about money guys. I’ve gone off on one here and I know there’s  “no simple answer”… but there is though! Book a fair gender split. Play a fair gender split. Fund a fair gender split. Work with a fair gender split. Men in big bands, get girls in smaller bands up on the big stages with you. Just do it.

Jessie Scarlet Robinson rocking on stage – another day in the office.

According to your recent social media posts, you have three brand new songs ready to go. Is it possible to bribe you with something to learn more details or are you going to keep the secret until the beginning of the tour?

Jessie Scarlet Robinson:  The songs are brilliant. There’s an energy to them- a bounce. That’s all you’re getting out of me! Come to a show and you tell us some more details

Talking about the tour, you are ready to hit the road very soon. Where are we going to see you?

Jessie Scarlet Robinson:  Everywhere. We have loads of shows to announce and are going to try to get everywhere we have seen any sort of craving for us. If your nan likes us and wants us to play in her front room for her, all you gotta do is ask!

You can follow Scarlet. on the socials

https://www.facebook.com/Scarletbanduk
https://twitter.com/Scarletbanduk
https://www.instagram.com/scarletbanduk/
https://scarletbanduk.bandcamp.com/
https://soundcloud.com/jessiescarlet
https://open.spotify.com/artist/4czeCqu5UxGT64nIKpc0yo?si=AvHADINoRZ2ibr9pVrdWXg

At Indieterria, we will always support strong female voices and bands that we think will conquer the world. Big kudos to Jessie for talking to us and dedicating us time despite her busy schedule. Hopefully we will see you on tour this summer. At a major festival! Pyramid Stage? Why the hell not!

M/R

Indieterria presents The Blinders For The Many Tour

Dear Readers,

Every day in music business is different. But if somebody told us that we would be reporting on a tour to raise funds for a political party during election time last week, we would raise our eyebrows. Music and politics is as old as time itself but UK has not seen rock bands tour to support a political party since New Labour movement or at least since Manics dropped their first album.

For The Many Tour poster

Sold out shows!

Well guess what. We do have a tour to raise funds for Labour Party and yes, we are gonna report on it. With details.  Manchester based trio The Blinders (called by musical press to be the most vocal and important band on the scene in the last three decades) hit the road to fund raise, encourage young people to vote and to push for the social change we all desperately need. Ahead of their For The Many Tour the members have issued this statement:

“All of our lives it has felt like politics has worked against us with election after election seemingly serving the interests of a limited few.
For us, the election on the 12th of December, provides a crucial opportunity to elect a Labour government that we truly believe in.
The For the Many Tour is about using our platform to bring people together, influence change and help create a society in which we are a little bit more equal.
We hope to be joined by as many of our friends and like minded individuals as possible.
IF NOT NOW……. THEN WHEN ?”

The band called upon other musicians, spoken word artists and general audience to join them in creating concerts with all the profits going to local Labour Party chapters, often is constituencies with seats that could challenge the status quo. The answer was shift and within few days seven concerts have been set up across the country, with a leading show at O2 Ritz in Manchester with a star line up.

The is still chance to join the initiative and everyone interested, be it a venue, artists or volunteers  can get in touch with the band via a page that has been set up  for the purpose of the tour: https://forthemanytour.com/contact or they can simply send an enquiry to bands email: management@theblindersofficial.com

*** Tour ***

Show#1 – Blackpool 

Blackpool was the first show on the tour and we have to say the kick off was amazing. With 6 bands and one poet on the bil, the innauguration of the tour went absolutely perfect. Jordan Allen did a solo show to open up the celebration, Nana White Pepper blew everyone away with their set (and made their manager proud!), Filthy Tricks were mesmerazing and Palava and Scarlet rocked the crowd like category 5 hurricane. Please see their video for proof! Afghan Sand Gand and Patrick T Davies are close friends of the Blinders so it was not a surprise to see them on the bill. Bobby Bentham of Strange Bones (who did a lovely DJ set) and the emerging band Those Fucking Snowflakes (be careful! They are an avalanche!), made the gig a memorable night for equality and diversity. It is worth mentioning that the performances were a little bit delayed. As the running order was getting behind the schedule, the Blinders played before Those Fucking Snowflakes and in a really cool turn of events, they ended up headlining the gig! How cool is that!

Blackpool event poster

Date: 30.11.2019
Town: Blackpool
Venue: Bootleg Social
Address: 30 Topping St, Blackpool FY1 3AQ
Door:  7 PM – 2 AM
Tickets: £10
Line Up: The Blinders, Jordan Allen (solo show), Nana White Pepper, Afghan Sand Gang, Filthy Tricks, Palava, Scarlet, Those Fucking Snowflakes, Patrick T. Davies (spoken word), Bobby (Strange Bones)– DJ set
This show is 18+
Event Page    

Pictures:
https://www.instagram.com/p/B5inWMdgHZB/ (Patrick T Davies)
https://twitter.com/MapMove/status/1201139817922416640?s=20 (venue)
https://twitter.com/nanawhitepepper/status/1201221536214126593/photo/1 (Nana White Pepper)
https://twitter.com/nanawhitepepper/status/1200781592307875842/photo/1 (Nana White Pepper)
https://www.instagram.com/p/B5nxUHmnS00/ (Palava)
https://twitter.com/underblackcombe/status/1201155705094463488 (The Blinders)

Palava performing in support of the Labour Party at the Bootleg – pictures by Edgaras Lazurinas

 

Those Fucking Snowflakes pictures by Alysia Mitchell

Videos:

Nana White Pepper


Scarlet (video by Joseph Challender)


The Blinders Setlist:
Gotta Get Through
L’Etat C’Est Moi
Free The Slave
ICB Blues
Forty Days And Forty Nights
Something Wicked This Way Comes
Ramona Flowers
Brave New World
Rage
Rat In A Cage
Brutus/Et Tu/Berlin Wall


Show#2 – Manchester

Manchester was the second show on the tour but the biggest one overall. It was dubbed “Socialist Sunday” and its motto was “For the Manny, Not the Few”. Over 1200 tickets were sold in 3 weeks, 12 bands performed and 10 speakers shared their views with the public. There was a new merch stand with amazing t-shirts saying “The Blinders For The Many Tour”, “Tories Out” and “Union Kicking Ass for The Working Class” (that was presented on stage by Charlie McGough of the Blinders and proved very photogenic).

