Indieterria meets Tigerside



Tigerside (from left): Riven, Esther, Greggs, John and David.

Tigerside (from left): Riven, Esther, Greggs, John and David.

Welcome to the first week of Indieterria. If you are not sure what we do here, read the intro.

We are on a year-long journey to create an atlas of new sonic landscapes for 2017 by introducing readers to artists that have something original and innovative to communicate. They may not be huge or ready to hit Top 40. Some of them may be on a way to greater things, but we will also look at artists who are unsigned and  still perfecting  their craft. It doesn’t matter how established you are in a long run. If you have got that spark, your own way of doing things or something interesting to show, you may find yourself featured on our musical map.

On the margins, we will also tag venues and other places to give our readers a deeper understanding of the local scene that the band came from.

We begin our travels  with Tigerside- a five piece from Salford, Manchester.  So, welcome everybody to Mancunia – the fabled land that gave us Hacienda & Anthony H Wilson, The Smiths & The Roses, New Order & Joy Division, Es & the baggy pants. Something is definitely in the water in Mancunia as they have more bands per square mile than the capital of grunge!

Paul aka Greegs

Paul aka Greegs

John Nash leading Tigerside

John Nash leading Tigerside

The idea for Tigerside (do not mistake with French  drone/ambient project My Tiger Side fronted by  Rémi Saboul) has been born a decade ago during Glastonbury Festival. It took few more years for  members of the band to relocate to Salford and properly concentrate on the project. Some line up changes occurred but are shrouded now in mystery. Currently the band consist of John Nash (on vocals), Esther Maylor (vocals, harmonies), Paul/Greggs (guitars), Riven (electronics/keyboards) and David Eagle (drums).

If you know Manchester scene a bit, you must be grinning like a Chesire Cat this very moment. If not – let us tell you a secret. Esther Maylor is known in town as  a member of another band with strong following –  b i e d e r b e c k.  She is also the landlady of Eagle Inn pub/venue in Salford.

Examining the  band`s pictures Tigerside look like they just enrolled into university, but don’t let that deceive you. All band members are in their 30s and come with quite an experience on stage and a whole list of musical heroes.  The band grew up listening to Mark and Lard Show on BBC Radio 1 (that`s Mark Radcliffe and Marc Riley if you are not familiar) and quote The Verve, Underworld, REM, Human League and Madchester scene as inspirations. They have been featured on BBC Introducing Manchester twice and sold out domestic venues such as Sound Control, Gullivers, Ruby Lounge (here they were supported by another rising star of Mancunia – The Blinders). Their London gig at Dublin Castle also sold out to the last place we are told. 2017 will see them playing festivals in Sweden and perhaps a steady supply of homecoming gigs.



John Nash live

John Nash live

Tigerside also come with an  unique ability to confuse music journalists. They describe themselves as  “postpunkhousepop”. Now try to describe that to your editor or readers. When we asked them for a bio, the band sent us this absolutely brilliant tagline. Let us quote it in full – because it would make early Manics green with envy:

“[Tigerside are] the sound of an afterhours party in a back street Salford boozer where everyone’s in and everybody knows your name. In the gutter and singing at the stars; it`s a baggy thing, a rocking thing but most of all a dancing thing. It`s chaos and a commotion and they’ll be your best friends through it all”.

Guys! Send this to Creation Management and you are guaranteed that Alan McGee himself will walk to your next gig!

If we had to define the sound of Tigerside, we would mention the likes of M83, Bastille, The XX  – so anything within the range of electropop/indie electronic and synthpop if one is to throw around musical labels. But you can`t box this band so easily as you may think.  Surprisingly there is a lot of Madchester sounds and rhythms in there (La La Samba), space and melody that bring Hooky`s The Light to mind (Pen Lea) or …even elements of classic U2 at their height (Song For The  Crow). John Nash channels Ian Curtis on stage with his strange dances and charisma, while Esther Maylor brings an element in harmonies that remind us of Sarah Snow from Maltese/Danish act No Snow/No Apls.

