Since we are already in July and the days are longer, we will have a double (or maybe even a triple) portion of Indieterria this month. So much music to listen to and great bands to tell you about. This episode is all about Thomas and Mary Yaman, known professionally as TommyandMary. This is our pleasure and privilege to introduce you dear readers to punk rock duo that is building themselves a cult following in London. Based in Brixton, they work hard, play even harder and have won their fans not only by the strength of their music, but also because of the affection and respect they show each other.
We have sat down with Tommy and Mary to speak about their new album, busking, being independent artists and song writing.
Forget about Sid and Nancy, we have got better couple in town! And they rock!
The Angels of Brixton
The Angels of Brixton
You are described as British answer to The White Stripes. Like Jack and Meg White, you are married and until recently, you have played exclusively with each other. You also divide band duties in similar way as Mary plays drums whilst Tommy concentrates on guitars and vocals. Do you consider comparisons to The White Stripes to be a badge of honour, lazy journalism or perhaps you just don’t care?
Tommy: I think people will always compare us to The White Stripes and many other duos. I personally don’t think we sound like The White Stripes at all. I grew up when The Strokes, Kings of Leon and The Libertines and off course The White Stripes all came out at the same time. But Jack and Meg were never my cup of tea. Mary didn`t even know who they were until someone mentioned them to her while we were busking.
Can you remember the moment when you two decided to form a band together?
Tommy: Yes, very well. We were outside my old apartment where Mary and I lived for a while. The band I was in at the time and Mary joined had split. I wanted to play solo as I found it difficult to cope with all 5 personalities I had to play with at the time. And Mary thought it would be cool if we played just us two and carried on our musical journey together.
The fondness you show for each other is unparalleled on the indie scene. Band bio says “TommyandMary are one word because we are that close”. You wear matching attires (“I prefer the drummer” – Tommy, “Unavailable” – Mary) and then there is “Angels” – powerful love song about yourselves released as a single. We have to say – it is incredible to witness such affection.
Mary posing in her signature “Unavailable” tee
Tommy wearing his “I prefer the drummer” shirt
Mary: Music is a very sensitive and fragile form of art and the fact that we are married and are in a band together just makes it even more personal. We grow together as individuals and as musicians and the love that we have for each other makes everything seem possible. I hope it shows in our music!
Another thing that sets you apart from other acts is your working ethics. For the last two years you have combined regular gigs with extensive busking. It seems the life on an independent artist is pretty intensive.
Tommy: We’ve stopped busking for now. We couldn’t stand it anymore (laughs) but I think we learnt a lot from it. It built our confidence.
Your busking escapades quickly turned into a permanent residency at the Oxford Circus attracting hundreds of people each time you played. Can you tell us how does it feels to be playing on Britain’s busiest street?
Tommy: Busking gave us an opportunity to meet some amazing people from all over the world and acquire some professional contracts. Mary got sponsored by Underground and we both got sponsored by company called W.S.Studio. Not to mention that we had once-in-a-lifetime opportunity to record our latest album “Authority” at Rupert Cobb’s Gun Hill Studios with the AMAZING Gary Wallis. So I think the goods outweighs the amounts of times we were harassed by the public and judged for being beggars by some clothing companies that had no idea about our passion for performing and playing music.
Tommy at The 100 Club
Mary posing for the Underground brand
Is it safe to be a busker in London? And a question that must follow the first one – is it profitable in the times of everlasting rush and gripping austerity?
Tommy: I think anything is profitable when your passion for something is bigger than the price. And to be honest, no it isn’t safe. Especially when there is still a minority of crazy, ignorant people in the world and as a busker you are exposed to it.
Your regular gigs took you to some of capital`s most celebrated venues. Among many 100 Club, Nambucca, Camden Assembly and now 229. How is club circuit responding to independent acts?
Tommy: We’ve definitely been to some amazing venues like 100 Club and 93 Feet East. It gave us a chance to meet some bands and musicians that have been in the game for a while longer than us. It’s inspiring but also feels overwhelming.
Mary at The 100 Club
TommyandMary supported number of prolific artists, most recently The Telescopes. How do you recall that particular show?
Tommy: Having been on the same stage as some legendary acts, we both felt like we really had to step up and not let our ancestors down.
Mary, you are known for very technical and powerful style of drumming despite downsizing your kit to bare essentials. Something similar was practiced by Palmolive (original sticks woman of the punk heroines The Slits). What inspired you to hit things for a living?
Mary: I can’t agree with saying that my drumming is technical at all. In fact loads of drummers criticised me about the way I sit, hold sticks and set up my drum kit. But yeah, I prefer aggressive style of drumming as it allows me to feel the songs and it is just boring otherwise. Tommy suggested busking one day and I just went with it.
As a band`s chief tunesmith, you don’t shy from tacking contemporary topics such as corporate/precarious work (“My manager is a prick”), obsession with celebrities (“Rich acting Rich For The Poor”) or going though existential crisis (“Red”). Do you believe that it is important for artists to be socially and politically active?