The show was organized by Kallum Nolan (Rochdale Labour Coulcillor) and Ben Taylor (head of events at Jimmy’s Group). It was streamed online in its entirety by The People’s Assembly.

Manchester event poster known as Socialist Sunday

Set list for the night picture by Ben Taylor

Date: 01.12.2019
Town:  Manchester
Venue:  O2 Ritz
Address:  Whitworth Street West, M15NQ
Door:  2 PM – 11 PM
Tickets: £10
Line Up:  The Blinders, Cabbage, Scuttlers, The Rhythm Method, Eccentronic Research Council Space Monkeys, The Pagans S.O.H, Cold Water Swimmers, Ventrelles, Gerry O’Gorman, Dollie Demi, Karl Hildebrandt plus guest speakers Jon McClure (Reverend & The Makers), Maxine Peake, Andy Burham, Tom Keenan (DJ) and more.
Event Page     

Live stream:
https://www.facebook.com/watch/?v=447410862814225 (interview with Maxine Peake)
https://www.facebook.com/ThePeoplesAssembly/videos/2415456978716818 (Part1  – Cold Waters Swimmers, Pagans SOH, Eccentronic Research Council, Loose Articles, Gerry O’Gorman)
https://www.facebook.com/ThePeoplesAssembly/videos/2147855098844652/ (Part2 – Space Monkeys, The Rhythm Method, Scuttlers)
https://www.facebook.com/ThePeoplesAssembly/videos/595952144499283/ (Part 3 –  Cabbage and The Blinders)

Pictures:

Official selection of pictures from the event captured by the amazing Trust A Fox.
https://www.trustafoxphotography.com/trust-a-fox-blog/2019/12/3/socialist-sunday-011219-o2-ritz-manchester

https://twitter.com/theblindersband/status/1201555027795611648 (The Blinders)
https://www.instagram.com/p/B5lZtFWJFPB/ (The Blinders)
https://twitter.com/MapMove/status/1200928543611465730 (merch stand)
https://twitter.com/kallumnolan/status/1201497246099034119/photo/1 (mixed)
https://www.instagram.com/p/B5kvo62Ab1F/?igshid=1saj2hfv19odi (Patrick T Davies)
https://www.instagram.com/p/B5kqkjqhkVV/ (The Blinders)
https://www.instagram.com/p/B5kgNxenmqL/ (The Blinders, Cabbage)
https://www.instagram.com/p/B5jR_h6hFWq/(mixed)
https://www.instagram.com/p/B5jLpXMAzGN/ (The Blinders)
https://www.instagram.com/p/B5jJwGlgaWY/ (mixed)
https://twitter.com/ScuttlersINC/status/1201529492868620292/photo/1 (Scuttlers)
https://twitter.com/TrustFox/status/1201478833674891265?s=20 (Cold Water Swimmers)
https://twitter.com/TrustFox/status/1201464249551400960?s=20 (Pagans SOH)
https://twitter.com/TrustFox/status/1201493081595535361?s=20 (Space Monkeys)
https://twitter.com/TrustFox/status/1201486395900092416?s=20 (Gerry O’Gorman)
https://twitter.com/TrustFox/status/1201484341156691968?s=20 (Loose Articles)
https://twitter.com/TrustFox/status/1201474913216929792?s=20 (Dollie Demi)
https://twitter.com/TrustFox/status/1201472507502616582?s=20 (Eccentronic Research Council)
https://twitter.com/TrustFox/status/1201471604003344388?s=20 (Ventrelles)
https://twitter.com/TrustFox/status/1201576129150246922?s=20 (John McClure of Reverend & TheMakers)
https://twitter.com/TrustFox/status/1201607817670643714/photo/1 (Thomas Haywood of The Blinders)
www.facebook.com/shampson3/posts/10156956567352725 (Pagans SOH)
https://www.facebook.com/shampson3/posts/10156957359237725 (The Blinders)
https://www.facebook.com/shampson3/posts/10156956665367725 (Space Monkeys, Rhythm Method and Scuttlers)
https://www.facebook.com/shampson3/posts/10156956362102725 (mixed)
https://www.instagram.com/p/B5lO_nxFtgM/ (mixed)
https://www.instagram.com/p/B5kPiIun_ag/ (Loose Articles)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=432495580752604 (The Blinders)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=432369810765181 (The Scuttlers)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=432326074102888 (The Rhythm Method)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=432298250772337 (Space Monkeys)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=432263300775832 (Gerry O’Gorman)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=432242337444595 (Loose Articles)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=431684000833762 (Eccentronic Research Council)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=431603720841790 (Cold Water Swimmers)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=431643110837851 (Pagans SOH)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=431615794173916 (Karl Hildebrandt)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=431537780848384 (Dollie Demi)

Videos:
https://www.instagram.com/p/B5kjjGrHLoR/?igshid=thqer0e9ejc1
https://www.instagram.com/p/B5kPGSkHQdh/
https://twitter.com/Reverend_Makers/status/1201265997472313349?s=20
https://www.youtube.com/user/mancmusic/videos (large collection of videos)
https://www.facebook.com/679846713/posts/10156600900541714/

Poetry:
Mancunian (mosh pit) poet laurate – Karl Hildebrandt spoke at the Ritz just before the Pagans SOH gig and addressed the inequality and social injustice with his poem. The piece is still unentitled and it was written about 4 am on the day of the concert! His poetry is really powerful and resonated with the audience. Due to high demand (many people asked us to add it!) we have teamed with Karl who kindly re-recorded it and you can listen to it below:

 

The Blinders went on stage exactly at 10:00 pm and the public quickly greeted them with delight. It was another full house for the trio in one year, as they sold out the venue in April during their Columbia Spring tour. Thomas Haywood spoke to the public convincing them to vote Labour and “finally breaking his silence”. During “Berlin Wall” after singing the famous line “Does my vote count for anything at all?”, he felt prompted to add “Yes, it fucking does!” to huge cheers form the audience. The ending of the gig was a real surprise as members of several Manchester bands – Cabbage, Scuttlers, Saytr Play, and Document, joined The Blinders on stage to perform Cabbage’s infamous track “Terrorist Synthesizer” in a obvious jab at conservative mainstream press often calling Jeremy Corbyn a “terrorist symphatizer” because of his peace negotiations with IRA in the early 1990’s.