Other reviews we read mentioned Pink Floyd…

Head spin, isn’t it? That’s the real beauty of this band.  Whoever is able to trace all ingredients that go into musical elixir of Tigerside will undoubtedly receive a Mercury Prize or Godlike Genius award .

Some links for you dear readers:

YouTube offers a great live footage of Pen Lea

You may also hear the band though their Soundcloud and other social media quoted below:

Tigerside are managed by Cathy Gregory and you can book the band via

We recommend that you do.  Tigerside receives a stamp of approval from Vanadian Avenue and if any of our readers ever has the opportunity to listen to the band live – do not hesitate. You are in for a wild, yet very satisfying ride.


**** Update 02/09/2017****

Poster for Musicians Against Homelessness gig on 30th September 2017

Warning Mancunia! There will be a rocking event in Manchester on 30th September 2017 and you don’t want to miss it. You better polish your party shoes, call your mates and reserve tickets.

Indieterria has received a press pack from Tigerside and they will be playing a charity gig as a part of nationwide campaign Musicians Against Homelessness. They will be backed up by fantastic The Any Numbers and  legendary DJ BiggaBez.  If that line up does not get your adrenaline pumping, please consult your GP – you may be a White Walker.

As usual, let us quote the press release from the band, as we absolutely love to receive their quirky, funny and yet very informative letters:

“Tigerside live @ The Eagle Inn Salford for Musicians Against Homelessness 

Word! Tigerside return to our spiritual and actual home, The Eagle, to play a hugely import show for Musicians Against Homelessness.

Set up by Alan McGee (famous for signing Blur during the Britrock era of the mid 1980’s and early 2000’s) this unique run of shows will showcase some of the best bands in U.K. in order to raise money for the charity Crisis.

We are honoured to have been invited to play and this will be a very special show. This is next level Tigerside and will be an audio visual spectacular not to be missed. Watch this space for more details.

The Eagle has a very limited capacity so get your tickets before they’re gone and help us raise money for a fantastic cause!

Thanks as always for your support.

Big love

So if you happen to find yourself in the dominion of Mancunia on 30th September, you know what to do. We have given Tigerside stamp of approval months ago and we stand by what we said back then. This is an act you gotta see now, before they move to bigger venues and sold out shows. If you can support a charity while enjoying some real musical gem, the better for you.

Event page on Facebook:

And you can get your tickets to the event here:–The-Eagle-Inn-for-Musicians-Against-Homelessness/13038887/


Indieterria – all-on-board

All you good, good people – listen to this!

If you are confused, check with the sun

If you are confused, check with the sun

Music on Vanadian Avenue always had a strong presence. Few years ago, we ran a very successful series of interviews: Burton C Bell (Fear Factory/Ascension of The  Watchers), Valerie Kaye (Valium  of legendary  Pist On), Edu Mussi (Echoes and Shadows), John & Brittany or Steve Howard of Arado among others:

Last year, we used Twitter to start showcasing new bands and discovered gems like Liines, TommyAndMary or The Lucettas:

This year we want to try something different.  Again.

We will compose our own  alternative/counterculture best of 2017 – by presenting artists that caught our eyes and ears this year.  We will give NME a run for their money (they just produced a list of 100 bands to watch this year and most of them have been on our radar for at least two years) and create proper sound of 2017 as it unfolds. But wait. We will not just feature the bands and that`s it. We will try to follow their progress, their appearances in the media, their album releases, their gigs and open mic nights. We will build them large portfolios on the blog to show not only the music but also the work each and every musicians puts into their act. Prepare yourself for weeks of coverage, many updates and hopefully we will give the acts the justice they deserve.

So welcome to our new installment – Indieterria.

This section of the blog takes its name by mashing a famed night club (Danceteria) with a Latin word terra and focuses on the indie music.

We like to think of it as a musical atlas for new sonic landscapes. We`ll allow artists to take us on a journey  and see what we can find.  We hope to discover islands, landmasses and  even entire continents.