Tommy: I believe if an artist is only writing about ego or their own spoilt opinions, he or she is avoiding the honesty that lays in each person’s heart. Whether this is political or not, the truth is that we are all in this journey together and being ignorant, self indulgent or judgmental isn’t something that I encourage. But being empathetic to both worlds, the ego and the selflessness give me an insight into what lays in-between inaction and people’s willingness to ensemble, and this is something worth writing about. Contradiction is something that is often reflected in my thoughts and actions and I want to learn more about psychological and philosophical aspects of writing. So I don’t think politics is really my strength.
The band is on their third independent release. “Authority” was debuted earlier this year and was recorded at Gun Hill Studios in London. It is a significant change in sound compared to “The Things we love” (2015) and “Smoke Break -Side A” (2016). Your songs are layered, elaborate even. Are you satisfied with this new direction?
Sleeve to debut release Together We Love
Smoke Break -Side A – collage and pins, this record is in our musical archives and is signed!
Authority – third release
Tommy: For our first album “Together We Love”, I had written all the songs and Mary didn’t have much of a say or creative input. But as we grew musically together, we began to think collaboratively on our sound and direction. Our experiences started to reflect in our music and we really started to learn more about our sound and what we wanted to write about.
“Authority” is accompanied by three promotional videos (“Angels”, “Authority”, “The Rich acting Rich For The Poor”) and an alternative DIY video to “The Rich…” directed by the band, a fan documentary and a video interview. That’s an enormous amount of work put into promoting the album. Do you enjoy collaborating with others?
Tommy: We have made a lot of friends from our music and we absolutely love spending time with them. The DIY videos that we made are all about the collaboration that we can have with our friends and using their talents to make things happen. But also it is important for us to have a great time making something together.
We heard though a grapevine that you are planning to introduce a new guitarist to the fold.
Tommy: A lot of bands add members after a while to create a wider range of sounds. We decided that this isn’t the direction we want to take. We want to keep it as it is. We don’t want to change. Although we were thinking of bringing a friend in for our next show as he is an amazing guitarist and writer. I know for sure that he will be very successful with his music in the long run. But no, we won’t be adding another band member.
Random. Last. Question. If you could travel to the golden years of rock music with whom would you tour?
Tommy: The Clash did a lot of busking in their days. So I would have liked to play a few shows with them. I think Mary’s drums would have been a huge factor in pushing boundaries in the late 70s (laughs). Or perhaps I could be in New York playing a few shows at CBGB`s with The Dead Boys, that would have been amazing, having been given the opportunity.
Mary: I would have played with The Rolling Stones and Queen.
TommyandMary: One Word
You can follow TommyandMary here:
**** Update 28/07/2017****
Poster for the Absent Kelly indie night on 7th July 2017
TommyandMary played a very well received gig at 229 Venue in London on 7th July 2017 as part of Absent Kelly`s indie night series. So good was the night in fact, that they were given a rave review in Louder Than War magazine and photographer Marcus Jamieson-Pond dedicated them a whole gallery on his website!
Louder Than War review in full, 16th July 2017
You can see the kick ass review online at Louder Than War (which happens to be this blog`s fav music mag!)
And the image gallery can be found here:
Folks, we`d love to tell you to hang onto your seats, but you will be floored anyway, so find yourself a comfortable spot and listen up. Tommy and Mary had just finished headlining gig last night at The Cellar/The Finborough Arms in Kensington and were so generous to share with us a very cool collection of their concert posters. Exclusive for the blog! We are very lucky. Eye candy those posters are but also serve as a proof that the band played a string of cult venues in half a year: The 100 Club, Nambucca, 93 Feet East, Camden Assembly and The Cellar. All those years of playing and busking and persistence certainly paid off. Nothing builds a brand for a band like doing their own thing and pushing at the boundaries.
Poster for The 100 Club gig on 25.01.2017 while supporting legendary The Telescopes
Poster for the gig at Camden Assembly on 25th March 2017
Poster for gig at Nambucca on May 3rd 2017
Poster for the gig at 93 Feet East gig on 11.08.2017
Poster for a gig at The Cellar/ Finborough Arms in Kensington on 2nd September 2017
Another achievement of the band is even better than playing all the venues in the capital. Tommy and Mary debuted on BBC 6 Music on 18th August 2017 as part of 6 Music Recommends. Picked by the legendary DJ and broadcaster Steve Lamacq himself, they were hailed for being “nicely uncompromising” and tacking a myriad of topics from having annoying housemates to precarious work. If you don’t know who Lammo is, let us tell you this much – he is recognized as one of handful other DJs (with Mary Ann Hobbs and Jo Whitley) to fill the gap left by John Peel and is often regarded as a trend setter. Being on his show is a stamp of good quality and a sign that band is on the right way.
Personally what we found exciting is that Tommy and Mary`s Insecurities were played right after Paul Draper`s new single (yes, the man from Mansun!) and received the same amount of introduction on air.
Here is a screenshot of the BBC website
Screengrab from BBC 6 website
And here`s a (very) bad quality recording of the song and what Steve said:
We hope you like it,
We are so excited for the band, we really are. Surely more good things to come from them!