Set list:
Gotta Get Through
L’Etat C’Est Moi
Free the Slave
ICB Blues
Where No Man Comes
Something Wicked This Way Comes
Ramona Flowers
Brave New World
Rage
Rat In A Cage
Brutus/Et Tu/Berlin Wall
Encore: Terrorist Synthesizer (with Cabbage and Scuttlers)

After party poster

The party was not over with the lights out at the Ritz. The bands, speakers and many of the audience members moved to the popular night club, The Night People where the good fun continued till early morning. All bar profits were also donated to local Labour North West branch.

Show #3 – Doncaster 

The Doncaster show was the second show on the tour to sell out. The Blinders arrived to spread the message of hope and glory (well we exaggerate, but just a tiny bit) to mostly young audience at their favourite hang-out place, aka The Social. It was good to see the band’s family members and friends who came out to greet them. The show was described as sweaty but amazing. Patrick T Davies again provided a spoken word, Jordan Allen played a another solo acoustic gig under the alias of Gordin Alan (A Tribute act) and Wraiths and Tinfoils raised the temperature to boiling levels. The Blinders were a bit delayed (about half an hour due to late start) but played a full set, just without the encore. The fundraiser was a success and a substancial sum will be given to local chapter of Labour Party. Thank you to all who donated and who came out to support the tour. It is greatly appreciated.

Doncaster event poster

Date: 02.12.2019
Town: Doncaster
Venue:  Social Bar
Address:  28-30 Lazarus Court, Bradford Row, DN1 3NF
Door:  7:30 PM – 11 PM
Tickets: £10
Line Up: The Blinders, Wraights, Tinfoils, Jordan Allen (solo show), Patrick T. Davies (spoken word)
This show is 18+
Event Page  

Pictures:
https://www.facebook.com/theblindersband/posts/2465383860401600 (The Blinders and Jordan Allen)
https://twitter.com/hossfitt/status/1201653341039874050/photo/1 (The Blinders)
https://www.instagram.com/p/B5l-bYnHfMJ/ (The Blinders)
https://www.instagram.com/p/Bc7ugRtnnRO/ (The Blinders)
https://www.instagram.com/p/B5n84vFH_ig/ (The Blinders)
https://www.instagram.com/p/B5n6u3zHDbe/ (Thomas Haywood)
https://www.instagram.com/p/B5n5qkuHh9_/ (Thomas Haywood)
https://www.instagram.com/p/B5npVauhQiM/ (The Blinders and Jordan Allen)
https://www.instagram.com/p/B5nc8FRAjnw/ (Patrick T Davies)
https://www.instagram.com/p/B5nrd8VHeej/ (Wraiths)
https://www.instagram.com/p/B5nCPEFHSRk/ (Jordan Allen)
https://www.instagram.com/p/B5nuVfPnUbR/ (Wraiths)
https://www.instagram.com/p/B5n1YrOnp2u/ (Tinfoils)
https://www.instagram.com/p/B5nysbYHZfj/ (Tinfoils)
https://www.instagram.com/p/B5nxqh0H5uX/ (Tinfoils)
https://www.instagram.com/p/B5ya1spH61q (The Blinders and Jordan Allen)
https://www.instagram.com/p/B5quNu6nH5e/ (Thomas Haywood)
https://www.instagram.com/p/B53uLeCgmuT (The Blinders)

 

Videos:
https://www.instagram.com/p/B5mbcY5gaR2/
https://www.instagram.com/p/B5nttLlgM92/
https://www.instagram.com/p/B5nocm1HKDo/
https://www.facebook.com/bob.wallis.75/posts/10216941080253874

The stage times were as follows (just add 30 minutes to them as there was a delay!):

The Blinders set list:
Gotta Get Through
L’Etat, C’Est Moi
Free the Slave
ICB Blues
40 Days And 40 Nights
Something Wicked This Way Comes
Ramona Flowers
Rage
Brave New World
Rat In A Cage (feat Jordan Allen)
Brutus/Et Tu/Berlin Wall

Show #4  – London

Fourth show on the tour and the merry machine came to the capitol to deliver an intimate show what was probably the smallest gig on the tour. Fans of four bands filled the venue to the last place and it was another sold out show collecting money for the Labour Party. Seasons has only the capacity of 80 people so the show was really up close-and-personal. Band members climbed the instruments and the bar, sat on the floor, walked among the public and they shouted the lyrics back at them. Several bands from all over the UK came to support the line up (including The Novus from Stourbridge, which makes us super proud). IT felt as being back at the beginning of their career – playing tiny venues with dedicated fans. All for a good cause.

Stage times:
Cross Wires: 7.45pm
Couples: 8.30pm
SISTERAY: 9.15pm
The Blinders: 10pm

Woodford Green event poster

Updated poster in collaboration with Kick Up the Jamz

Date: 04.12.2019
Town: Woodford Green
Venue:  Seasons
Address:  215 The Broadway, Woodford Green, Redbridge, IG8 0HL
Door:  7:30 PM -11 PM
Tickets: £8
Line Up: The Blinders, Sisteray, Couples, Cross Wires
Event Page

Pictures:
https://www.instagram.com/p/B5r79FVA1qL/ (The Blinders)
https://www.instagram.com/p/B5sZ-AxHhLr/ (The Blinders)
https://twitter.com/overtimer/status/1202512522529705984?s=20 (The Blinders)
https://www.instagram.com/p/B5sxrgBA8Yv/ (The Blinders)
https://www.instagram.com/p/B5tEECUgJvo/ (The Blinders)
https://www.instagram.com/p/B5srWQVB4Wz/ (The Blinders, Sisteray)
https://www.instagram.com/p/B5r79FVA1qL/ (The Blinders)
https://www.facebook.com/CrossWires/posts/2630184297062430 (Cross Wire)
https://twitter.com/overtimer/status/1202512522529705984 (The Blinders, Couples)
https://www.instagram.com/p/B55T8mZAvgt/