All entries will be showcased below for easy access:

Discovery 1: Tigerside (Salford, Manchester)
Discovery 2: The Fidgets (Worcester)
Discovery 3: Jodie Hughes/The Lightweights (Worcester)
Discovery 4: Michael Knowles and The STDs (Ledbury/Hereford/Worcester)
Discovery 5: nth cave (Worcester)
Discovery 6: Jesse River Dylan Murray (Worcester)
Discovery 7: TommyAndMary (London)
Discovery 8: Lost Tiger to the Wild (Worcester)
Discovery 9: Vinny Peculiar (Worcester/Manchester)
Discovery 10: The Humdrum Express (Worcester)
Discovery 11: Rita Lynch (Bristol)
Discovery 12: Thousand Mountain/TSND MNTN (Birmingham) 
Discovery 13: Nuns of the Tundra (Malvern)
Discovery 14: Mutant-Thoughts (Bristol, UK/Barranquilla, Colombia) 
Discovery 15: Population:7 (Worcester)

In September 2017 Indieterria joins Musicians Against Homelessness as part of nationwide campaign to combat homelessness. We will help with PR and promotion of our local event and will showcase acts that will perform in Worcester, since this is where we are based.

You can learn more about MAH and the Worcester gig below:

Indieterria also branches out into reviews, you can see the reviews we did this year below:

Indieterria Review 1: Mudlark (Caerphilly/Wales)

And of course a year of covering new musical grounds must be summarized in a best of post. We also showcased some of the acts to look out for in 2018.

Indieterria: a year in review
Indieterria: Bands to look out for in 2018 -part I
Indieterria: Bands to look out for in 2018 -part II
Indieterria: Bands to look out for in 2018 -part III

If you like what we do on Indieterria or you would like to suggest an artist to showcase, you can let us know via blog, email or social media (we are setting those up, we know it’s a high time):

In defense of buskers!

Hello dear readers,

We have 2017 already and first post of the year is actually an open letter. Rita and I would like to say a few paragraphs in defense of buskers and street artists. What`s the story (morning glory) you may ask? Well, Worcester City Council decided to crack down on performers in the city and make their lives more difficult than it is really needed.

Our local daily Worcester News ran the new cultural policy on the front page this morning. First day after Christmas break, we were happily about to deal with our office backlog and then – bang! Who needs coffee if you have news like this.

You can read the story here

or enjoy the scans we did so the generations to come can face palm in sheer despair:

Worcester News front page on January 3 2017 Warning: reading may cause spasms to all music fans.

Worcester News front page on January 3 2017
Warning: reading may cause spasms to all music fans.

Worcester News on January 3 2017 - the killer cultural proposal will surely give palpitations to music lovers.

Worcester News on January 3 2017 – the killer cultural proposal will surely give palpitations to music lovers.

We have no idea why culture and arts are under constant attack in West Midlands. Sometimes, it does feel like living out New Model Army`s Small Town England.  But onto the meritum.

The letter below has been sent to Worcester News as our reply to the Council policy, but we decided to also publish it on the blog.

Read on and as Sepultura used to say: Refuse/Resist.


Dear Worcester News (and Dear Worcester City Council, if you happen to read it – but we do not raise our hopes up)

We are writing this letter in response to the proposed regulation of busking in Worcester. We would love to see said document in full to be able to read into it. Unfortunately it seems, the draft is not available online for the public to see. However points mentioned in Worcester News raise several alarms and we would like to tackle them one by one.

Poppy WS sings in from of Guildhall in Worcester High Street

Poppy WS sings in from of Guildhall in Worcester High Street

Before we do it, allow us to quote some data regarding music and creative industries in the UK, as it is essential. According to MusicWeek magazine and Measuring Music 2016 report, music added £4.1 billion to the economy in 2015. Despite problems, the industry was rising 90% in the last 4 years. GVA (gross value added) for the industry was 17%, outgrowing other branches of British economy by 11%.