Couples  photographed by Caffy St Luce

Videos:

The Blinders by Tyla Challenger



The Blinders set list:
Gotta Get Through
L’Etat C’Est Moi
Free The Slave
ICB Blues
Forty Days And Forty Nights
Something Wicked This Way Comes
Ramona Flowers
Brave New World
Rage
Rat In A Cage
Brutus/Et Tu/Berlin Wall

 

Show #5  – Newport 

Newport event poster

Date: 05.12.2019
Town:  Newport (Wales)
Venue:  Le Pub
Address:  14 High Street, NP20 1FW
Door:  7 PM – 11 PM
Tickets: £8
Line Up: The Blinders, Al Moses, Jack Perrett, Football FC, Sam J Grudgings (spoken word)
This show is 16+
Event Page   

Pictures:
https://twitter.com/JBryantWales/status/1202887717400526848?s=20 (mixed)
https://twitter.com/MapMove/status/1202730368836755458?s=20 (The Blinders)
https://www.facebook.com/JackPerrettMusic/posts/1064427550564263 (Jack Perrett Music)
https://www.instagram.com/p/B5xY8fNnSG4/ (The Blinders)
https://www.instagram.com/p/B5xLTqAnsVm (Jack Perrett Music)
https://www.instagram.com/p/B5z8CmQAI1F/ (The Blinders)

Videos:
https://twitter.com/JBryantWales/status/1202887717400526848?s=20
https://twitter.com/elaine246810/status/1202752627467018245?s=20

The Blinders Set list:
Gotta Get Through
L’Etat C’Est Moi
Free The Slave
ICB Blues
Forty Days And Forty Nights
Something Wicked This Way Comes
Ramona Flowers
Brave New World
Rage
Rat In A Cage
Brutus/Et Tu/Berlin Wall

 

   

Show #6  – Stourbridge

Stourbridge event poster

Going, going, gone

Date: 06.12.2019
Town:  Stourbridge
Venue:  Green Duck Brewery
Address:  Gainsborough Trading Estate, Rufford Rd, DY9 7ND
Door:  7PM – 11PM
Tickets: £7
Line Up: The Blinders, The Novus, Flares, Ian Marrey, Jess Silk,
Peter Lowe, Maggie Dunne (Fuzz Box) and Mark Roberts (DOXA) – speakers
This show is 18+
Event Page      

The Stourbridge concert sold out as the first show on the tour, nearly a week before its date! It was the first time The Blinders visited Stourbridge and they did a canvassing session in the morning, despite the heavy rain.

The show started at 6:00 pm with a surprise performance from Ian Marrey who replaced The Humdrum Express (Ian Passey) that was sadly forced to cancel due to an illness.  His 20 minute set was full of classic protest songs but he presented two of his own compositions that were truly appreciated by the crowd. Next was Jess Silk, a young Black Country artist with a powerful voice and true socialist nature. Flares (the youngest band on the bill) were too young to normally enter the brewery but stole the show with their enthusiasm and powerful stage presence. We sneaked with them into the brewery itself for a photo session and we got kicked out in a real punk rock fashion! Rock and roll kids, is not dead at all!

The Novus are fantastic, unstoppable noise/garage machine that flattens everything in its way. The band is exactly in the same spot as The Blinders were just 2 years ago – they are on the brink of becoming the next sensation and the four guys from Stourbridge know it very well. They have everything, catchy songs, great stage presence and a vocalist that gives it all. Look out as the Novus are touring with This Feeling and are making a name for themselves.

The Blinders closed the day with a set that was identical with previous shows. A mix of well known songs (Ramona Flowers, Brave New World) and several new ones (Rage, Something Wicked This Way Comes, 40 Days & 40 Nights) made everyone happy and proved that the Doncaster trio are now a professional band ready to take over the world.

Three speeches delivered throughout the evening belonged to Maggie Dunne from Fuzzbox, Peter Lowe (Labour Councillor) and Mark Roberts (DOXA, Mother’sEarth EXperiment).

Gallery:

Venue  – Green Duck Brewery

 

 

Ian Marrey  – first performer of the evening

 

Jess Silk – a lady with a very powerful voice (and a guitar)

 

Mark Roberts – master of ceremony

 

Maggie Dunne – speaker

 

Peter Lowe – Labour Councillor

 

Flares – the young quartet from Birmingham

 

The Novus  – hosts and main support

 

The Blinders – the masterminds behind the tour

The event was attended by many local artists from West Midland scene. Thomas Haywood posed to many pictures and we were lucky to photograph him alongside Chris Phee, lead singer of Sedated Society.

 

Videos:

Other pictures:
https://twitter.com/2324Photography/status/1203118940089704448 (The Novus)
https://www.facebook.com/thenovusband/posts/2545933365462443 (The Novus)
https://twitter.com/tyrer_adrian/status/1203305199550509059 (The Blinders)
https://www.instagram.com/p/B5xePOijKy7/ (The Blinders)
https://www.instagram.com/p/B5xWJAdgE1D/ (Flares)
https://www.instagram.com/p/B5xTIdoAzJ1/ (The Blinders)
https://www.instagram.com/p/B5xLvSxA5fy/ (The Blinders)
https://www.instagram.com/p/B5wD0BAAhtS/ (Thomas Haywood)
https://www.instagram.com/p/B5v_ihPAdUg/ (The Novus)
https://www.instagram.com/p/B5v7bgbDO-K/ (The Blinders)
https://www.instagram.com/p/B5ztETcnWr2/ (The Blinders)
https://www.instagram.com/p/B5xvIiAgnot/ (The Novus)
https://www.instagram.com/p/B5xmWW7Ak3W/ (Flares)
https://www.instagram.com/p/B53uLeCgmuT (The Blinders)

The Blinders Set list:
Gotta Get Through
L’Etat C’Est Moi
Free The Slave
ICB Blues
Forty Days And Forty Nights
Something Wicked This Way Comes
Ramona Flowers
Brave New World
Rage
Rat In A Cage
Brutus/Et Tu/Berlin Wall

 