British Phonographic Industry (BPI) estimates that music consumption rose 1,5% to 123 million album sales in 2016. 45 billions streams (including 1 billion streams in December 2016 alone), 3.2 million units of vinyl sold. British acts such as Coldplay, Little Mix, The 1975, Rick Astley, Calvin Harris, Jess Glynne, The Rolling Stones and Skepta dominated charts this year. All in all – this is a booming business.

But that’s just one side of 2016. Last year we have lost a generation of  musical icons (David Bowie, Prince, George Michael just to name a few) and independent artists (Viola Beach), many small venues and clubs have been closed (40% of small venues had shut doors in the last decade).

Where does that leave us? A booming business with no big stars but many smaller artists who are trying to compete on the field but have no places to perform.  Enter busking.

Unnamed tightrope walker performs in Worcester. This man tours the country from Manchester to Wales.

Unnamed tightrope walker performs in Worcester. This man tours the country from Manchester to Wales.

Playing in the streets is not a new phenomena. Every artist started out in this manner (even the biggest names), but these days people will see much more buskers than before. Kids getting experience is one explanation, lack of venues is another, access to the public is a third but not a final answer. There are many more reasons why we see an artist performing on every corner. We may like it or not, busking is growing and is becoming not only a chosen way of artistic expression but an important branch of the industry.
There is nothing wrong with regulating busking within the city. London did it and their code is fantastic and user friendly.  Tenbury Wells did it.  Even Transport for London has their own busking scene and licenses. A whole range of tools has been employed by different localities (artists are encouraged to use smaller amps to avoid high levels of noise, special spaces are designed for artists, buskers are required to have public liability cover, curfews are established to ensure that nobody plays at night) and they are working.  Whoever been to London`s Oxford Street and seen iconic TommyAndMary duo perform their punk rock set will admit that even the loudest music can be incorporated into city life with relatively no side effects. If Worcester City Council wanted to draw inspiration for their own regulation, there are many templates ready to use.

Punk Rock duo TommyAndMary perform in London`s Oxford Street in December 2015

Punk Rock duo TommyAndMary perform in London`s Oxford Street in December 2015

However we have our doubts that Worcester City Council wants to regulate busking. It seems like the only agenda behind this regulation is to  eliminate artists in general by making their street performance so hard that they will simply give it up.

Let`s have a look at some of the proposals drafted:

–    No buskers within 50 meters from each other – Worcester on a daily basis is much quieter than other cities. On average we will have two buskers performing at the same time. Even during festivals and carnivals, we can hardly see artists being that close to each other. We can honestly think of 5 spots around the city where buskers play (most common will be in front of Debenhams).  This seems to be a non issue – as we don’t see Worcester becoming Glasto of busking anytime soon.

–    No busking between 9 pm and 8 am – that seems to be fair point and we dont have arguments with keeping a night time peace at all. We had to slightly adjust this part of the blog post as the fantastic Collective 43 pointed out that during Christmas Fayre, they played late slot until 8:45 pm (we checked metadata on the pic and it corresponds). Originally, we thought it was later than that! We truly hope that some exceptions will be however made for carnivals and festivals anyway in the draft, especially in summer when days are longer and music can flow a bit more. Being on the town on Friday night can be a good testament to the fact that many pubs or clubs are much more louder past 9 pm than a person with a guitar and an amp. Also, please note that entertainment part for Christmas Lights Switch On started last year so early (before 5 pm) that most people had to miss it. Music can`t last too long  that is obvious but it cannot start too early- otherwise who will have time to come and see the event?