Show #7  – Lincoln

Lincoln event poster

Date: 09.12.2019
Town: Lincoln
Venue:  Labour Club
Address:  Grafton House, 32 Newland, LN1 1XJ Lincoln
Door:  7:30 PM -11 PM
Tickets: £7.50
Line Up: The Blinders, Broken Crown, Mary`s Dream, Gary Rudd, The Pagans S.O.H, The Rills

Pictures:
https://twitter.com/MapMove/status/1204171064043098112?s=20 (venue)
https://www.instagram.com/p/B55r3q4nD8N/ (The Blinders)
https://www.instagram.com/p/B54343UhYzp/ (The Blinders)
https://twitter.com/karlhanson1/status/1204185873484521472?s=20 (Mary’s Dream)
https://twitter.com/the_pagans/status/1204380550078836738?s=20 (The Pagans SOH)
https://twitter.com/the_pagans/status/1204118138075398144?s=20 (The Pagans SOH)
https://www.facebook.com/thepagansband/posts/2690265631053917 (The Pagans SOH)

Videos:

Mary’s Dream, all female quartet stole the show even from the Blinders! The young ladies sang several songs, include “Come Together” by The Beatles and it was a great choice for the ocassion! Please be on the look out as they have some serious potential!

 

Show #8 – Norwich 

The show was a sold out!

Norwich event poster

Date: 10.12.2019
Town:  Norwich
Venue: EPIC TV Studios
Address:  112-114 Magdalen Street, Norwich, Norfolk, NR3 1JD
Door: 7 PM – 11PM
Tickets: £7
Line Up: The Blinders, Youth Killed It, Eluders, The Revere, Ducking Punches (Solo Set)
Event Page       

Pictures:
https://twitter.com/ELUDERSUK/status/1204571267585773570 (Eluders)
https://twitter.com/MapMove/status/1204504765633302529/photo/1(Eluders)
https://www.facebook.com/briana.hibbert.73/posts/2474833052774691(The Blinders)
https://twitter.com/MapMove/status/1204558264182149121

Blinders Set list:
Gotta Get Through
L’Etat C’Est Moi
Free The Slave
ICB Blues
I Want Gold
Ramona Flowers
Brave New World
Rat In A Cage
Brutus/Et Tu/Berlin Wall


Show #9  – Stoke Upon Trent (happening today)

Stoke Upon Trent event poster

Date: 11.12.2019
Town: Stoke on Trent
Venue:  The Underground
Address:  2 Morley St, Stoke-on-Trent ST1 4LS
Door:  7 PM – 11 PM
Tickets: £10
Line Up: The Blinders, Psyence, Pacific, Loose Articles, Afghan Sand Gang, Patrick T. Davies and Filth (DJ set)
This show is 18+

Event Page         Tickets

Before the show even started, there was a competition going on!

***Come Together, We Need Each Other***

We strongly encourage everyone to get involved and attend one of the shows above, but there is so much more that one can do – even not moving from one`s sofa. We would like to list few ideas – in case you feel powerless. Because you are not.

– No brainer but register to vote. It takes few minutes and it is the most direct and efficient tool in any elections. Take part. Vote. You have time till midnight on Tuesday 26th November.

https://www.gov.uk/register-to-vote

-Encourage your friends to register. Nothing beats a personal example.

– Give your local party chapter a call – they may need volunteers, canvassers, even people who prepare  letters. A bit of activism goes a long way.

– Share the posters or events for the tour on your socials, stories or chat groups. Inform your friends.

– Print a poster for the tour and put it in your student hall or on a community board (where it is allowed).

– Maybe make leaflets – it`s cheap and very effective.

– Let local press, bloggers or radios know. They are always looking for new stories to tell. Or write an article or blog yourself.

– If you know a venue that could host a gig to raise funds – you don’t even need The Blinders to do your own gig. Team up with few other artists and do it. It is easier than you think. And besides bringing social change it will also give you real skills how to do events. And how to meet new people.  Win -win.

Press release:
https://modernsky.uk/blinders-announce-pro-labour-many-tour-ahead-uk-general-election

Media coverage:
http://indiemidlands.com/the-blinders-coming-to-green-duck-brewery/
https://louderthanwar.com/news-socialist-sunday-all-dayer-at-the-02-ritz-december-1st-2019
https://ryanwrites99.wordpress.com/2019/11/24/the-blinders-and-friends-present-for-the-many-stourbridge
https://www.getintothis.co.uk/2019/11/the-blinders-cabbage-the-rhythm-method-and-more-join-forces-for-socialist-sunday
https://www.manchestertheatres.com/event/socialistsunday-manchester-for-a-labour-government-with-the-blinders
https://newsoundsmag.co.uk/2019/11/25/the-blinders-announce-pro-labour-for-the-many-tour-ahead-of-uk-general-election
https://www.thestar.co.uk/news/doncaster-rock-band-blinders-announce-uk-tour-support-labour-party-1321546
https://morningstaronline.co.uk/article/c/charlie-mcgough-bass-player-blinders
https://morningstaronline.co.uk/article/why-im-voting-labour-daniel-connolly-musician-sisteray
https://www.skiddle.com/news/all/The-Blinders-set-off-on-politically-charged-For-the-Many-tour/54623
https://www.expressandstar.com/entertainment/music/2019/11/30/stourbridges-the-novus-join-the-blinders-in-hometown-for-gig-to-support-labour
https://www.manchestereveningnews.co.uk/whats-on/citylife-seven-days-manchester-events-17312341
http://www.maximumvolumemusic.com/peak-blinders/
https://www.rhonddacynontaff.com/2019/12/the-blinders-2/
https://www.southwalesargus.co.uk/news/18081899.labour-backing-band-performing-newport-tonight/

Interviews:
https://wordsformusic.blog/2019/12/08/the-blinders-for-the-many-interview/

Gig Reviews:
https://www.eventhestars.co.uk/2019/12/socialist-sunday-blinders-cabbage.html (Manchester)
https://www.thezineuk.co.uk/2019/12/forthemany/ (London)
https://www.rgm.press/the-blinders-the-novus-flares-jess-silk-ian-passey-for-the-many-not-the-few​-stourbridge-6-12-19/ (Stourbridge)


Tour Updates:

The band is not only playing nine shows across November/December but also canvassing on behalf of Labour. Just one of the images we have seen:

Support your scene and your local Labour chapter!
Mal/Rita

 

Indieterria presents Weimar

Dear Readers, 

We have said it before, but Vanadian Avenue is always on the look out for unusual bands, unique musical styles or new trends in music. Sometimes we find interesting artists on our own, sometimes we receive a tip or sometimes the artists take their time to contact us themselves.

And this is how we learnt about Manchester quartet called Weimar. Last week, lead singer of the band, Aidan Cross sent us an email asking if we would be interested in  reviewing his newest double A single. After listening to both songs, and seeing the accompanying videos we had to say yes!

Weimar is a Manchester-based band consisting of singer-songwriter and rhythm guitarist Aidan Cross (The Bacillus, Black Light Mutants), lead guitarist Stephen Sarsen (Frank Is Dead, The Bacillus, Playground), bassist John Armstrong (The Speed of Sound) and drummer Anthony Edwards (The Deceased).

Weimar Republic of Mancunia by Zac Gale

Official bio: “Combining a range of influences and naming themselves Weimar after the German Weimar Republic of the 1920s in which experimental art, music and cabaret saw a boom, Weimar combine an eclectic range of influences, with their songs containing elements of Art Rock, Post-Punk, Cabaret, Chanson, Prog Rock, Funk, Alt Folk, Gothic Rock, Music Hall and Dark Circus. Lyrically they cover themes of the dark side of culture and human nature, drawing on a socio-political awareness as well as historical inspiration. In the spirit of the Weimar Republic itself, the emphasis is on the need for freedom of expression and rebellion in the face of political and social oppression. In the current turbulent political era, which has already sparked talk of ‘Weimar Britain’, this approach has a profound relevance to contemporary culture”.

The songs “Marvel to the State” and “Undesirable Master” were released on 22nd of November 2019 and they feature the guest vocals of Rose Niland, singer with Rose & the Diamond Hand and Poppycock. The Double A side single was also released digitally on German Shepherd Records, and on CD via Weimar’s own label Marlene’s Hat.

So what can we say about the singles? First thing that comes to mind is that Weimar is reviewer’s real nightmare when it comes to classification. We can easily imagine that if those songs were released back in the 1990’s, Steve Lamacq would tear all his hair out trying to come up with a name for what they do. This is a real mixture of genres – from the classical French chanson, to pop to rock and alternative. There is a lot of Divine Comedy, a lot of the Smiths, The Fall and a bit of a cabaret. To complicate the matters even further – we can swear that “Marvel to the State” has been ispired by 1920’s and 1930’d european jazz. And if we throw trip hop and pop into the cauldron, then we have a real bomb ready to go off.

Weimar in black and white by Zac Gale

The PR note released alongside the singles is confirming what we heard for ourselves:

“Stylistically, both new songs are significantly different from Weimar’s previous single. ‘Marvel To The State’ is written as a celebration of female figures throughout history who have stood up in the face of oppressive politics. It is a duet between Weimar’s frontman Aidan Cross and Rose Niland, set to a jazz-funk inspired backing, with a more upbeat and pop-oriented feel than the previous single. ‘Undesirable Master’ meanwhile, is a romantic torch song with an ethereal backing vocal from Niland. Both songs are accompanied by promo videos directed by Nikos Pavlou. Niland co-stars in the video for “Marvel” while the “Undesirable Master” video guest stars screen thespian Indigo Azidahaka, also vocalist with Granola Suicide.”

We are not the only ones impressed with both songs. Other reviewers were also truly generous with compliments:

“You know when you get that chill up your back when you hear music that is genuinely different and exciting…..? The most important band to come out of Manchester since Magazine.” – Bob Osborne, Aural Delights Blog

“What makes Weimar stand out from so many other guitar bands is their emphatic execution of highly observant songs informed by life’s surreal and unnerving experiences, underpinned by instrumentation which is accomplished – almost oblivious to how good it actually is. Guitars jangle, jolt and drive emotion in equal measure, matched with point-hitting drums… with enigmatic singer and musician Aidan Cross captivating the crowd.” – Emily Oldfield, Louder Than War

We have to admit that Weimar is one of the most unusual bands we have discovered this year and it will be a pleasure to watch them grow. The band is currently working on their debut album while continuing to gig regularly. The album is scheduled to be released in the spring of 2020.

Weimar in black and whte (again) by Zac Gale

You can follow the band on their socials:
https://weimarbanduk.com/
https://www.facebook.com/WeimarTheBand/
https://twitter.com/WeimarBandUK
https://www.instagram.com/weimarbanduk/
https://soundcloud.com/weimartheband
https://www.youtube.com/channel/UCRVRYJayyyN0Q46AA_74Aig

 

With bands such as The Blinders, Dirty Laces, Scuttlers, The Document, Saytr Play, The Red Stains, Witch Fever, Liines, Gloves, The Membranes, The Battery Farm and many others (we could go on forever!) Manchester music scene is one of the best in the world. Keep your eyes and ears open as the Kingdon of Mancunia is four steps ahead of everyone.

Xoxox
Rita and Malicia D.

Indieteria presents The Columbia Exhibition

Dear Readers,

This is the end, sang Jim Morrison, on one of the most popular songs by The Doors and it does look like an end of an era. Not a definitive end of course, nobody is calling it quits and the band is not breaking up, yet we cannot help but feel a certain sense of  profound loss.

In August, The Blinders announced two acoustic shows to celebrate the first anniversary of the release of “Columbia” – their critically acclaimed debut album. The shows were accompanied by a double vinyl live album recorded during their tour in April. “Live At The Ritz” was the band’s gift to the loyal fans and the last stop on their journey before the dystopian gates of Columbia were to be shut tight for the last time.

Originally, the concerts were supposed to take place on 21st of September but due to Thomas Haywood’s illness, they were moved to 2nd of November. Both events of course sold out straight away and fans had to wait patiently for the big day to arrive. A minor inconvenience but the wait was definitely worth it in the end. As they say, good things happen to those who are counting down the days on their calendars.