The Collective 43 playing live at Victorian Fayre in Worcester in December 2016

The Collective 43 playing live at Victorian Fayre in Worcester in December 2016

–    Bans on any sign inviting people to pay money – London Busking Code has this as a rule: “Busking shouldn’t be confused with begging. Buskers put a lot of effort into their act, give a performance and entertain the public”. We are not sure if Worcester City Council has our local artists for beggars or if they have been deceived on the sizes of signs that artists use. Most of them have a hand-made note with their name. Some performers,  like Bristol based Saskia Griffiths-Moore who visited Worcester in September 2016 had a small sign telling people that she was fully independent artist funded by sales of her CDs. Ban on signs is being enforced only in Worcester and seems harmful, if not perverse.  Another point is that Councillors should really peek into the bowls and hats of buskers if they have a chance. They will not see big fortunes unfortunately. This part of the draft should be dropped and forgotten. The fastest, the better.

Bristol based singer Saskia Griffiths -Moore busks in Worcester in September 2016

Bristol based singer Saskia Griffiths -Moore busks in Worcester in September 2016

–    Maximum performance of 45 minutes afterwards artist must leave the area for 2 hours – this rule has only one explanation. To limit performance of musicians as much as possible and to make Worcester even more quiet than it is. Did we forget that Worcester is a market town? By definition it should be lively, bubbly and full of sounds. Worcester is visited by artists from many cities: Birmingham (like Obi Rudo – Belgian/Congolese rapper who calls UK his home) or Bristol (Saskia or Shemakeswar or Rita Lynch) or Oxford (B-Sydes) or even Cardiff.  If an artist is traveling for few hours by train to reach us, why limit them to 45 minutes of performance? Can`t we give them at least one hour? And with so little of good busking spots, and little revenue they get – do we think it will be profitable for artists to visit Worcester? They will just skip us and make us all culturally poorer.

Belgian/Congolese rapper and grime artist - Obi Rudo performs in Worcester

Belgian/Congolese rapper and grime artist – Obi Rudo performs in Worcester

–    An agreement to stop performing  on a request by police, Council workers etc. – So not even 45 minutes is guaranteed.  Because it seems that so many people will have the power to silence artists, it won`t be even possible to play a few songs. Nothing short of censorship in our book. But who needs artists and culture anyway? We have a statue of Elgar on High Street.

–    Complaints from shop owners about the noise – We can`t speak about every shop keeper in town but there seems to be a good relationship between artists and shop/stall owners. CrownGate has a small scene in the middle of their shopping arcade where artists can perform. We have spoken to many buskers and people who listen to street music in the past year and there was only one instance of loud music being complained about (the performer was a dancer and not a musician). Can we know how many complaints about buskers were lodged with the Council in the last year? In summer Worcester welcomed a whole brass band Gugge 2000. They were ace but very loud. Our ears were ringing for two days and it was fine.

Gugge 2000 play in front Guildhall on the High Street, Worcester as a part of Summer Festival

Gugge 2000 play in front Guildhall on the High Street, Worcester as a part of Summer Festival

We love music and had a chance to see not only fantastic local artists (Amie, Stolen Chocolates, Ken Pollock, Neil Ivison, The Fidgets, Jodie Hughes) but respected artists as well (Nigel Clark of Dodgy, Rita Lynch) perform in town. Some of the artists were busking. We acquired a handful of signed CDs. Seen breathtaking art (Richard Price and his paintings, tightrope walker who played a violin). We enjoyed each and every of the performances. We spent countless hours to promote those artists online as well, to put Worcester on a music map. We don’t understand why Council is trying to discourage art and music, instead of supporting it.

Young artist Amie sings on a stage located at the CrownGate Shopping complex in Worcester

Young artist Amie sings on a stage located at the CrownGate Shopping complex in Worcester

There`s so much to be done:

–     On 23 July 2016 London celebrated International Busking Day. 36 cities across UK joined the initiative, additional 100 around the world. But not Worcester. Why not?

–    At the end of January we celebrate Independent Venue Week – seven days of concerts to raise awareness of importance of small venues where artists can play. Worcester is only represented by The Marrs Barr. Is that all we can do?

–    We have The Fidgets – one of the most unique bands on the scene as we speak.  A group that continues the tradition of pure rock mixed with acoustic harmonies. The last band that played this way was Cast and that was 90s. The Fidgets have been on BBC Introducing. They busk around and build their own  fanbase. We wonder if Worcester City Council realizes the potential and opportunities being born from supporting local artists. 1 in every 100 jobs in Liverpool was created by The Beatles. Manchester has Oasis. We are not worse in this regard, we have our own local scene bursting with talent.

Worcester most loved band -The Fidgets play during their BBC Introducing session

Worcester most loved band -The Fidgets play during their BBC Introducing session

–    We won`t mention upcoming artists like Ewan Pollock, Jodie Hughes, Poppy WS or The Jevs – huge talents in their own right, just need some investment. Why can`t we have grants or stipends for artists like them?

–    Busking is not easy. Standing with a guitar in front of the public is one of the bravest acts an artist can do. Sometimes our artists are verbally harassed. We need designed spots where buskers can feel safe and where they can perform. Not the other way around.

Street artist Richard Price inspects his paintings on High Street, Worcester

Street artist Richard Price inspects his paintings on High Street, Worcester

–    Our buskers were freezing while playing during Victorian Fayre in 2016.  Is it really that much to offer them a complimentary tea or a sandwich for entertaining crowds? We are sure it wouldn’t cost a fortune.

–    We have Worcester Music Festival but some genres of music and possible venues are not considered. Not one concert for classical music was organized. St Helen`s Church (which can be a good venue) was standing empty. We would imagine that Council would be co-ordinating or at least contributing towards such initiatives.

We hope our letter won`t be seen as too critical. We are all for regulation but let`s regulate things in a safer, friendlier and  constructive way. Music and art have been bringing huge amounts of revenues and recognition to United Kingdom for decades, but to continue we must invest in them.

Kind regards,
Malicia & Rita Dabrowicz
Vanadian Avenue

Some links to buck up claims in our letter:

All images taken by us albeit with a mobile phone. Pardon the quality.


We will keep you posted once we hear more about this killer cultural procedure.


********* Update 04/01/2017************

Hello Dear Readers,

An update to our open letter – because we managed to gather more information.

When Worcester News broke the story yesterday, a great thing has happened. People came out and voiced their admiration for buskers and street artists. The story on Facebook had over 200 comments, many of them mentioning  our leading band in town – The Fidgets. It was fantastic to read the praises – we can only hope that there`s no doubt right now what a treasure and ray of joy The Fidgets really are.

Online comments regarding Worcester best band - The Fidgets -

Online comments regarding Worcester best band – The Fidgets –

Many people – like us – were upset because we were trying to find out the text of buskers code in Worcester and nothing was available. Not on the City Council web site or anywhere else. If one had persistence – after hours of pestering  Uncle Google, you could find these and they are not a joy to read.

The undated buskers guide that we have found, page 1

The undated buskers guide that we have found, page 1

Undated buskers guide we found, page 2

Undated buskers guide we found, page 2

It  seems to be a very old (decade old?) code of buskers used by Worcester City Council. The trouble with such finds is very simple. Undated documents  may be old, and  if they are not specific means they can be interpreted in many ways. That is why laws  or codes or T&C usually have to be very precise to be functioning.

The source link is this one

Having just one source is not enough. To fully understand what changes are made we still needed the new code for comparison.

So when we went to bed, we were confused just like everybody else.

Thankfully today Worcester City Council stepped up to the task and provided a blog throwing a lot of light on the situation.

You can read it here – it contains the proposed new code and as you can see it is rather user friendly and longish and detailed.  Hear that sound – it’s a collective sigh of relief coming from everyone at Vanadian Avenue.

We had a chat on Twitter with the Councils and we were provided with additional links. The new updated code for buskers was initiated in November 2016 and  is being prepared with Worcester BID and Keep Streets Live! Initiative (

Please read the links below and if you are a busker or a local musicians, please get in touch and let City Council know what you think of the proposal:

That’s all for now folks,