We arrived at 33 Oldham Street exactly at 13:00 fearing that we have missed some of the show, but luckily the doors opened half an hour  later. We had the time to have something to eat, prepare and charge our recording equipment (aka the faithful mobile phones) and take a small Polaroid session for future PR purposes. Believe us, in the busy lives of the A&R’s, half an hour means forever! At 13:30 sharp, we were allowed into the main performance room and the Q&A session commenced.

David Nolan, an accomplished music journalist and published author started the show by giving the audience his business cards, asking them to text him the questions for the band. The best ones were chosen and the trio was asked to answer them which proved to be a really great move. While asking the question, David looked for the author among the public and it helped the session to have a more intimate feel. The band also seemed pleased that they could interact with the audience. This led to several funny moments where we found out about cringe worthy situations from the early gigs or allowed Matty or Charlie to express their opinions on certain topics such as politics or being in a popular rock group. David also made everybody laugh when he realized there were no chairs for the band to sit on and the group had to stand up (“welcome to the 1970’s!”), except for Matty who sat comfortably on this drum set much to the playful irritation of Charlie and Thomas. What we liked about Mr Nolan the most was the fact that he didn’t sugar coated anything and was not afraid to speak his mind (“your Twitter feed is boring”). He held the lads up to the task and wouldn’t let them skip answering difficult questions, if they weren’t cooperating, he dragged the answers out them! He was a fair and square host, not hired to sing praises but to present the boys as they truly are. And brownie points to the band themselves as they truthfully answered everything. Not everyone would allow to be grilled like this, majority of the bands would probably used this session as a PR stunt, but the Blinders were very honest and real.

Thomas as the front man, spoke the most, explaining the recording process of the first album, telling stories from the road and histories hidden behind his favourite pictures taken by Sam Crowston. The Q&A session lasted for over an hour and afterwards, the band posed for pictures and signed posters and records.

The performance came next and it was a revelation to those who haven’t seen the band in an acoustic setting before. We have seen The Blinders playing at the Night at the Museum in Blackburn so we were prepare for what was coming but it was still a great experience. Thomas’s keyboard skills improved greatly since the summer and he was now comfortably jamming between songs. The Blinders played 9 songs in total, two brand new ones (“I Want Gold” and “Something Wicked This Way Comes”), one from Thomas’ solo repertoire (“Circle Song”) and the rest was composed from the songs  included on “Columbia”.

Matinee event
Date: 2nd of November
Time: 13:30-16:00 pm
Place: 33 Oldham Street
Host (Q&A): David Nolan

Setlist:

L’Etat C’Est Moi
Ballad Of Winston Smith
Where No Man Comes
I Want Gold
ICB Blues
Orbit (Salmon Of Alaska)
Something Wicked This Way Comes
Circle Song
Brave New World

Pictures:

 

Videos:

Q&A Session: 

 

Evening event:

We sadly could only attend the afternoon performance, but the main evening event wasn’t much different from the matinee one. The set list was a bit different (“Ramona Flowers” and “Rat In A Cage” were added) but the Q&A session was again conducted by David Nolan. If you’d like to listen to the entire performance, you are in luck as it was recorded and it is available on Youtube. All the links are attached below.

Date: 2nd of November
Time: 19:00-22:00 pm
Place: 33 Oldham Street
Host (Q&A): David Nolan

Setlist:
ICB Blues
Something Wicked This Way Comes
Brave New World
Orbit (Salmon Of Alaska)
Brave New World
Rat In A Cage
Ramona Flowers
Circle Song
I Want Gold

Videos:
https://www.youtube.com/watch?v=DhN1qup-etI (full show and Q&A)
https://www.youtube.com/watch?v=LxpMoToJZWE (Q&A session)
https://www.youtube.com/watch?v=rEX_2QhA0Nc (Orbit)
https://www.youtube.com/watch?v=9cULZZQfT2g (ICB Blues, Something Wicked This Way Comes, Brave New World)
https://www.youtube.com/watch?v=dVA_s1zR7UM (Brave New World)
https://www.youtube.com/watch?v=BPwk2Bo7mE8 (Rat In A Cage)
https://www.youtube.com/watch?v=UsOotB1ucyY (Ramona Flowers)
https://www.youtube.com/watch?v=iwDLpP8NnOc (Circle Song)
https://www.youtube.com/watch?v=HCnaj8zffMw (Something Wicked This Way Comes)
https://www.youtube.com/watch?v=7Pr9-OUPr6Y (I Want Gold)

 

THE EXHIBITION

After the performance, the guests were free to roam and admire the exhibition that was prepared especially for the ocassion. It was divided into two parts: the photography exhibition taken by Sam Crowston (displayed on the walls), and the costumes, artwork and everything else linked to the band was also presented on the two upper floors of the building.

The Columbia Photo Exhibition was spread on all floors of the 33 Oldham Street. The walls were decorated with over 60 framed pictures – from the main restaurant area on the ground floor, the first floor where the performance and the Q&A session took place, to the top floor sitting area that has been turned into the main exhibition room. Each photograph was given a short description underneath and each floor had their own small story board which explained different periods in the band’s history and shed a bit of a light at the displayed pictures.

The Columbia Era – all pictures by Sam Crowston
https://samcrowstonimaging.com/
https://www.instagram.com/sam_crowston_
https://twitter.com/sam_crowston_
https://www.facebook.com/sam.crowston

You can purchase the prints at:
https://theblindersofficial.com/theexhibition

Time: 2nd – 30th November 2019
Place: 33 Oldham Street, Manchester
Entry: Free

 

The second part of the exhibition was a bit smaller but also impressive. We could see the famed blue boilersuit costumes and pig masks that appeared in the “Swine” video, old promotional posters (All Seeying Eye, You Are Being Observed, Know Your Place, We Are In This Together) created for the first stage of Columbia promo tour and used in the “L’Etat C’Est Moi”short film. There was a short propaganda video displayed on the wall, covers of all four singles released from the debut album (“Gotta Get Through”, “Brave New World”, “Rat In A Cage” and “L’Etat C’Est Moi”) and artworks made out of broken vinyl created by West Midlands based artist, Kirk Whitehouse.

An old type writer took the central stage with the bands lyrics scattered around it and some of the lyrics sheet were also displayed in different parts of the room. To find them all, you had to criss-cross the exhibition several times but it was worth doing.

Outside, two red Columbia flags were battered by the winter winds and rain…

The acoustic shows and the live record (“Live at the Ritz”) closed the first chapter in the band’s history. The second album is now recorded, mixed and will be released sometime next year.

Nobody knows what the future holds for the Doncaster trio. Some shows are already booked for 2020 and the band has no intention for slowing down so we can expect bigger and better things to happen. Let’s keep our fingers crossed.

Please stick with the band to see what’s going to happen next. The ride is going to be  exciting  and it’s worth looking forward to it.

See you soon,
Rita and Malicia

Indieterria meets HUSK

Dear Readers,

First world problems you will say – but it is incredibly hard to sit on a great interview and wait for a right time to publish it. It been a few anxious weeks but the wait is finally over! HUSK`s new single  “Feeling Heat” is dropping on November 1st, with funky lo-fi video to accompany it, and we can only tell you to get your dancing shoes on – we are going to a proper party!

We spoke with Alfie Austin about his music, a single that may turn him into a proper pop star, artists that inspired him and where he sees himself in five years time. Despite being incredibly talented singer and song writer, he remains grounded and even humble, looking at his music in practical ways. It is such a welcoming change from all the adrenaline pumped ladsy bands with egos and arrogance bigger than the Beetham Tower. And a stark reminder that is not the hype that makes an artist – but a talent and hard work.

But we digress. Its Monday and we have an amazing singer, song producer and musician to introduce!

The sleeve for Feeling Heat single

Please introduce yourself to the readers of Indieterria.

Alfie Austin:  I’m HUSK, I’ve been dubbed as “the outsider pop star we’ve all been waiting for” and “pretty darn good” by BBC 6 Music. I describe myself as the ”love-child of 80’s synth nostalgia and fresh leftfield pop”.

Where are you based and who is in the band?

Alfie Austin:  It’s just me. I`m from Manchester, UK. I work with a lot of talent because it takes a village to make music happen!

Tell us something about the project – are there any goals that you managed to achieve to date?

Alfie Austin:  Since releasing my first EP in 2018, I’ve had some really cool stuff come my way. Being played on BBC 6 Music and BBC Introducing Manchester is definitely a highlight, as well as playing the revered Manchester International Festival this summer and to 15,000 at Pride in Hull. I’m so excited to be releasing my next single “Feeling Heat” on 1st Nov via really cool label AnalogueTrash, that’s already being played in Australia and the UK.

What inspires you? What artists or genres had the biggest influence on you?

Alfie Austin:  I’m a hairbrush diva at heart, and grew up on a diet of melody centred Pop, with the likes of Madonna and Girls Aloud and I’m an avid Eurovision fan. In recent years though, the rich, imperfect vocals of Northern Soul and intelligent Pop with smart production and New Wave has influenced me with artists like Prince, Eurythmics, Robyn and Little Dragon.

I’m really influenced by queer culture too. Most queer parties are full of love and expression, and I want to create that good mood in my music, whilst talking about real issues that aren’t just dancing and/or love.

Naturally, I love artist like CHVRCHES & Christine & The Queens but I can’t replicate what they do – I have my own writing style.

Husk_1

Hand on the heart – HUSK by Roo Gannon Photography
https://www.facebook.com/roogannonphotography/

It`s all about the music – and we want to hear your tunes and how they have been written.

Alfie Austin:   When writing a new track, I will sing melodies and if they get stuck in my head, I know they’re a keeper. Next, I tend to create the bones of the track, including most of the synths and beats. I then take it into the studio and turn it into something really special. I’ve been working with producers Sugar House Music (Viola Beach/ Pale Waves/ Larkins), who are incredibly good at making things sound polished but interesting and work you hard to get the best out of you.

Name your best song. Is there a story behind it?

Alfie Austin:   It’s definitely the new one “Feeling Heat”. It’s got really strong 80’s vibes, which I just can’t get enough of. I was having a time where everything I wrote I absolutely hated and I was feeling really under pressure to come up with something in my really busy schedule. “Feeling Heat” is about that! And then once we got it into the studio, everything we tried just clicked – we finished it in a matter of hours.

How do you create your unique sound? What gear are you using?

Alfie Austin:  My main tools are my Arturia Microbrute synth and Propellerhead’s Reason. I use a lot of layers. There’s always like 4 snares and 2 kicks, 5 synth sounds playing the lead melody and 2 bass synths. Sugar House also used a really creepy vocoder for vocal harmonies on my EP that we have used ever since.

Husk_2

Strike a pose – HUSK by Roo Gannon Photography
https://www.facebook.com/roogannonphotography/

Squad goals – where do you want to see the band in five years time?

Alfie Austin:  I’m not going to lie, it would be really nice if I was signed to Virgin EMI and had a shit hot manager that keeps me in check, filling arenas. But if I’m still making music that people enjoy, and I’m not going hungry, I’ll be okay. I have a few specific goals for this next single “Feeling Heat”, and now that AnalogueTrash are on board, that’s one goal ticked off. Every little piece written about HUSK is still really exciting though.

If any bookers or promoters want to get in touch – what is the best way to contact you?

Alfie Austin:  Email me: husknoise@gmail.com or Facebook message me at HUSK 

 

Imagine you can record an album with any producer, dead or alive in a studio of your choice. Who would be on your record?

Alfie Austin:  Totally self-indulgent but Brian Higgins/Xenomania featuring a Nadine Coyle vocal would be a dream! Xenomania have such an amazing repertoire of innovative pop and I think it would make for a really great record. I’d also love, love, love a collab with Janelle Monae. She’s just and all round great artist!

Pre-order “Feeling Heat” 

You can follow HUSK on social media:

https://www.husknoise.com
https://www.facebook.com/husknoise
https://www.instagram.com/husknoise
https://www.twitter.com/husknoise
https://www.soundcloud.com/husknoise
https://www.youtube.com/husknoise
http://husknoise.bandcamp.com
https://open.spotify.com/artist/5rxW72hkuquJAYuBZz1now?si=WMiX_P_-R8i62o5vvTblYw
https://amazingtunes.com/husknoise/

We have absolutely adore HUSK and his music – you can expect that we will welcome him again in the future on our blog.

All the best Husk and we hope that in five years time you will be playing arenas.

M/R